{"id":69493,"date":"2022-01-12T19:46:06","date_gmt":"2022-01-12T18:46:06","guid":{"rendered":"https:\/\/laindependent.cat\/el-poder-de-jane-campion-2\/"},"modified":"2025-08-10T16:57:53","modified_gmt":"2025-08-10T14:57:53","slug":"el-poder-de-jane-campion-2","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/es\/el-poder-de-jane-campion-2\/","title":{"rendered":"El poder de Jane Campion"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">@wikipedia<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Jane Campion (Wellington, 1954) es una directora de cine neozelandesa, aunque la mayor parte de su trabajo lo ha realizado en Australia y los Estados Unidos<\/strong>.&nbsp;<\/p>\n\n\n\n<!--more-->\n\n\n\n<p class=\"wp-block-paragraph\">Se dio a conocer internacionalmente cuando su segunda pel\u00edcula, \u201cEl piano\u201d, gan\u00f3 la Palma de Oro en el Festival de Cannes de 1993 e impact\u00f3 al ofrecer una mirada femenina y feminista contando una historia de mujeres y represi\u00f3n. A partir del ic\u00f3nico piano abandonado en la playa, y con la famosa m\u00fasica de Michael Nyman, la pel\u00edcula, llena de silencios y de sensualidad, habla del propio deseo, del despertar sexual y de dejarse llevar por el placer y los sentimientos, tan reprimidos en hombres y mujeres, ahogados en el hast\u00edo y la soledad.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img fetchpriority=\"high\" decoding=\"async\" width=\"226\" height=\"360\" src=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2022\/01\/POFD_FullBilling_Teaser_Vertical_27x40_RGB_NL.jpg\" alt=\"POFD FullBilling Teaser Vertical 27x40 RGB NL\" class=\"wp-image-37958\" srcset=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2022\/01\/POFD_FullBilling_Teaser_Vertical_27x40_RGB_NL.jpg 226w, https:\/\/laindependent.cat\/wp-content\/uploads\/2022\/01\/POFD_FullBilling_Teaser_Vertical_27x40_RGB_NL-188x300.jpg 188w\" sizes=\"(max-width: 226px) 100vw, 226px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Esta semana <strong>Jane Campion<\/strong> ha recibido el Globo de Oro 2022 a la mejor direcci\u00f3n y a la mejor pel\u00edcula por \u201cEl poder del perro\u201d (\u201cThe power of the dog\u201d, Australia, 2021). Campion es la tercera mujer que gana el premio a la mejor direcci\u00f3n en la historia de los Globos de Oro &#8211;<strong>Barbra Streisand<\/strong> lo gan\u00f3 por &#8216;Yentl&#8217; (1983) y <strong>Chlo\u00e9 Zhao<\/strong> por &#8216;<a href=\"index.php?option=com_content&amp;view=article&amp;id=9248;nomadland-lestranya-guanyadora-dels-oscars-2021&amp;catid=92;cinema&amp;Itemid=129&amp;lang=es\" target=\"_blank\" rel=\"noreferrer noopener\">Nomadland<\/a>&#8216; el a\u00f1o pasado-, imponi\u00e9ndose nada m\u00e1s ni nada menos que a dos grandes apuestas de taquillazo cinematogr\u00e1fico: \u201cDune\u201d de Denis Villeneuve y \u201cWest Side Story\u201d de Steven Spielberg. \u201cEl poder del perro\u201d es lo contrario a la estridencia y a la exageraci\u00f3n, todo en la pel\u00edcula es sutil y soterrado.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Campion hac\u00eda 12 a\u00f1os que no estrenaba una pel\u00edcula. En 2009 \u201cBright star\u201d pas\u00f3 bastante desapercibida al ser un film excesivamente parsimonioso que se hace largo con tantos ires y venires del gui\u00f3n y de los personajes. Narra la historia de amor entre <strong>John Keats<\/strong> (1795-1821) y su musa, <strong>Fanny Brawne,<\/strong> un amor imposible, marcado por la norma social y por el estado de salud precario de Keats, que lo condujo a morir joven, dejando aun as\u00ed un gran legado po\u00e9tico. Es una historia de personajes fr\u00e1giles que Campion logra describir a la perfecci\u00f3n y cuyo desasosiego y romanticismo atrapan como lo hacen los versos de Keats.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Desde el 1 de diciembre pasado encontramos disponible en streaming en la plataforma \u201cNetflix\u201d el nuevo y esperado film de Jane Campion, aparentemente en forma de w\u00e9stern, si bien el ritmo y la profundidad con que relata la historia y describe los personajes la alejan un poco de este g\u00e9nero, m\u00e1s habitualmente centrado en la acci\u00f3n. La pel\u00edcula, filmada en Otago, Nueva Zelanda, est\u00e1 basada en una novela de t\u00edtulo hom\u00f3nimo de 1967 de <strong>Thomas Savage<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Son pocos los westerns dirigidos por mujeres y en esta pel\u00edcula, Campion rompe esta din\u00e1mica dejando su especial huella de sensibilidad y de ritmo narrativo en esta historia de dos hermanos antag\u00f3nicos, logrando ahondar en la profundidad psicol\u00f3gica de los personajes masculinos y en las relaciones sutiles y no tan sutiles que existen entre ellos.&nbsp;En el film, protagonizado por <strong>Benedict Cumberbatch, Jesse Plemons, Kodi Smit-McPhee<\/strong> y<strong> Kirsten Dunst<\/strong>, lo que m\u00e1s atrapa es el trabajo actoral de recreaci\u00f3n de estas masculinidades y sus nocivos efectos en el personaje femenino brillantemente interpretado por Dunst que recibe las consecuencias de los comportamientos de todos ellos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La directora consigue con muy poca acci\u00f3n recrear la personalidad, traumas y sensibilidades de los tres individuos y sus efectos t\u00f3xicos: un hombre cuya frustraci\u00f3n amorosa le hace ser rudo y despreciar y maltratar a los d\u00e9biles (como ya se narr\u00f3 de manera m\u00e1s expl\u00edcita en \u201cBrokeback Mountain\u201d, dirigida por Ang Lee en 2005), excelentemente encarnado por Benedict Cumberbatch; su hermano, cuya templanza y frialdad anulan cualquier pasi\u00f3n, y el hijo de la protagonista, un chico cuya sensibilidad, delicadeza e inteligencia no encajan en el burdo mundo que le rodea y que va como anillo al dedo al joven actor australiano Kodi Smit-McPhee. Los cuatro trazan con su desesperaci\u00f3n esta historia tr\u00e1gica y desoladora que Jane Campion ofrece con su cine \u00fanico y especial, que te incomoda y definitivamente te interpela sobre tus propias actuaciones y visi\u00f3n del mundo.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>@wikipedia Jane Campion (Wellington, 1954) es una directora de cine neozelandesa, aunque la mayor parte de su trabajo lo ha realizado en Australia y los Estados Unidos.&nbsp;<\/p>\n","protected":false},"author":103,"featured_media":37957,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26508],"tags":[45924,45927,45279,45922,45921,45928,45929,45923,45926,45930],"class_list":["post-69493","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine","tag-barbra-streisand","tag-benedict-cumberbatch","tag-chloe-zhao","tag-globus-dor-2022","tag-jane-campion","tag-jesse-plemons","tag-kodi-smit-mcphee-i-kirsten-dunst","tag-the-power-of-the-dog","tag-thomas-savage","tag-western"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>El poder de Jane Campion | La Independent<\/title>\n<meta name=\"description\" content=\"@wikipedia Jane Campion (Wellington, 1954) es una directora de cine neozelandesa, aunque la mayor parte de su trabajo lo ha 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