{"id":72730,"date":"2023-03-23T23:06:36","date_gmt":"2023-03-23T22:06:36","guid":{"rendered":"https:\/\/laindependent.cat\/?p=72730"},"modified":"2023-03-23T23:06:38","modified_gmt":"2023-03-23T22:06:38","slug":"elles-parlen-que-sempre-fa-be","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/en\/elles-parlen-que-sempre-fa-be\/","title":{"rendered":"\u2018Elles parlen\u2019, que sempre fa b\u00e9"},"content":{"rendered":"\n

Ellas hablan (Women Talking, EUA, 2022<\/em>) de Sarah Polley<\/strong>, una pel.l\u00edcula amb dues candidatures als Oscars \u2014ni m\u00e9s ni menys que a millor pel.l\u00edcula i a millor gui\u00f3 adaptat (per la mateixa Polley)\u2014, est\u00e0 passant amb m\u00e9s pena que gl\u00f2ria per la cartellera. Segurament no n\u2019hi donaran cap; res em faria m\u00e9s feli\u00e7 que equivocar-me.<\/p>\n\n\n\n

Entre 2005 i 2009 en una a\u00efllada col\u00f2nia mennonita de Bol\u00edvia anomenada Manitoba<\/em>, moltes dones (m\u00e9s de tres-cents; algunes, nenes de tres anys) s\u2019aixecaven al mat\u00ed mig estabornides, adolorides i amb els cossos sagnant i plens de blaus, i amb amb la roba i els llen\u00e7ols bruts de sang i semen per les agressions que els infligien a la nit. Aquestes violacions s\u2019atribu\u00efen a fantasmes. O potser D\u00e9u o Satan\u00e0s castigaven les dones pels seus pecats. Les van acusar de mentir i d\u2019encobrir adulteris, i van blasmar la desfermada imaginaci\u00f3 femenina. Finalment es va descobrir que vuit homes de la col\u00f2nia agredien les v\u00edctimes; pr\u00e8viament els administraven un potent anest\u00e8sic utilitzat per castrar toros fabricat a partir de belladona.<\/p>\n\n\n\n

El 2011 un tribunal bolivi\u00e0 va condemnar els perpetradors de tan abjectes violacions. Immediatament, molts homes de la secta van escarrassar-se perqu\u00e8 els culpables sortissin de la pres\u00f3 i s\u2019hi integressin de nou.<\/p>\n\n\n\n

Els crims (algun diari els va denominar \u00abl\u2019incident\u00bb) van inspirar i interpel.lar la guardonada escriptora canadenca Miriam Leslie Toews <\/strong>(Steinbach<\/em>, 1964), d\u2019ascend\u00e8ncia mennonita, i el resultat \u00e9s el llibre, Elles parlen (La Floresta: Les hores, 2020, tradu\u00eft per Carme Geron\u00e8s<\/strong>), en qu\u00e8 Toews deixa de banda sang i fetge per no recrear-lo i el contraresta bastint un homenatge fascinant ple d\u2019imaginaci\u00f3 femenina al que va passar despr\u00e9s.<\/p>\n\n\n\n

Les dones de la comunitat, a qui s\u2019ha negat l\u2019acc\u00e9s a la lectura i l\u2019escriptura, decidiran entre tres opcions per respondre a les agressions. (Com que no soc esgarriacries, qui les vulgui saber que llegeixi el llibre o que vegi el film; avan\u00e7o que no es contempla que s\u2019expulsi els agressors; el mateix que passa ara quan una dona \u00e9s agredida, acostuma a ser ella qui se n\u2019ha d\u2019anar).<\/p>\n\n\n\n

El llibre \u00e9s un dens debat filos\u00f2fic i pol\u00edtic \u2014que no defuig mai el personal\u2014, que tracta temes universals tan transcendentals com el perd\u00f3, la venjan\u00e7a, la pietat, el mal, la religi\u00f3 i l\u2019exist\u00e8ncia de D\u00e9u, la validesa del pacifisme, la tradici\u00f3, la llibertat\u2026, aix\u00ed com somnis i desitjos, injust\u00edcies i vexacions. Com que no saben de lletra, en fa l\u2019acta l\u2019\u00fanica veu masculina (m\u00e9s aviat orella) del llibre. En aquest cas, doncs, un home \u00e9s el secretari i les dones s\u00f3n les fil\u00f2sofes, les pensadores, les que estableixen estrat\u00e8gies, les que planifiquen i \u00abfan\u00bb.<\/p>\n\n\n\n

Les dones del llibre van a les palpentes en aquest entrellucar un inici de llibertat, per\u00f2 es posen d\u2019acord en tres coses: protegir les criatures (\u00a1quina lli\u00e7\u00f3!), mantenir la fe i pensar per si mateixes.<\/p>\n\n\n\n

Quan va sortir el llibre, alguns homes es van sentir ofesos. Els va ofendre no l\u2019horror dels crims sin\u00f3 la imatge que dona dels homes; cap compassi\u00f3 cap a les violades. Potser tamb\u00e9 es van sentir \u00abamena\u00e7ats\u00bb perqu\u00e8 un grup de dones s\u2019ajuntava per parlar i decidir.<\/p>\n\n\n\n

La pel.l\u00edcula s\u2019hi inspira directament i escenifica amb un elenc d\u2019actrius extraordinari aquest lligat i profund di\u00e0leg i esdev\u00e9 gaireb\u00e9 una obra de teatre. T\u00e9 detalls propis del mitj\u00e0: quan els cal una pausa o consol, canten himnes; no se m\u2019acut millor manera de metaforitzar-ne la religiositat. Hi apareix una Frances McDormand<\/strong> que sembla treta d\u2019una pel.l\u00edcula sueca.<\/p>\n\n\n\n

El film ha tingut cr\u00edtiques no sempre bones. Res de nou. Tot el que sembli o sigui feminista \u00e9s infravalorat i mal vist, nom\u00e9s cal veure les estrelles que li van donar diferents diaris o revistes. Ellas hablan comparteix cartellera amb la molt lloada i celebrada Almas en pena de Inisherin de Martin McDonagh<\/strong> (Regne Unit, 2022), titllada pomposament de versar sobre l\u2019etern sentit de l\u2019exist\u00e8ncia o de reflexi\u00f3 sobre el dolor mascul\u00ed; al meu entendre, \u00e9s per sobre de tot un repertori variat d\u2019ins\u00e0nies masculines tant individuals com col.lectives. La cr\u00edtica no acostuma a remarcar tampoc que \u00e9s un film exclusivament mascul\u00ed; \u00e9s a dir, parcial i restringit a m\u00e9s no poder.<\/p>\n\n\n\n

Tot aix\u00f2 fa que potser empipin per\u00f2 no estranyin gens les rebequeries i miopia d\u2019alguns cr\u00edtics i d\u2019homes que es dediquen al cine quan la revista Sight & Sound<\/em>, publicada pel British Film Institute, ha encimbellat el film Jeanne Dielman<\/strong>, 23, quai du commerce, 1080 Bruxelles (la llarg\u00e0ria del t\u00edtol no \u00e9s trivial) de la gran Chantal Akerman<\/strong> com la millor pel.l\u00edcula de la hist\u00f2ria del cinema. (\u00a1Gr\u00e0cies Drac M\u00e0gic i Mostra de Cine de Dones de Barcelona per haver-nos fet con\u00e8ixer la seva tan variada i extraordin\u00e0ria obra!)<\/p>\n\n\n\n

Mentre les cineastes en recorden emocionades i euf\u00f2riques un mestratge que els va obrir el m\u00f3n, ells la critiquen amb pintorescos arguments: no n\u2019han sentit parlar; no l\u2019han vist i, per tant, no ser\u00e0 tan bona; un amic li havia dit que era dolenta\u2026 Arguments solid\u00edssims i d\u2019una enorme objectivitat que parlen d\u2019ells m\u00e9s que del film.<\/p>\n\n\n\n

Un comentari en dona la clau quan diu que la recorda com una pel.l\u00edcula morosa, pesada; no el concernia pas la vida d\u2019una dona a Brussel.les; no li interessava gens ni mica ni el que explicava ni la forma en qu\u00e8 ho explicava. Sembla, doncs, que els interpel.la exclusivament l\u2019experi\u00e8ncia masculina.<\/p>\n\n\n\n

En un altre ordre de coses, fa poc he estat a Tail\u00e0ndia i no vaig poder entrar a diverses pagodes perqu\u00e8 les dones som impures at\u00e8s que sagnem. Cap home s\u2019est\u00e0 d\u2019entrar-hi. Aquesta prohibici\u00f3 insultant es veu que no els deu interpel.lar o concernir. De vegades ser feminista, fer un gest, \u00e9s aix\u00ed de f\u00e0cil: no entrar en un temple.<\/p>\n\n\n\n

Sempre \u00e9s bo recordar-ho i parlar-ne. Si \u00e9s al voltant del 8 de Mar\u00e7, encara \u00e9s m\u00e9s pertinent.

La directora Sarah Polley, en un acte recent. Getty Images for WGAW<\/p>\n","protected":false},"excerpt":{"rendered":"

Ellas hablan (Women Talking, EUA, 2022) de Sarah Polley, una pel.l\u00edcula amb dues candidatures als Oscars \u2014ni m\u00e9s ni menys que a millor pel.l\u00edcula i a millor gui\u00f3 adaptat (per la mateixa Polley)\u2014, est\u00e0 passant amb m\u00e9s pena que gl\u00f2ria per la cartellera. Segurament no n\u2019hi donaran cap; res em faria m\u00e9s feli\u00e7 que equivocar-me.<\/p>\n","protected":false},"author":59,"featured_media":72731,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26640],"tags":[47243,47449,47450,47302,47456,47453,47451,47452,47454,47447,47448,47445,47455,47446],"class_list":["post-72730","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opinio-cultura","tag-bolivia-4","tag-bolivia-5","tag-carme-gerones","tag-cinema-2","tag-drac-magic-i-mostra-de-cine","tag-ellas-hablan","tag-frances-mcdormand-2","tag-frances-mcdormandiolacions","tag-martin-mcdonagh","tag-mennonita","tag-miriam-leslie-toews","tag-sarah-polley","tag-sight-sound","tag-women-talking"],"yoast_head":"\n\u2018Elles parlen\u2019, que sempre fa b\u00e9 | La Independent<\/title>\n<meta name=\"description\" content=\"Ellas hablan (Women Talking, EUA, 2022) de Sarah Polley, una pel.l\u00edcula amb dues candidatures als Oscars \u2014ni m\u00e9s ni menys que a millor pel.l\u00edcula i a millor gui\u00f3 adaptat (per la mateixa Polley)\u2014, est\u00e0 passant amb m\u00e9s pena que gl\u00f2ria per la cartellera. 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