{"id":87916,"date":"2025-06-05T20:56:22","date_gmt":"2025-06-05T18:56:22","guid":{"rendered":"https:\/\/laindependent.cat\/?p=87916"},"modified":"2025-06-06T10:48:54","modified_gmt":"2025-06-06T08:48:54","slug":"les-gogoberidze-sempre-hi-ha-una-llum-al-final-del-tunel","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/en\/les-gogoberidze-sempre-hi-ha-una-llum-al-final-del-tunel\/","title":{"rendered":"Les Gogoberidze. Sempre hi ha una llum al final del t\u00fanel"},"content":{"rendered":"\n

Segurament no saben qui s\u00f3n les Gogoberidze. Jo fins fa uns dies no en tenia ni idea per\u00f2 vaig anar a la Filmoteca a veure el documental Mare i filla, o la nit mai no \u00e9s completa<\/em> (Ge\u00f2rgia, Fran\u00e7a, 2023) i en vaig sortir amb aquesta mena d\u2019euf\u00f2ria que nom\u00e9s dona el bon cine. I emocionada.<\/p>\n\n\n\n

Es tracta d\u2019una nissaga de cineastes georgianes: mare, filla i neta; o \u00e0via, mare i filla; o la combinaci\u00f3 que m\u00e9s els agradi. Un fenomen realment inusual, fins i tot en homes.<\/p>\n\n\n\n

Les he conegudes gr\u00e0cies a la trenta-tresena (ho veus, dona, com no \u00e9s tan dif\u00edcil de dir?) edici\u00f3 de la Mostra Internacional de Films de Dones de Barcelona (MIFDB), dins la secci\u00f3\u00a0Persist\u00e8ncies f\u00edlmiques<\/em>. Hi ha t\u00edtols que imprimeixen car\u00e0cter.<\/p>\n\n\n\n

A\u00a0Mare i filla, o la nit mai no \u00e9s completa<\/em>, Lana Gogoberidze<\/strong>, als noranta-cinc lluminosos anys, directora d\u2019un gran nombre de films al llarg d\u2019una reconeguda traject\u00f2ria (el seu film,\u00a0Gelati<\/em>, \u00e9s ja del 1958), honora i rememora la vida i l\u2019obra de sa mare, Nutsa Gogoberidze <\/strong>(Qakh, 1903-Tiflis, 1966), llicenciada en filosofia per la universitat de Jena i directora de cine. Quina pres\u00e8ncia!<\/p>\n\n\n\n

La recupera i la recrea en companyia de Salom\u00e9 Gogoberidze<\/strong> (Alexi), respectiva neta i filla, nascuda a Tiflis el 1966 (el mateix any que hi va morir l\u2019\u00e0via), que codirigeix i produeix aquesta excel\u00b7lent pel\u00b7l\u00edcula. Salom\u00e9 Gogoberidze ha realitzat el curtmetratge\u00a0Felicit\u00e0<\/em>\u00a0(Ge\u00f2rgia, 2009) i\u00a0Line of Credit<\/em>\u00a0(Ge\u00f2rgia, 2014).<\/p>\n\n\n\n

En filmar Uzhmuri <\/em>el 1934, Nutsa Gogoberidze va esdevenir la primera directora de Ge\u00f2rgia (llavors formava part de la Uni\u00f3 Sovi\u00e8tica). Abans havia filmat en col\u00b7laboraci\u00f3, Mati Samepo<\/em> (Their Kingdom<\/em>, Ge\u00f2rgia, 1928) i Buba<\/em> (Ge\u00f2rgia, 1930).<\/p>\n\n\n\n

Va ser associada de Serguei Eisenstein<\/strong> i a fe que aix\u00f2 es bessa als fragments dels films que ens en brinden filla i neta durant el documental, un rutilant blanc i negre amb tots els tons i matisos del gris; un cine amb similar \u00e8pica, amb la mateixa grandesa.<\/p>\n\n\n\n

A la d\u00e8cada del 1930, a causa de les seves activitats pol\u00edtiques \u2014li va tocar viure realment una \u00e8poca esborronadora\u2014, va ser durament castigada i va vagar i penar anys i panys per la Sib\u00e8ria del gulag que tan b\u00e9 i amb gran economia de mitjans va narrar Varlam Xal\u00e0mov<\/strong> als imprescindibles\u00a0Relatos de Kolim\u00e1<\/em>. L\u2019\u00e8poca i l\u2019experi\u00e8ncia l\u2019agermanen amb figures cabdals de la literatura com les grans Anna Akhm\u00e0tova<\/strong> i Marina Tsvet\u00e0ieva<\/strong>. En tornar, es va reinventar i va treballar semiclandestinament a l\u2019Institut de Ling\u00fc\u00edstica de Tiflis.<\/p>\n\n\n\n

Buba<\/em> va ser prohibida gaireb\u00e9 immediatament i no es va poder projectar durant d\u00e8cades. Els rodets van romandre a l\u2019arxiu cinematogr\u00e0fic sovi\u00e8tic i no van ser lliurats a Ge\u00f2rgia fins al 2016. Uzhmuri<\/em> tamb\u00e9 va ser prohibida despr\u00e9s de l\u2019estrena i es va considerar perduda fins que es va trobar al mateix arxiu el 2018. De vegades ocorren aquests miracles.<\/p>\n\n\n\n

En menys d\u2019hora i mitja de m\u00e0gia, Mare i filla, o la nit mai no \u00e9s completa<\/em> enfila una formosa genealogia lligada a la hist\u00f2ria del cinema en reconstruir \u2014en un relat ple de tendresa per\u00f2 sense un bri de sentimentalista\u2014 la relaci\u00f3 entre mare i filla. Un brodat ple de silencis i d\u2019abs\u00e8ncies, de buits i de par\u00e8ntesis, que omple essencialment amb fragments de films i el record dels espais que van habitar sempre plens de gent i d\u2019art.<\/p>\n\n\n\n

Commou veure el moment que Lana Gogoberidze s\u2019adona que una pel\u00b7l\u00edcula de sa mare i una de seva comencen exactament al mateix escenari, i com la seva mare \u2014que ho sabia\u2014 no n\u2019hi va dir mai ni piu quan la rodava. La directora pensa que potser ho va fer per mod\u00e8stia, potser per orgull. Una altra possibilitat \u00e9s que call\u00e9s per brindar-li una llibertat absoluta.<\/p>\n\n\n\n

A mitja pel\u00b7l\u00edcula recorda que quan era una criatura, un dia que s\u2019acomiadava de sa mare perqu\u00e8 se n\u2019anava lluny a filmar, un home que contemplava l\u2019escena \u2014l\u2019abra\u00e7ada i els plors de la nena\u2014 va retreure a la directora: \u00ab\u00bfhi ha res m\u00e9s important que les ll\u00e0grimes d\u2019aquesta nena?\u00bb. Corpr\u00e8n veure com la interessada tants anys despr\u00e9s ho respon de manera expl\u00edcita. I impl\u00edcitament de la manera m\u00e9s bella.<\/p>\n\n\n\n

La Mostra aquest any <\/strong>t\u00e9 com a lema En companyia d\u2019estranyes<\/em>. Premonitori en dos sentits: d\u2019una banda, el documental fa que \u00e0via, mare i filla llimin capes i capes d\u2019estranyesa i de dist\u00e0ncia; de l\u2019altra, que les espectadores deixem de veure com a estranyes aquesta constel\u00b7laci\u00f3 de directores, que passin a fer-nos companyia ja sempre m\u00e9s. Gr\u00e0cies, com sempre. I ja fa un munt d\u2019anys.<\/p>\n","protected":false},"excerpt":{"rendered":"

Segurament no saben qui s\u00f3n les Gogoberidze. Jo fins fa uns dies no en tenia ni idea per\u00f2 vaig anar a la Filmoteca a veure el documental Mare i filla, o la nit mai no \u00e9s completa (Ge\u00f2rgia, Fran\u00e7a, 2023) i en […]<\/p>\n","protected":false},"author":59,"featured_media":25547,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26506],"tags":[52667,52661,52662,52668,52593,52663,52664,52665,52666],"class_list":["post-87916","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema","tag-anna-akhmatova","tag-cineastes-georgianes","tag-lana-gogoberidze","tag-marina-tsvetaieva","tag-mifdb-2","tag-nutsa-gogoberidze","tag-salome-gogoberidze","tag-serguei-eisenstein","tag-varlam-xalamov"],"yoast_head":"\nLes Gogoberidze. 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