{"id":87139,"date":"2025-05-22T19:58:08","date_gmt":"2025-05-22T17:58:08","guid":{"rendered":"https:\/\/laindependent.cat\/?p=87139"},"modified":"2025-05-22T22:23:38","modified_gmt":"2025-05-22T20:23:38","slug":"alicia-no-va-del-cancer-va-dels-marges","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/es\/alicia-no-va-del-cancer-va-dels-marges\/","title":{"rendered":"Al\u00edcia no va del c\u00e0ncer, va dels marges"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Per La Briana Teatre.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Fins el 25 de maig, el Teatre Nacional de Catalunya dedica aquesta temporada 24\/25 als marges, all\u00f2 que \u201cs\u2019allunya del model establert com a desitjable\u201d. <\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En aquest marc, el passat 8 de maig s\u2019estren\u00e0 a la Sala Tallers <em>Al\u00edcia en un m\u00f3n real<\/em>, adaptaci\u00f3 de la novel\u00b7la gr\u00e0fica hom\u00f2nima, escrita per <strong>Isabel Franc<\/strong> amb dibuixos de <strong>Susanna Mart\u00edn<\/strong>, un llibre que, des de la perspectiva autobiogr\u00e0fica, desdramatitza el proc\u00e9s de detecci\u00f3 i curaci\u00f3 d\u2019un c\u00e0ncer de mama i, alhora, fa una cr\u00edtica contundent al sistema sanitari, la imposici\u00f3 d\u2019una est\u00e8tica determinada o la construcci\u00f3 social de la malaltia, tot emmarcat en un cercle d\u2019amistats fora del tradicional.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La decisi\u00f3 de portar-la a escena arriba de la m\u00e0 d\u2019una de les actrius i directores esc\u00e8niques m\u00e9s compromeses del moment: <strong>Teresa Urroz<\/strong>, qui porta ja molt de temps mostrant la seva implicaci\u00f3 amb un teatre inclusiu, atrevit, valent i sense embuts. \u00c9s ella qui convida a l\u2019autora, <strong>Isabel Franc<\/strong>, a fer l\u2019adaptaci\u00f3 i hi col\u00b7labora amb decisives aportacions dramat\u00fargiques. Es dona la circumst\u00e0ncia que ambdues han viscut en primera persona un proc\u00e9s de c\u00e0ncer i ambdues coincideixen en fer una com\u00e8dia dram\u00e0tica on la malaltia no sigui l\u2019eix principal sin\u00f3 un punt de partida per reflexionar sobre els marges, l\u2019inconformisme, la desobedi\u00e8ncia i, molt especialment, les cures i l\u2019acompanyament.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Els personatges d\u2019Al\u00edcia es mouen al l\u00edmit de tots els marges. 1. Tres amigues, que han arribat a aquest vincle \u2014definit per <strong>Marina Garc\u00e9s <\/strong>com \u201cl\u2019\u00fanica relaci\u00f3 estable per a la que no hem inventat \u201cpapers\u201d\u2014 despr\u00e9s d\u2019haver compartit espai afectiu-sexual (el que popularment anomenem \u201cex\u201d). 2. La seva condici\u00f3 de dones que defensen i practiquen un nou model de relaci\u00f3 sorgit de les aliances creades per les xarxes feministes. 3. Totes elles es troben a la cinquantena, l\u2019edat en que una dona comen\u00e7a a ser invisible per al patriarcat, no pas per a d\u2019altres dones. 4. La seva opci\u00f3 afectiva-sexual no \u00e9s la que la societat admet com a ideal, tot i que t\u00e9 el \u201cdetall\u201d d\u2019acceptar-la. I per acabar d\u2019adobar una situaci\u00f3 de marginalitat, Al\u00edcia, la protagonista, ha d\u2019afrontar aquesta malaltia estigmatitzada a la que sovint els mitjans de comunicaci\u00f3, fan al\u00b7lusi\u00f3 amb el gens innocent eufemisme d\u2019una \u201cllarga malaltia\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Sobre la construcci\u00f3 social del c\u00e0ncer.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Susan Sontag<\/strong> ja va alertar sobre la \u201cdifer\u00e8ncia de classes\u201d dins la malaltia. El glamur po\u00e8tic amb que la literatura ha tractat la tuberculosi poc t\u00e9 a veure amb el silenci tr\u00e0gic que envolta el c\u00e0ncer o el tractament inhum\u00e0 que ha rebut la Sida. Sontag reflexiona sobre les estructures ling\u00fc\u00edstiques que s\u2019utilitzen per tal d\u2019explicar la malaltia segons cada societat i moment hist\u00f2ric i afirma que \u201cla forma m\u00e9s sana d\u2019estar malalta \u00e9s tot fugint de la met\u00e0fora\u201d. En el cas del c\u00e0ncer s\u2019ha optat, clarament, pel llenguatge b\u00e8l\u00b7lic: \u201cla invasi\u00f3 de les c\u00e8l\u00b7lules\u201d que \u201ccolonitzen\u201d un cos on es posen en marxa \u201cles defenses\u201d per tal de \u201cguanyar la batalla\u201d i ser una \u201csupervivent\u201d, sense oblidar la col\u00b7laboraci\u00f3 de l\u2019arma qu\u00edmica que representen els tractaments. En opini\u00f3 de Sontag, aix\u00f2 afavoreix l\u2019estigmatitzaci\u00f3. Per\u00f2 d\u2018on sorgeix la met\u00e0fora sin\u00f3 de la ocultaci\u00f3? Sontag diu que es parla del c\u00e0ncer amb circumloquis perqu\u00e8, a difer\u00e8ncia d\u2019altres malalties, que tamb\u00e9 coquetegen amb la mort, t\u00e9 un car\u00e0cter obsc\u00e8, \u00e9s a dir, imp\u00fadic, que of\u00e8n i \u00e9s de mal auguri.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Maria-Merc\u00e8 Mar\u00e7al<\/strong> ens dona una perspectiva diferent. Poeta contestat\u00e0ria, posa el contrapunt l\u00edric al proc\u00e9s de malaltia i mort amb un poemari, <em>Ra\u00f3 del cos<\/em>, on la met\u00e0fora \u00e9s el principi de la vida i, enlloc de repetir els t\u00f2pics malignes i culpabilitzadors sobre el c\u00e0ncer, en crea de nous :<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Covava l\u2019ou de la mort blanca<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Sota l\u2019aixella, arran de pit <a href=\"#_ftn1\" id=\"_ftnref1\"><strong>[1]<\/strong><\/a><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mar\u00e7al parla de la mort de forma directa i serena integrant-la amb les seves tem\u00e0tiques habituals: la terra, la transmissi\u00f3 liter\u00e0ria o l\u2019amor amb veu de dona.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Al\u00edcia en un m\u00f3n real,<\/em> per portar un xic m\u00e9s la contraria, es mou en el terreny de la com\u00e8dia. L\u2019obra s\u2019emmarca en tres eixos que defineixen el seu car\u00e0cter vital, reivindicatiu, on\u00edric i, sobre tot, ir\u00f2nic: els marges, la cr\u00edtica al sistema farmaco-sanitari i una quotidianitat on realitat i fantasia es combinen i juguen.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>El meravell\u00f3s univers Carroll<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L\u2019Al\u00edcia esc\u00e8nica s\u2019emmiralla amb l\u2019Al\u00edcia de<strong> Lewis Carroll<\/strong>, per\u00f2 mentre que la nena del conte s\u2019avorreix a la realitat i les seves aventures comencen tot entrant al cau darrera d\u2019un conillet blanc, l\u2019Al\u00edcia real \u00e9s feli\u00e7 en el seu caos quotidi\u00e0 fins que se li apareix una dona amb bata blanca que la conduir\u00e0, amb moltes preses, al t\u00fanel fosc que representa la malaltia: \u201cArribar\u00e9 tard \u2014diu tot posant-se i traient-se la bata\u2014 arribar\u00e9 massa tard\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Quan un diagn\u00f2stic atura el nostre m\u00f3n, la realitat es veu alterada, invertida i tant sols pot ser explicada a trav\u00e9s del mirall. Perqu\u00e8 nom\u00e9s el mirall ens permet veure el que hi ha al darrere, ens dona la perspectiva d\u2019all\u00f2 que no es pot afrontar de cara sense cap-girar-se.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Un t\u00fanel fosc del que no es veu el final, una doctora que talla pits com la Reina de Cors tallava caps, uns protocols obligatoris que no permeten cap mena de q\u00fcestionament, una cursa de tanques que cal saltar de cap per avall&#8230; L\u2019esperit rebel i inconformista de l\u2019Al\u00edcia posa en dubte tot aquest seguit de par\u00e0metres imposats. Demana una informaci\u00f3 que no sempre li \u00e9s donada i, en la majoria dels casos, no pot ser discutida. La seva opini\u00f3 no compta, ella \u00e9s la pacient, la ignorant que ha d\u2019acatar el suprem saber del sistema m\u00e8dic. Aqu\u00ed surt la r\u00e0bia, la desobedi\u00e8ncia i el posicionament cr\u00edtic de la protagonista, tenyits d\u2019un sarcasme que tamb\u00e9 la situar\u00e0 en els marges, per\u00f2 no la far\u00e0 callar.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La proposta esc\u00e8nica \u00e9s arriscada i \u00e9s impactant. Els personatges han passat de les dues dimensions del paper a la magnitut poli\u00e8drica del teatre. \u201cUna construcci\u00f3 \u2014segons paraules de <strong>Marta Momblant<\/strong> al pr\u00f2leg del llibret<a href=\"#_ftn2\" id=\"_ftnref2\">[2]<\/a>\u2014 de peces diverses, amb vestigis visuals i audibles \u2014corporis, lum\u00ednics, gestuals, caracteritzacions i moviment\u2014, en cohesi\u00f3 amb el text\u201d. En qualsevol d\u2019aquestes dimensions, l\u2018Al\u00edcia real reivindica els beneficis de la com\u00e8dia dram\u00e0tica tot presentant personatges entranyables i esbojarrats, que es veuen i es reconeixen en els marges i opten per resistir i sortir-se\u2019n amb un beuratge m\u00e0gic similar al que a l\u2019Al\u00edcia de Carroll li permet travessar portes massa petites: tot posant-hi unes gotetes d\u2019humor a all\u00f2 quotidi\u00e0, a all\u00f2 que arriba o a all\u00f2 inevitable.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ftnref1\" id=\"_ftn1\">[1]<\/a> Maria-Merc\u00e8 Mar\u00e7al. <em>Ra\u00f3 del cos. <\/em>Emp\u00faries, 2000.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"#_ftnref2\" id=\"_ftn2\">[2]<\/a> Franc. I. Urroz, T. <em>Al\u00edcia en un m\u00f3n real. Adaptaci\u00f3 teatral.<\/em> La Briana Teatre, 2025.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Per La Briana Teatre. Fins el 25 de maig, el Teatre Nacional de Catalunya dedica aquesta temporada 24\/25 als marges, all\u00f2 que \u201cs\u2019allunya del model establert com a desitjable\u201d. En aquest marc, el passat 8 de maig s\u2019estren\u00e0 a la [&hellip;]<\/p>\n","protected":false},"author":50,"featured_media":87141,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26698,26509],"tags":[52395,52389,52397,47818,52020,25758,52393,52387,52394,48695,52391,52396,52392,52388,52390,52385],"class_list":["post-87139","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ilmlustracio-manga","category-teatre","tag-alicia-en-un-mon-real-2","tag-cancer-de-mama-3","tag-comedia-dramatica","tag-cures-2","tag-destaca","tag-destacada","tag-estigmatitzacio-2","tag-isabel-franc-2","tag-malaltia-2","tag-maria-merce-marcal-5","tag-marina-garces-2","tag-marta-momblant","tag-susan-sontag-2","tag-susanna-martin","tag-teresa-urroz-2","tag-tnc"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Al\u00edcia no va del c\u00e0ncer, va dels marges | La Independent<\/title>\n<meta name=\"description\" content=\"Per La Briana Teatre. Fins el 25 de maig, el Teatre Nacional de Catalunya dedica aquesta temporada 24\/25 als marges, all\u00f2 que \u201cs\u2019allunya del model\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/laindependent.cat\/es\/alicia-no-va-del-cancer-va-dels-marges\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Al\u00edcia no va del c\u00e0ncer, va dels marges | La Independent\" \/>\n<meta property=\"og:description\" content=\"Per La Briana Teatre. 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