{"id":70336,"date":"2022-11-10T13:13:55","date_gmt":"2022-11-10T12:13:55","guid":{"rendered":"https:\/\/laindependent.cat\/arxius-i-inundacions\/"},"modified":"2023-03-19T13:18:08","modified_gmt":"2023-03-19T12:18:08","slug":"arxius-i-inundacions","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/en\/arxius-i-inundacions\/","title":{"rendered":"Arxius i inundacions"},"content":{"rendered":"\n

OPINI\u00d3 <\/strong><\/p>\n\n\n\n

V\u00e0rem sortir molt emocionades de veure l’obra de Marta Barcel\u00f3, Zona inundable, a la Sala Petita del Teatre Nacional de Catalunya.<\/strong><\/p>\n\n\n\n\n\n\n\n

En el rerefons del teatre de deb\u00f2, del bon teatre, sempre hi ha la catarsi de la trag\u00e8dia grega i aquesta obra t\u00e9 aquesta funci\u00f3: veure la trag\u00e8dia i sentir empatia pel que passa als personatges i esperar al final un deus ex machina que posi les coses al seu lloc.<\/p>\n\n\n\n

La base de l’obra es pot dir que \u00e9s teatre documental perqu\u00e8 hi apareixen testimonis i dades reals m\u00e9s o menys disfressades: un fet aut\u00e8ntic, unes not\u00edcies de r\u00e0dio i televisi\u00f3, unes dades cient\u00edfiques i estad\u00edstiques que il\u00b7lustren i expliquen per qu\u00e8 passa el que passa.<\/p>\n\n\n\n

Aquesta realitat dram\u00e0tica \u00e9s la inundaci\u00f3 que va patir el poble de Sant Lloren\u00e7 de Cardassar a Mallorca, l’octubre del 2018, malgrat a l’obra no surti el nom del poble. La trama t\u00e9 el protagonisme dels personatges que pateixen la desgr\u00e0cia: una mare perruquera amb un fill adolescent enamorat d’un altre xicot del poble, un mestre d’obres amb una furgoneta fant\u00e0stica acabada de comprar amb els estalvis de tota la vida de treball i la figura principal que cohesiona tot el conjunt, una dona sola que ha perdut la filla en un accident.<\/p>\n\n\n\n

No em sap greu explicar-vos per sobre l’argument de l’obra perqu\u00e8 tothom sap de qu\u00e8 va Hamlet<\/strong> i igualment va a veure-la o sigui que no \u00e9s una filtraci\u00f3 (en angl\u00e8s “spoiler” que ja s’ha catalanitzar com a “esp\u00f2iler”) i que consti que queda en peu la recomanaci\u00f3 entusi\u00e0stica que aneu a veure l’obra i la magn\u00edfica actuaci\u00f3 d’actrius i actors.<\/p>\n\n\n\n

Aquesta dona sola, protagonista, \u00e9s la Magdalena<\/strong>, una arxivera, que no exerceix, sempre obsessionada amb la p\u00e8rdua de la filla. Tot el poble sap que t\u00e9 tota la casa plena de fotos i fins i tot un quadre de la filla i, a m\u00e9s, que la depressi\u00f3 la porta a desitjar la mort. La gran tempesta i la torrentada li desperten l’instint de superviv\u00e8ncia, per una banda i, per una altra, es queda pr\u00e0cticament sense res, perqu\u00e8 la casa queda destrossada i perd tots els records de la seva filla.<\/p>\n\n\n\n

I en aquest punt \u00e9s on hi ha la part m\u00e9s emocionant de l’obra des de la perspectiva de la gent que treballem en els arxius, perqu\u00e8, entre el personal de servei, d’emerg\u00e8ncia, voluntari que va al poble a ajudar, apareix un grup de cinc arxiveres i arxivers decidit a salvar la mem\u00f2ria del poble. Cl\u00e0ssicament dir\u00edem que \u00e9s el deus ex machina que resol la situaci\u00f3 perqu\u00e8 una cosa s\u00f3n les p\u00e8rdues humanes i materials i una altra, la p\u00e8rdua espiritual de la identitat col\u00b7lectiva. Aquest equip, amb les seves bates blanques i els seus guants ben posats i amb el material adient, comencen a recuperar la documentaci\u00f3 de l’arxiu del poble i la Magdalena decideix participar-hi. La import\u00e0ncia de conservar la mem\u00f2ria \u00e9s indiscutible amb tot el que significa per a la identitat de persones i de col\u00b7lectius. L’obra acaba quan la Magdalena, fent la feina de neteja dels documents de l’arxiu, troba, en el llibre de registre de naixements, el de la seva filla.<\/p>\n\n\n\n

M’he centrat interessadament en el protagonisme de l’arxiu, perqu\u00e8 realment el t\u00e9, ja que el decorat de l’escenari ens mostra totes les parets plenes d’arxivadors i les taules grans al mig. Cal dir, per\u00f2, que hi ha altres trames tamb\u00e9 importants dins de l’obra com l’estimaci\u00f3 entre els dos adolescents, la relaci\u00f3 mare-fill, la import\u00e0ncia de les eines dels oficis com la furgoneta del mestre d’obres que t\u00e9 nom i tot “Fortuna” (un joc amb el nom de la marca Ford) i la funci\u00f3 dels mitjans de comunicaci\u00f3.<\/p>\n\n\n\n

I per acabar, l’obra ens recorda que aquest tipus d’inundacions que va patir el poble mallorqu\u00ed s\u00f3n comuns a la Mediterr\u00e0nia i que a hores d’ara caldria tenir una pol\u00edtica clara de prevenci\u00f3 i sobretot de control de construccions en “zones inundables”. Per edat la primera gran inundaci\u00f3 que recordo va ser la que va patir Val\u00e8ncia l’octubre de l’any 1957. Ara no fa gaire es recordava l’altra gran inundaci\u00f3 al Vall\u00e8s Occidental al setembre del l’any 1962 i per desgr\u00e0cia peri\u00f2dicament es van repetint.<\/p>\n\n\n\n

I pel que fa a la inundacions concretes d’arxius justament fa un parell de dies sortia a la premsa la que ha patit l’Arxiu Hist\u00f2ric de Girona. Confiem que no hi hagi hagut p\u00e8rdues significatives.<\/p>\n\n\n\n

Tot plegat fa pensar en la gran responsabilitat que suposa fer-se c\u00e0rrec d’un arxiu. En el nostre cas, les companyes que tenim cura del Centre de Documentaci\u00f3 de Ca la dona en som molt conscients.<\/p>\n\n\n\n

\"1539151903<\/figure>\n\n\n\n
\"1539151903<\/figure>\n\n\n\n
\"f.elconfidencial.com<\/figure>\n\n\n\n

*Merc\u00e8 Otero-Vidal \u00e9s Professora jubilada i activista feminista<\/p>\n","protected":false},"excerpt":{"rendered":"

V\u00e0rem sortir molt emocionades de veure l’obra de Marta Barcel\u00f3, Zona inundable, a la Sala Petita del Teatre Nacional de Catalunya.<\/p>\n","protected":false},"author":48,"featured_media":68217,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26640],"tags":[],"class_list":["post-70336","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opinio-cultura"],"yoast_head":"\nArxius i inundacions | La Independent<\/title>\n<meta name=\"description\" content=\"V\u00e0rem sortir molt emocionades de veure l'obra de Marta Barcel\u00f3, Zona inundable, a la Sala Petita del Teatre Nacional de Catalunya.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/laindependent.cat\/en\/arxius-i-inundacions\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" 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