{"id":90956,"date":"2026-01-29T20:57:21","date_gmt":"2026-01-29T19:57:21","guid":{"rendered":"https:\/\/laindependent.cat\/?p=90956"},"modified":"2026-01-30T18:32:48","modified_gmt":"2026-01-30T17:32:48","slug":"maria-magdalena-al-tnc-ariadna-gil-protagonitza-un-homenatge-a-les-dones-silenciades-del-cristianisme","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/es\/maria-magdalena-al-tnc-ariadna-gil-protagonitza-un-homenatge-a-les-dones-silenciades-del-cristianisme\/","title":{"rendered":"Maria Magdalena al TNC: Ariadna Gil protagonitza un homenatge a les dones silenciades del cristianisme."},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">L&#8217;espectacle, segons el&nbsp;text de <strong>Michael De Cock<\/strong>, i la dramat\u00fargia i direcci\u00f3 de&nbsp;<strong>Carme Portaceli<\/strong> i <strong>d\u2019In\u00e9s Boza<\/strong> parteix del personatge b\u00edblic com a s\u00edmbol &#8220;de les dones esborrades&#8221; i silenciades i desplega una reflexi\u00f3 sobre com el patriarcat ha fixat relats i conductes envers les dones i que durant segles l\u2019esgl\u00e9sia cat\u00f2lica ha ocultat i tergiversat com el \u201crelat\u201d sobre Maria Magdalena. &nbsp;Van menysprear a la que va ser l\u00edder dels ap\u00f2stols, com una prostituta penedida, una seguidora m\u00e9s de Jes\u00fas sense import\u00e0ncia, malgrat que sembla que va ser l\u2019\u00fanica que el va poder veure ressuscitat, i va ser autora d\u2019un evangeli propi .<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L\u2019obra \u00e9s va estrenar el dijous 22 de gener i durar\u00e0 exactament un mes, fins al 22 de febrer, i despr\u00e9s iniciar\u00e0 una gira internacional( *). Cal tenir en compte que t\u00e9 un repartiment internacional, liderat per <strong>Ariadna Gil<\/strong>, que va estar espl\u00e8ndida expressant el seu drama personal, al mateix temps que defensant la seva investigaci\u00f3 sobre Maria Magdalena. Es pot dir que es tracta d\u2019una obra col\u00b7lectiva, amb una majoria de dones del teatre catal\u00e0 i d\u2019altres pa\u00efsos, que destaquen no nom\u00e9s en la interpretaci\u00f3,&nbsp;sin\u00f3 tamb\u00e9 en la musica, la dansa i l\u2019escenografia, juntament amb personatges masculins, com l&#8217;actor i ballar\u00ed portugu\u00e8s <strong>Romeu Runa<\/strong>, que fa de taxista, i quan la protagonista s\u2019assabenta que \u00e9s &nbsp;diu Jes\u00fas, el mira amb ironia pensant si es un somni o realment est\u00e0 davant una segona \u201cresurrecci\u00f3\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1000\" height=\"421\" src=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2026\/01\/26mariamagadalena2-1000x421.jpg\" alt=\"\" class=\"wp-image-90957\" srcset=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2026\/01\/26mariamagadalena2-1000x421.jpg 1000w, https:\/\/laindependent.cat\/wp-content\/uploads\/2026\/01\/26mariamagadalena2-300x126.jpg 300w, https:\/\/laindependent.cat\/wp-content\/uploads\/2026\/01\/26mariamagadalena2-768x323.jpg 768w, https:\/\/laindependent.cat\/wp-content\/uploads\/2026\/01\/26mariamagadalena2-1536x646.jpg 1536w, https:\/\/laindependent.cat\/wp-content\/uploads\/2026\/01\/26mariamagadalena2-2048x861.jpg 2048w, https:\/\/laindependent.cat\/wp-content\/uploads\/2026\/01\/26mariamagadalena2-scaled.jpg 1500w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Una hero\u00efna contra el menyspreu de l\u2019Esgl\u00e9sia cat\u00f2lica, apost\u00f2lica i romana<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El muntatge que ha posat en marxa Carme Portaceli, \u00e9s impressionant, sorpr\u00e8n i aclapara alhora a totes les persones que omplen la sala. La directora i el seu equip utilitzen tots els recursos audiovisuals, ic\u00f2nics i coreogr\u00e0fics que els permet l\u2019enorme escenari del TNC, aconseguint una obra radicalment feminista, que vol&nbsp; respondre a totes les preguntes des del documentalisme hist\u00f2ric i la dramat\u00fargia, que es poden fer sobre Maria Magdalena. La converteixen en punta de llan\u00e7a de la croada feminista en una obra que camina per sobre del documentalisme hist\u00f2ric, per\u00f2 que concentra l\u2019atenci\u00f3 en els problemes d\u2019una dona, Miriam (Ariadna Gil), una historiadora que acaba de separar-se i a qui el marit vol prendre la cust\u00f2dia de la filla amb l\u2019argument que \u00e9s incapa\u00e7 de protegir-la, per la seva dedicaci\u00f3&nbsp; a la feina.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L\u2019impressionant posada en escena que crea Portaceli, sorgeix d&#8217;all\u00f2 que ella mateixa explica: \u201cFins fa molt poc (el m\u00f3n \u00e9s molt vell) les dones no hem tingut&nbsp; possibilitat d\u2019explicar qui som, qu\u00e8 sentim, que pensem i quina es la nostra visi\u00f3 del m\u00f3n. Sempre ho ha fet alg\u00fa altre per nosaltres\u201d.&nbsp; I aix\u00ed ho aclareix tamb\u00e9 al principi de l\u2019obra, la protagonista \u201ctot es un relat\u201d. &nbsp;En aquesta historia caldria afegir, que es un relat que comen\u00e7a fent preguntes per\u00f2 que despr\u00e9s dona les respostes. Possiblement perqu\u00e8 la representaci\u00f3 est\u00e0&nbsp;dirigida a tota classe de p\u00fablics, sobretot, als que la coneixen poc o es van quedar amb la historia oficial de la \u201cprostituta penedida\u201d a qui Jesucrist va perdonar.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"650\" height=\"909\" data-id=\"90958\" data-src=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2026\/01\/26mariamagdalena_tnc_cartel.png\" alt=\"\" class=\"wp-image-90958 lazyload\" data-srcset=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2026\/01\/26mariamagdalena_tnc_cartel.png 650w, https:\/\/laindependent.cat\/wp-content\/uploads\/2026\/01\/26mariamagdalena_tnc_cartel-215x300.png 215w\" data-sizes=\"(max-width: 650px) 100vw, 650px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 650px; --smush-placeholder-aspect-ratio: 650\/909;\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"700\" height=\"439\" data-id=\"90959\" data-src=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2026\/01\/26mariamagda_miriammoukles.jpg\" alt=\"\" class=\"wp-image-90959 lazyload\" data-srcset=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2026\/01\/26mariamagda_miriammoukles.jpg 700w, https:\/\/laindependent.cat\/wp-content\/uploads\/2026\/01\/26mariamagda_miriammoukles-300x188.jpg 300w\" data-sizes=\"(max-width: 700px) 100vw, 700px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 700px; --smush-placeholder-aspect-ratio: 700\/439;\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">La representaci\u00f3 dura dues hores, per\u00f2 resulta molt entretinguda, malgrat la repetici\u00f3 dels fragments de la historia de Maria Magdalena, o del propi drama de la protagonista. Cal destacar uns moments inoblidables, com quan <strong>M\u00edriam Moukhles<\/strong>, la actriu que fa d\u2019una de les filles d\u2019Ariadna Gil, s\u2019enfronta sola a l\u2019auditori en un mon\u00f2leg insuperable sobre qu\u00e8 s\u2019espera d\u2019una dona, deixar-la actuar com a dona lliure o segons com manen els estereotips. I per aix\u00f2 crida i es pregunta: \u201con s&#8217;han de situar les dones per a ser acceptades, entre&nbsp;la santa i la puta, entre Eva i la Verge Mar\u00eda. Destaca el sentiment d&#8217;admiraci\u00f3 que reflexa, la seva mare, darrera d\u2019ella, aix\u00ed com la de Romeu Runa (el taxista) que al\u00b7lucina davant de seu talent expressiu, amb el que tamb\u00e9 s\u2019identifica el p\u00fablic assistent, que es queda amb la boca oberta. <strong>Ana Naqe<\/strong>, la cantant albanesa, amb la seva veu i can\u00e7ons tamb\u00e9 ens regala moments musicals excel\u00b7lents.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Que no ens esborrin de la Hist\u00f2ria<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ariadna Gil, com Miriam, te molt clar quan viatja de Brussel\u00b7les a Barcelona, per a fer una conferencia sobre Maria Magdalena, que la seva feina com a investigadora pot ser \u201cridiculitzada\u201d despr\u00e9s de tant segles de manipulaci\u00f3 del personatge: \u201dEns han dit que Maria Magdalena era una cosa que no era, i a les dones aix\u00f2 ens va despertar moltes preguntes\u201d. L\u2019actriu demana una actitud oberta i espera que la gent que la escolti es deixi portar sense judicis davant d\u2019un relat que no ho vol aclarir tot, per\u00f2 que segons ella: \u201cel m\u00e9s important \u00e9s all\u00f2 que volem remarcar, i \u00e9s que les dones seguim lluitant per trobar el nostre lloc al mon\u201d. Hi ha moltes Maria Magdalena -moltes m\u00e9s que les que amb el seu nom trobem en pintures, esgl\u00e9sies i centres- que defensen la seva vida, i que no volem que \u201cs\u2019esborrin de la hist\u00f2ria, rebla.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(*) El muntatge \u00e9s en&nbsp;catal\u00e0, amb fragments en&nbsp;angl\u00e8s,&nbsp;portugu\u00e8s i&nbsp;alban\u00e8s, t\u00e9 una&nbsp;durada de dues hores. L&#8217;obra anir\u00e0 d&#8217;aqu\u00ed 2 meses al teatre KVR que dirigeix Michael De Kock, a Brusel.les.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">[+info ] <a href=\"https:\/\/www.tnc.cat\/es\/maria-magdalena\">https:\/\/www.tnc.cat\/es\/maria-magdalena<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fotos: TNC, i Susana Sosa Villafa\u00f1e<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L&#8217;espectacle, segons el&nbsp;text de Michael De Cock, i la dramat\u00fargia i direcci\u00f3 de&nbsp;Carme Portaceli i d\u2019In\u00e9s Boza parteix del personatge b\u00edblic com a s\u00edmbol &#8220;de les dones esborrades&#8221; i silenciades i desplega una reflexi\u00f3 sobre com el patriarcat ha fixat [&hellip;]<\/p>\n","protected":false},"author":66,"featured_media":90960,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26299,26422,26434,26509],"tags":[53972,53861,53969,53863,53862,52015,53968,53966,53967,53971,43517,53970],"class_list":["post-90956","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","category-maternitat-i-paternitat","category-sexualitat","category-teatre","tag-ana-naqe","tag-apostols-de-jesucrist","tag-ariadna-gil","tag-carme-portaceli","tag-esgesia-catolica","tag-esglesia-catolica-4","tag-ines-boza","tag-maria-magdalena","tag-michael-de-cock","tag-miriam-moukhles","tag-patriarcat-3","tag-romeu-runa"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Maria Magdalena al TNC: Ariadna Gil protagonitza un homenatge a les dones silenciades del 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