{"id":87346,"date":"2025-05-22T19:57:11","date_gmt":"2025-05-22T17:57:11","guid":{"rendered":"https:\/\/laindependent.cat\/?p=87346"},"modified":"2025-05-23T15:46:55","modified_gmt":"2025-05-23T13:46:55","slug":"comienza-la-33a-mostra-de-films-de-dones","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/es\/comienza-la-33a-mostra-de-films-de-dones\/","title":{"rendered":"Comienza la 33a Mostra de films de Dones"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Ayer jueves 22 de mayo se inici\u00f3 la 33.\u00aa edici\u00f3n de la Muestra Internacional de Films de Mujeres de Barcelona (MIFDB, siglas en catal\u00e1n) que contin\u00faa en la l\u00ednea de los \u00faltimos a\u00f1os y se organiza en dos momentos diferentes: el Vol. Y, el que ahora empieza, y el Vol. II, que tendr\u00e1 lugar durante el oto\u00f1o. Este a\u00f1o la Muestra se enuncia <strong>\u201cEn compa\u00f1\u00eda de extra\u00f1as: revisiones colectivas de pasados, presentes y futuros\u201d<\/strong>.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>La 33.\u00aa MIFDB<\/strong> nos ha ido descubriendo, durante estos a\u00f1os, much\u00edsimas producciones producidas por mujeres que utilizan un imaginario muy diferente en el habitual cine comercial. Seg\u00fan las organizadoras, \u201cve en el cine un lenguaje desde el cual explicar el mundo m\u00e1s all\u00e1 del abismo\u201d. Nos explican, que la Muestra ha seleccionado\u00a0 pel\u00edculas que\u00a0 \u201cEn tiempos hostiles, defienden im\u00e1genes que no subrayen el miedo sino el deseo. Im\u00e1genes que enfoquen los juncos que nacen de los pantanos, que expriman los limones y las conviertan en dulces. Contraim\u00e1genes de la individualidad solitaria, que movilicen los relatos desde el apoyo en las otras.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Espot Vol. I de la 33 Mostra Internacional de Films de Dones de Barcelona\" width=\"800\" height=\"450\" data-src=\"https:\/\/www.youtube.com\/embed\/WUdPN1W82LU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Esta primera parte\u00a0 se llevar\u00e1 a cabo a la Filmoteca de Catalu\u00f1a entre el 22 de mayo y el 18 de julio, se exhibir\u00e1n un total de 55 pel\u00edculas -21 largometrajes y 34 cortometrajes-. La programaci\u00f3n acoge siete secciones: <strong>Persistencias f\u00edlmicas, Retrospectiva de Sarah Maldoror y Sesiones familiares a la Filmoteca de Catalu\u00f1a, Cine fuera de lugar en diferentes plazas de Barcelona, Sesiones especiales en el Candy Darling, La Bonne, Zumzeig Cine cooperativa y Santa M\u00f2nica, Actividades educativas y la MIFDB a Filmin<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La secci\u00f3n <strong>Persistencias f\u00edlmicas<\/strong> se adentra en el esp\u00edritu original de la MIFDB y \u201cpropicia di\u00e1logos entre pel\u00edculas contempor\u00e1neas y piezas de recuperaci\u00f3n, responde a la voluntad continuada de las cineastas de sacudir los modelos f\u00edlmicos e inventar nuevos lenguajes narrativos\u201d segundos las organizadoras. Las sesiones\u00a0 cuentan con el acompa\u00f1amiento de cineastas pioneras, directoras noveles y realizadoras consagradas que compartir\u00e1n su mirada sobre la creaci\u00f3n cinematogr\u00e1fica como: Narges Kalhor directora del film Shahid (2024), multipremiada a la Berlinale.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1000\" height=\"500\" src=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/shahid-copia-1000x500.jpg\" alt=\"\" class=\"wp-image-87356\" srcset=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/shahid-copia-1000x500.jpg 1000w, https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/shahid-copia-300x150.jpg 300w, https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/shahid-copia-768x384.jpg 768w, https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/shahid-copia-1536x768.jpg 1536w, https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/shahid-copia-scaled.jpg 1500w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\"><em>Shahid<\/em> (2024), film multipremiado en la Berlinale.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1000\" height=\"500\" data-src=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/leila-1000x500.jpg\" alt=\"\" class=\"wp-image-87364 lazyload\" data-srcset=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/leila-1000x500.jpg 1000w, https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/leila-300x150.jpg 300w, https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/leila-768x384.jpg 768w, https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/leila-1536x768.jpg 1536w, https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/leila-scaled.jpg 1500w\" data-sizes=\"(max-width: 1000px) 100vw, 1000px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1000px; --smush-placeholder-aspect-ratio: 1000\/500;\" \/><figcaption class=\"wp-element-caption\">Otro film destacado es<em><strong> Leila and the Wolves (1984)<\/strong><\/em>, un manifiesto antipatriarcal dirigido por la cineasta libanesa <strong>Heiny Srour<\/strong>.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Las programadoras destacan que <em>\u201cDespu\u00e9s de m\u00e1s de setenta a\u00f1os de la ocupaci\u00f3n a Palestina y en el contexto actual de genocidio, esta pel\u00edcula destaca como especialmente\u00a0 urgente\u201d<\/em>. La\u00a0proyecci\u00f3n contar\u00e1 con la presencia de la directora, la primera mujer \u00e1rabe a presentar una pel\u00edcula en el Festival de Cannes, en su primera visita en el Estado espa\u00f1ol.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Destacan otros films como <em><strong>Valentina and the MUOsters<\/strong><\/em>, dirigida por Francesca Scalisi y (<strong><em>Revoluci\u00f3n cumple t\u00fa promesa<\/em><\/strong>) <strong><em>Amor rojo<\/em><\/strong>, de Dora Garc\u00eda. El primer film plantea una nueva forma de documentar la lucha ecol\u00f3gica y por los derechos de la tierra, a la vez que ofrece una mirada c\u00e1lida y emp\u00e1tica hacia la ternura y el conflicto en las relaciones familiares.\u00a0 La pel\u00edcula de Dora Garc\u00eda, una artista multidisciplinar, gira en torno a la figura de la escritora y revolucionaria sovi\u00e9tica, Alexandra Kollontai, y la vigencia de su pensamiento en los transfeminismos latinoamericanos actuales.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1000\" height=\"500\" data-src=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/amor-rojo-copia-1000x500.jpg\" alt=\"\" class=\"wp-image-87367 lazyload\" data-srcset=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/amor-rojo-copia-1000x500.jpg 1000w, https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/amor-rojo-copia-300x150.jpg 300w, https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/amor-rojo-copia-768x384.jpg 768w, https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/amor-rojo-copia-1536x768.jpg 1536w, https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/amor-rojo-copia-scaled.jpg 1500w\" data-sizes=\"(max-width: 1000px) 100vw, 1000px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1000px; --smush-placeholder-aspect-ratio: 1000\/500;\" \/><figcaption class=\"wp-element-caption\">Imagen de &#8220;<em>Amor rojo<\/em>&#8220;, de Dora Garcia.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Esta 33.\u00aa edici\u00f3n de la MIFDB <strong>dedica su retrospectiva a Sarah Maldoror<\/strong>, una cineasta clave del movimiento de la negritud y una de las primeras mujeres a dirigir un largometraje en \u00c1frica. Su amplio legado ser\u00e1 presente en este programa con unos veinte cortos y siete largometrajes. Las proyecciones contar\u00e1n con la participaci\u00f3n de voces fundamentales del pensamiento decolonial actual, como la antrop\u00f3loga Aida Bueno, la poeta Mafe Moscoso y la hija de la cineasta, Annouchka de Andrade.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Las Sesiones familiares, dirigidas al p\u00fablico m\u00e1s peque\u00f1o y sus familias, proponen pel\u00edculas que estimulen la sensibilidad est\u00e9tica, la educaci\u00f3n emocional y la transmisi\u00f3n de valores sociales y culturales. Estas sesiones, que siempre cuentan con acompa\u00f1amiento, est\u00e1n comprometidas con la diversidad cultural y est\u00e9tica y ponen en valor la contemplaci\u00f3n y la comprensi\u00f3n para huir de la violencia est\u00e9tica y narrativa que domina la mayor\u00eda de pantallas comerciales, sin renunciar al goce, el placer y la diversi\u00f3n.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1000\" height=\"500\" data-src=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/holafrida_0-1000x500.jpg\" alt=\"\" class=\"wp-image-87359 lazyload\" data-srcset=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/holafrida_0-1000x500.jpg 1000w, https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/holafrida_0-300x150.jpg 300w, https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/holafrida_0-768x384.jpg 768w, https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/holafrida_0.jpg 1500w\" data-sizes=\"(max-width: 1000px) 100vw, 1000px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 1000px; --smush-placeholder-aspect-ratio: 1000\/500;\" \/><figcaption class=\"wp-element-caption\"><strong><em>&#8220;Las Sesiones familiares, dirigidas al p\u00fablico m\u00e1s peque\u00f1o y sus familias, proponen pel\u00edculas que estimulen la sensibilidad est\u00e9tica, la educaci\u00f3n emocional y la transmisi\u00f3n de valores sociales y culturales.&#8221;<\/em><\/strong><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Desde sus inicios, esta Muestra ha tenido un papel reivindicativo y de visibilidad. Las pel\u00edculas que se exhiben as\u00ed nos lo muestran. En este contexto, hace unos a\u00f1os que la MIFDB sale de los cines en las plazas -as\u00ed como a la plataforma audiovisual Filmin- y lleva a cabo actividades paralelas abiertas en la ciudad con formatos alternativos\u00a0 y p\u00fablicos diferentes. La Muestra es el referente del feminismo a la pantalla que <em>\u201cinvita a todo el mundo a sumergirse en esta propuesta cin\u00e9fila, hecho de ternura e irreverencia, de reflexi\u00f3n e \u00edmpetu. A practicar una cinefilia de sala oscura y miradas de simpat\u00eda entre extra\u00f1as, una cinefilia de historias vividas en colectivo.\u201d<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" width=\"707\" height=\"1000\" data-src=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/33_mifdb_cartel_vertical_a3-707x1000.jpg\" alt=\"\" class=\"wp-image-87353 lazyload\" data-srcset=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/33_mifdb_cartel_vertical_a3-707x1000.jpg 707w, https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/33_mifdb_cartel_vertical_a3-212x300.jpg 212w, https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/33_mifdb_cartel_vertical_a3-768x1086.jpg 768w, https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/33_mifdb_cartel_vertical_a3-1086x1536.jpg 1086w, https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/33_mifdb_cartel_vertical_a3-1448x2048.jpg 1448w, https:\/\/laindependent.cat\/wp-content\/uploads\/2025\/05\/33_mifdb_cartel_vertical_a3-scaled.jpg 1061w\" data-sizes=\"(max-width: 707px) 100vw, 707px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 707px; --smush-placeholder-aspect-ratio: 707\/1000;\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Ayer jueves 22 de mayo se inici\u00f3 la 33.\u00aa edici\u00f3n de la Muestra Internacional de Films de Mujeres de Barcelona (MIFDB, siglas en catal\u00e1n) que contin\u00faa en la l\u00ednea de los \u00faltimos a\u00f1os y se organiza en dos momentos diferentes: [&hellip;]<\/p>\n","protected":false},"author":63,"featured_media":87350,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26508,26301,25849],"tags":[52584,52585,52586,26977,52587,30988,52588,52589,52590,52477,52591,43434],"class_list":["post-87346","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine","category-cultura","category-la-independent","tag-33a-mifdb-es","tag-aida-bueno-es","tag-annouchka-de-andrade-es","tag-barcelona","tag-dora-garcia-es","tag-drac-magic","tag-francesca-scalisi-es","tag-heiny-srour-es","tag-mafe-moscoso-es","tag-mostra-de-films-de-dones","tag-narges-kalhor-es","tag-sarah-maldoror"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Comienza la 33a Mostra de films de Dones | La Independent<\/title>\n<meta name=\"description\" content=\"Ayer 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