{"id":93719,"date":"2026-06-19T19:00:16","date_gmt":"2026-06-19T17:00:16","guid":{"rendered":"https:\/\/laindependent.cat\/?p=93719"},"modified":"2026-06-20T11:43:56","modified_gmt":"2026-06-20T09:43:56","slug":"ens-falten-llocs-on-parlar-i-fer","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/en\/ens-falten-llocs-on-parlar-i-fer\/","title":{"rendered":"Xiana do Teixeiro: \u201cEns falten llocs on parlar i fer\u201d"},"content":{"rendered":"\n

<\/p>\n\n\n\n

Entrevista a Xiana do Teixeiro<\/strong>, cineasta, productora i investigadora. Coguionista i productora de Salvaxe<\/em> premi al millor documental al Festival de M\u00e0laga 2024. El seu primer llargmetratge, T\u00f3dalas mulleres que co\u00f1ezo<\/em> (2018). Cr\u00edas<\/em>, el film que va obrir la Mostra Internacional de Films de Dones el passat mes de maig, porta al cinema el diari \u00edntim femen\u00ed adolescent.<\/p>\n\n\n\n

Has participat activament en espais com la Mostra Internacional de Films de Dones<\/a>. Com valores la salut actual dels circuits de distribuci\u00f3 alternativa i no-comercial per a propostes tan radicals i assag\u00edstiques com les teves?<\/strong><\/em><\/p>\n\n\n\n

\u00c9s un dels temes que parlem m\u00e9s amb les meves amigues i col legues productores i cineastes d’aquests altres cinemes, sobretot documental i assag\u00edstic. Ens falten llocs on parlar i fer. Per una cineasta \u00e9s un dels moments m\u00e9s que vivim de manera m\u00e9s desempoderadora, perqu\u00e8 s’escapa pr\u00e0cticament totalment del nostre control. Jo treballo en un cinema que \u00e9s molt artesanal, com a cineasta. cuidem molt l’escriptura, el muntatge, arribar en una etapa on el teu treball ser\u00e0 mirat en un context on la predisposici\u00f3 que es veu cada vegada m\u00e9s, sobretot de les programadores i programadors de festivals, m\u00e9s comercial. La seva mirada despr\u00e9s de la quantitat ingent de films que han de veure despr\u00e9s el fet de que les seccions competitives tamb\u00e9 \u00e9s jerarquisme, capitalisme competitiu, cultura jerarquitzada.<\/p>\n\n\n\n

S’ha inaugurat la mostra amb el teu film Crias<\/a>. \u00c9s el resultat d’un proc\u00e9s de recerca art\u00edstic de m\u00e9s de deu anys. Com ha evolucionat la teva pr\u00f2pia mirada com a cineasta al llarg d’aquesta d\u00e8cada treballant amb un material tan sensible?<\/strong><\/em><\/p>\n\n\n\n

\u00c9s material sensible. Vaig decidir fer una recollida de diaris i recollir mem\u00f2ria oral i objectes. Jo no tenia quasi referents. no hi havia escriptors sobre diaris i d\u2019adolesc\u00e8ncia, no vaig troba. Vaig crear la meva pr\u00f2pia col\u00b7lecci\u00f3, amb donacions, dones que em deixaven llegir generosament, de totes les edats i i sense adonar-me que estava a sucumbint a l\u2019arxiu, que \u00a0m\u2019estava centrant en l\u2019arxiu. Per la pel\u00b7l\u00edcula el arxiu era un problema, el que arriba nou m’obre portes a revisar tots els anteriors i a voler recollir m\u00e9s i veure m\u00e9s. I \u00e9s un terreny ignot pr\u00e0cticament. I la pel\u00b7l\u00edcula calia tancar-la. El proc\u00e9s de muntatge de cinema \u00e9s molt destructiu. Hi ha una seq\u00fc\u00e8ncia de la pel\u00b7l\u00edcula on es reflexiona sobre aix\u00f2, en la meva l\u00ednia de temps de muntatge digital, a mesura que el treball progressa, va esborrant aix\u00f2. Ha estat un proc\u00e9s llarg d\u2019investigaci\u00f3 que em va costar tancar. Personalment crec que afecta quan els projectes s’allarguen massa i es fan massa en solitud. Quan treballes tu sola, quan est\u00e0s malament personalment el projecte separat i aix\u00f2 tamb\u00e9 va ser un aprenentatge, \u00e9s una cosa evident, per\u00f2 jo no ho havia viscut.<\/p>\n\n\n\n

Defineixes la pel\u00b7l\u00edcula com un film-zine constru\u00eft de manera col\u00b7lectiva amb diaris reals d’adolescents. Com vas gestionar l’equilibri entre respectar la intimitat crua d’aquests escrits i donar-los una dimensi\u00f3 cinematogr\u00e0fica i p\u00fablica?<\/strong><\/em><\/p>\n\n\n\n

Em vaig guiar sobretot per dues normes. Totes les aportacions haurien de ser volunt\u00e0ries i sempre de dones i adultes. Aix\u00f2 em donava una possibilitat d\u2019una certa legitimitat i d\u2019altra banda, mai la meva voluntat no ha estat desvetllar, sin\u00f3 potser assenyalar un secret. O sigui ho desvetlles ho desactives. A mi no m’interessa revelar, sin\u00f3 assenyalar i sobretot assenyalar pr\u00e0ctiques comunes.<\/p>\n\n\n\n

El teu primer llargmetratge “T\u00f3dalas mulleres que co\u00f1ezo” abordava directament la viol\u00e8ncia estructural, la por i la resist\u00e8ncia de les dones a l’espai p\u00fablic. Creus que el cinema de car\u00e0cter “parlat” i directe \u00e9s l’eina m\u00e9s efica\u00e7 per esquerdar el mite de la igualtat?<\/strong><\/em><\/p>\n\n\n\n

T\u00f3dalas mulleres que co\u00f1ezo<\/em> <\/em>parla, s’acosta a una de les emocions. Crec que en la jerarquia de la nostra societat m\u00e9s baixes, m\u00e9s vergonyants, una vergonya que tamb\u00e9 \u00e9s de g\u00e8nere, que \u00e9s la por i que tampoc en parlem gaire, \u00f2bviament, perqu\u00e8 no \u00e9s agradable, perqu\u00e8 hi ha alguna cosa de tornar a passar els fets quan els tornem a explicar. Parlar de com ens sentim cada dia de la nostra vida a l’espai p\u00fablic en relaci\u00f3 amb les viol\u00e8ncies masclistes que patim, especialment el terror sexual. Parlar d’aix\u00f2, de sobte posar-hi paraules pot resultar transformador, com un espai fundacional. La conversa simplement, la conversa entre iguals, entre persones que tinguin experi\u00e8ncia o que formen un espai d\u2019aquest tipus.<\/p>\n\n\n\n

Has treballat en la descentralitzaci\u00f3 de l’\u00e9sser hum\u00e0 respecte a la natura. Com es tradueix visualment aquesta mirada ecofeminista?<\/strong><\/em><\/p>\n\n\n\n

Jo sempre treballo amb perspectiva ecofeminista. El feminisme tamb\u00e9 ha de tenir en compte al centre les condicions materials, l’impacte material que estem tenint. Quin tipus de representacions en imatge s’han fet de les realitats m\u00e9s que humanes, de les altres esp\u00e8cies no humanes. A la hist\u00f2ria de l’audiovisual, la televisi\u00f3 molt i tamb\u00e9 el cine, \u00e9s una hist\u00f2ria for\u00e7a terrible. La proliferaci\u00f3 d’imatges i de representacions ha contribu\u00eft a l’empitjorament de les condicions de vida. El m\u00e9s important \u00e9s aplicar com a principi la ren\u00fancia, aplicar principis d’economia, de decreixement, no anar a gravar. Potser \u00e9s renunciar a la imatge o per descomptat a imatges d’alt\u00edssima qualitat i, de fet, proposar a les persones espectadores que quan veiem una imatge de cert tipus, per exemple, imatges d’hiper alta definici\u00f3 d’un animal, d’uns animals els humans sabem que estan assetjats, cal desconfiar d’aquesta imatge. Hi ha una empremta ic\u00f2nica a la imatge i, per exemple, imatges que tenen molt soroll, que s\u00f3n de mala qualitat, les imatges de c\u00e0meres trampa, de c\u00e0meres autom\u00e0tiques que es disparen soles a la nit, que s\u00f3n com les c\u00e0meres de vigil\u00e0ncia, aquest tipus d’imatges ens porten a una altra visi\u00f3 que tamb\u00e9 ens inclou una mica m\u00e9s a nosaltres. Estic fent experiments de diferents tipus, de diferents t\u00e8cniques de gravar determinades plantes, de com jo les miro, em van ensenyant a mi com jo estic mirant. I hi ha una pulsi\u00f3, o sigui, hi ha una pulsi\u00f3 en qu\u00e8 jo vull aconseguir una imatge que ens tregui de la ceguesa vegetal, no de no adonar-nos que estan vives les plantes. Aleshores potser aix\u00f2 no ho aconsegueixo. \u00c9s possible que no, no dep\u00e8n nom\u00e9s de mi, dep\u00e8n de la mirada tamb\u00e9, perqu\u00e8 tamb\u00e9 es construeix de la mirada.<\/p>\n","protected":false},"excerpt":{"rendered":"

Entrevista a Xiana do Teixeiro, cineasta, productora i investigadora. Coguionista i productora de Salvaxe premi al millor documental al Festival de M\u00e0laga 2024. El seu primer llargmetratge, T\u00f3dalas mulleres que co\u00f1ezo (2018). Cr\u00edas, el film que va obrir la Mostra […]<\/p>\n","protected":false},"author":63,"featured_media":93720,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26506],"tags":[52671,49233,47219,54896,26192,54891],"class_list":["post-93719","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema","tag-cinema-de-dones","tag-ecofeminisme-2","tag-feminisme-6","tag-mostra-internacional-de-films-de-dones","tag-violencia-masclista-2","tag-xiana-do-teixeiro"],"yoast_head":"\nXiana do Teixeiro: \u201cEns falten llocs on parlar i fer\u201d | La Independent<\/title>\n<meta name=\"description\" content=\"Entrevista a Xiana do Teixeiro, cineasta, productora i investigadora. 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