{"id":62146,"date":"2015-10-01T13:54:07","date_gmt":"2015-10-01T11:54:07","guid":{"rendered":"https:\/\/laindependent.cat\/carmen-balcells-la-gran-pionera\/"},"modified":"2015-10-01T13:54:07","modified_gmt":"2015-10-01T11:54:07","slug":"carmen-balcells-la-gran-pionera","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/es\/carmen-balcells-la-gran-pionera\/","title":{"rendered":"Carmen Balcells, la gran pionera"},"content":{"rendered":"<p>\u00a0<\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: trebuchet ms,geneva; font-size: 10pt;\"><img decoding=\"async\" class=\"size-full wp-image-62142 lazyload\" data-src=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2015\/10\/carmen_balcells.jpg\" alt=\"Carmen Balcells\" width=\"132\" height=\"205\" data-srcset=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2015\/10\/carmen_balcells.jpg 330w, https:\/\/laindependent.cat\/wp-content\/uploads\/2015\/10\/carmen_balcells-194x300.jpg 194w\" data-sizes=\"(max-width: 132px) 100vw, 132px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 132px; --smush-placeholder-aspect-ratio: 132\/205;\" \/><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: trebuchet ms,geneva; font-size: 8pt;\">Carme Balcells en una foto de estudio de 1983 <a href=\"https:\/\/ca.wikipedia.org\/wiki\/Carme_Balcells_i_Segal%C3%A0\" target=\"_blank\" rel=\"noopener\">wikipedia<\/a><\/span><\/p>\n<p style=\"text-align: center;\">\u00a0<\/p>\n<p style=\"text-align: left;\"><strong><span style=\"font-family: trebuchet ms,geneva; font-size: 10pt;\">La gran agente literaria nos deja un regalo para siempre: la edici\u00f3n de textos in\u00e9ditos de Jaime Gil de Biedma<\/span><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><span style=\"font-family: trebuchet ms,geneva; font-size: 10pt;\">Carmen Balcells, pionera en la defensa de los derechos de autor, creadora de una de las agencias literarias m\u00e1s importantes del mundo, impulsora del Boom latinoamericano, estuvo al pie del ca\u00f1\u00f3nhasta poco antes de su muerte, el pasado 20 de septiembre.<\/span><\/strong><\/p>\n<p>\u00a0<\/p>\n<p><!--more--><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: trebuchet ms,geneva; font-size: 10pt;\">Ten\u00eda 85 a\u00f1os y le preocupaban algunas cosas, como la posible venta de su agencia (ten\u00eda varios pretendientes), aunque en el fondo no lo quer\u00eda. Su hijo, <strong>Llu\u00eds Miquel Palomares<\/strong>, ha resuelto las dudas: &#8220;Mi madre deja un gran legado profesional, y es mi decisi\u00f3n \u2013que comparte todo el equipo de la agencia- continuar con su tarea, para seguir brindando a nuestros autores tanto nuestro servicio profesional como el apoyo personal que siempre nos ha caracterizado&#8221;, afirm\u00f3 en un comunicado el 30 de septiembre. Una gran noticias.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: trebuchet ms,geneva; font-size: 10pt;\">Fue una mujer apasionada, contradictoria, dura y generosa, que contribuy\u00f3 poderosamente a la profesionalizaci\u00f3n del sector editorial. Fue la primera en introducir en los contratos de los escritores la cl\u00e1usula de cesi\u00f3n por tiempo limitado de los derechos de autor. La primera en solucionar sus problemas fiscales: consigui\u00f3 que sus ingresos como adelanto editorial pudieran tributar en ejercicios consecutivos y no de una vez como se hac\u00eda antes. Pionera, adem\u00e1s, en incluir los derechos electr\u00f3nicos, de cine, de teatro o de televisi\u00f3n. Luch\u00f3 ferozmente por rescatar derechos cautivos de algunos autores como <strong>Juan Benet, Camilo Jos\u00e9 Cela<\/strong> o<strong> Ana Mar\u00eda Matute<\/strong>.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: trebuchet ms,geneva; font-size: 10pt;\">Los editores la tem\u00edan porque, se lamentaban, les exig\u00eda sumas astron\u00f3micas que, consideraban, hac\u00edan tambalear sus cimientos econ\u00f3micos, pero sab\u00edan que tambi\u00e9n les echaba un cable cuando lo necesitaban y no fueron pocos. Los escritores la adoraban. Les ayudaba desde la defensa ac\u00e9rrima de sus derechos de autor, consejos para sus inversiones y gesti\u00f3n de los adelantes hasta los aspectos m\u00e1s cotidianos. Estaba en todo.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: trebuchet ms,geneva; font-size: 10pt;\"><strong>Balcells<\/strong> naci\u00f3 en Santa Fe de Segarra (Lleida), en 1930, en una familia de propietarios rurales. Su madre se empe\u00f1\u00f3 en que hiciera un peritaje mercantil, por si las cosas iban mal, y obtuvo el t\u00edtulo (1949) con notas sobresalientes. La familia se arruin\u00f3 cuando ella ten\u00eda 24 a\u00f1os y empez\u00f3 a trabajar como secretaria del gremio textil de Terrassa. Por una serie de circunstancias conoci\u00f3 a <strong>Vintila Horia<\/strong> que ten\u00eda una agencia literaria en Madrid y se convirti\u00f3 en su representante en Barcelona. Cuando el escritor rumano gan\u00f3 el Premio Goncourt (1960) y se instal\u00f3 en Par\u00eds, ella se qued\u00f3 con sus autores y se estableci\u00f3 por su cuenta. Este fue el principio de su imperio.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: trebuchet ms,geneva; font-size: 10pt;\">Apost\u00f3 por los escritores en castellano porque le era m\u00e1s f\u00e1cil leerlos que los que escrib\u00edan en ingl\u00e9s. De gran inteligencia e intuici\u00f3n, pronto se dio cuenta de la enorme val\u00eda de autores latinoamericanos emergentes, como <strong>Gabriel Garc\u00eda M\u00e1rquez<\/strong> o <strong>Mario Vargas Llosa<\/strong>. A \u00e9ste le hizo un ventajoso pr\u00e9stamo de su propio bolsillo para que se dedicase exclusivamente a escribir Conversaci\u00f3n en La Catedral. Gabo acab\u00f3 compr\u00e1ndose un piso en Barcelona. Fue el inicio del Boom.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: trebuchet ms,geneva; font-size: 10pt;\">En su cuadra hay m\u00e1s de 100 autores, entre ellos, <strong>Julio Cort\u00e1zar, Juan Carlos Onetti, Alfredo Bryce Echenique, Isabel Allende, Manuel V\u00e1zquez Montalb\u00e1n, Juan Mars\u00e9, Eduardo Mendoza, Terenci <\/strong>y<strong> Ana Mar\u00eda Moix, Javier Cercas<\/strong>&#8230; y seis premios Nobel: <strong>Garc\u00eda M\u00e1rquez, Vargas Llosa, Cela, Miguel \u00c1ngel Asturias, Vicente Aleixandre<\/strong> y<strong> Pablo Neruda<\/strong>.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-family: trebuchet ms,geneva; font-size: 10pt;\">Nos deja un regalo que le agradeceremos siempre: este oto\u00f1o se publica (Lumen) Diarios, de <strong>Jaime Gil de Biedma<\/strong>, que la hizo albacea de su obra, con edici\u00f3n de <strong>Andreu Jaume<\/strong> y que re\u00fane el conocido Diario del artista en 1956, apuntes de los a\u00f1os sesenta y el esperad\u00edsimo e in\u00e9dito diario de 1978 y otro de 1985 cuando le diagnosticaron sida. Tuve la oportunidad de leer el de 1978, por generosidad de Carmen, y me pareci\u00f3 extraordinario.<\/span><\/p>\n<p>\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 Carme Balcells en una foto de estudio de 1983 wikipedia \u00a0 La gran agente literaria nos deja un regalo para siempre: la edici\u00f3n de textos in\u00e9ditos de Jaime Gil de Biedma Carmen Balcells, pionera en la defensa de los [&hellip;]<\/p>\n","protected":false},"author":72,"featured_media":62142,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26523],"tags":[36366,36362,36367,36365,36364,36368,36363],"class_list":["post-62146","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-es-personajes-es-memoria","tag-agencia-literaria","tag-carme-balcells","tag-drets-autoria","tag-escriptores","tag-escriptors","tag-lluis-miquel-palomares","tag-rosa-mora"],"yoast_head":"<!-- This site is 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