{"id":69959,"date":"2022-05-04T19:22:42","date_gmt":"2022-05-04T17:22:42","guid":{"rendered":"https:\/\/laindependent.cat\/alcarras-de-carla-simon\/"},"modified":"2023-03-19T17:29:18","modified_gmt":"2023-03-19T16:29:18","slug":"alcarras-de-carla-simon","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/en\/alcarras-de-carla-simon\/","title":{"rendered":"Alcarr\u00e0s, de Carla Sim\u00f3n"},"content":{"rendered":"\n

OPINI\u00d3<\/strong><\/p>\n\n\n\n

He anat a veure Alcarr\u00e0s, de Carla Sim\u00f3n, al cine de Palafrugell (Baix Empord\u00e0). Era ple de gom a gom, potser perqu\u00e8 el premi de l’\u00d3s d’Or rebut a la Berlinale, ha creat moltes expectatives, o potser perqu\u00e8 era diumenge a la tarda.<\/strong><\/p>\n\n\n\n\n\n\n\n

En qualsevol cas, \u00e9s la primera pel\u00b7l\u00edcula rodada en catal\u00e0 que rep aquest guard\u00f3, i dirigida i escrita per una directora i guionista i un co-guionista nascuts, tots dos, l’any 1986. Com qui diu, fa dos dies… Epitelis tendr\u00edssims. Un cine, el de Palafrugell, que podria ser ben b\u00e9 el d’Alcarr\u00e0s, ara reobert, despr\u00e9s de tants anys tancat, per a la presentaci\u00f3 de la pel\u00b7l\u00edcula. Un cinema Paradiso, com el del film de Giuseppe Tornatore. Si m\u00e9s no a mi m’ho semblava, mentre contemplava embadalida les escenes que, a vegades, semblaven pintures paisatg\u00edstiques del Greco<\/strong>, de Joseph William Turner<\/strong> o de John Constable<\/strong>. Escenes m\u00e9s reals que impressionistes, que es basen m\u00e9s en la percepci\u00f3 de les l\u00ednies i la llum. No sabria dir quina escena m’ha agradat m\u00e9s. Cada fotograma, cada enquadrament, mostri el que mostri, traspua bellesa, sensibilitat a borbolls. L’art quan \u00e9s bo s’acompleix a si mateix. Res a dir-hi. Tanmateix, sumem-li a Alcarr\u00e0s la intencionalitat pol\u00edtica, el contingut social que, des del principi, ens interpel\u00b7la.<\/p>\n\n\n\n

M’han sorpr\u00e8s moltes coses bones, de la pel\u00b7l\u00edcula, per\u00f2 n’hi ha una que sobresurt amb escreix: la seva versemblan\u00e7a. La naturalitat amb qu\u00e8 es desenvolupa i amb actors que no s\u00f3n professionals sin\u00f3 escollits en un c\u00e0sting que es va fer a la mateixa contrada d’Alcarr\u00e0s. Perqu\u00e8 ens entenguem, amb gent del poble i, tal vegada, de les rodalies. Per\u00f2 \u00e9s que no calia que fossin professionals perqu\u00e8 el que ens explica el film, el que s’esdev\u00e9 a Alcarr\u00e0s, \u00e9s tan aut\u00e8ntic, tan pertinent, que els actors ni tan sols han d’interpretar, nom\u00e9s els hi ha calgut ser com s\u00f3n. Per a mi aquest \u00e9s un dels grans m\u00e8rits de l’obra. Tot i que hi he trobat un exc\u00e9s d’escenes infantils; de criatures jugant, amunt i avall. \u00c9s clar, tenen una gr\u00e0cia tremenda, la directora sap treure un partit brillant de la seva innoc\u00e8ncia i picardia en els jocs, de les seves respostes inversemblants, que ens fan riure. La repetici\u00f3 i prolongaci\u00f3 d’algunes d’aquestes escenes ens poden semblar un recurs perqu\u00e8 s\u00ed, anod\u00ed, m\u00e9s que per una necessitat del gui\u00f3. Sim\u00f3n<\/strong> sembla tenir una debilitat pels personatges infantils. De fet, en la seva anterior pe\u00e7a, Estiu 1993, s\u00f3n les protagonistes. Tanmateix, dic “poden semblar un recurs” perqu\u00e8 tamb\u00e9 penso que la directora ens presenta aquests \u00e9ssers innocents, que no s’adonen de les coses que passen al seu entorn, com el futur que forjar\u00e0 el m\u00f3n. De fet, els dos protagonistes joves, el fill i la filla, els germans grans, van agafant una pres\u00e8ncia rellevant a mesura que avan\u00e7a la hist\u00f2ria.<\/p>\n\n\n\n

En un microcosmos rural, un reducte camperol tancat, molt conservador, on s’exposen, com un ventall obert, els costums i els rols tradicionals d’homes i dones, hi avan\u00e7a una hist\u00f2ria que ens planteja un m\u00f3n d’aliances i formes de vida que van desapareixent, la lluita per la terra, la terra aspre, i el tr\u00e0nsit impert\u00e8rrit i inexorable com un monstre d’un altre m\u00f3n que, al seu pas, avan\u00e7a cap a una nova \u00e8poca. Una hist\u00f2ria intimista que posa de manifest les emocions de tots els personatges, llurs comportaments estancs i estereotipats, que se’ns fan absolutament reconeixibles.<\/p>\n\n\n\n

La narrativa del film se centra en una unitat familiar, representativa, sense dubte, de les unitats familiars camperoles que sobreviuen en entorns durs i conservadors. Han de ser-ho, de conservadores, per poder sobreviure, ja que viuen de la fruita que cultiven i de la vaca que els alleta. Tamb\u00e9 s\u00f3n d’all\u00f2 m\u00e9s familiars: l’amor, l’alegria, el xivarri de la festa, la crid\u00f2ria entre els membres de la unitat familiar s\u00f3n elements que tenen una pres\u00e8ncia cabdal. Les dones estan relegades a la casa, a l’espai redu\u00eft de la cuina i la cura, i no poden penetrar l’\u00e0mbit del treball, r\u00fastec i esquerp. Dosis de comportament masclista no n’hi falten (com una mostra evident, no \u00fanicament com el que es palpa a l’atmosfera tradicional i conservadora): fa feredat adonar-nos com el noi jove, el germ\u00e0 gran de la fam\u00edlia, encara t\u00e9 arrelades com un roure mil\u00b7lenari conductes d’all\u00f2 m\u00e9s masclistes; n’hi ha prou amb una escena per visualitzar in situ una s\u00edntesi de la naturalesa dels comportaments sobreprotectors i depreciatius envers les dones del masclisme m\u00e9s ranci. La noia de la fam\u00edlia, la filla gran, \u00e9s l’esperan\u00e7a d’aquests cosmos que ha d’evolucionar, mentre el m\u00f3n dels homes pret\u00e9n continuar amb els seus privilegis de domini. A mesura que avancen els episodis narratius aquesta, la noia, agafa un protagonisme, una pres\u00e8ncia, gaireb\u00e9 d’embolcall. \u00c9s la que censura aquell m\u00f3n de mascles i feminitat malentesa. Bravo pel feminisme que el film estreny.<\/p>\n\n\n\n

Una pel\u00b7l\u00edcula diferent, amb un gust estant\u00eds de reportatge costumista. Potser el punt feble que li veig \u00e9s que la hist\u00f2ria queda massa oberta i que hi ha una certa disson\u00e0ncia, un decalatge, entre el clima que s’ha anat creant i la reacci\u00f3 final dels personatges. Tal vegada uns tocs d’\u00e8pica no li haurien anat malament. De tota manera, aix\u00f2 \u00e9s una q\u00fcesti\u00f3 de gustos. Dues hores de pel\u00b7l\u00edcula de les quals he gaudit ininterrompudament d’all\u00f2 m\u00e9s.<\/p>\n\n\n\n

\"Alcarras.<\/figure>\n\n\n\n

Alcarras. ca.wikipedia.org<\/p>\n","protected":false},"excerpt":{"rendered":"

OPINI\u00d3 He anat a veure Alcarr\u00e0s, de Carla Sim\u00f3n, al cine de Palafrugell (Baix Empord\u00e0). Era ple de gom a gom, potser perqu\u00e8 el premi de l’\u00d3s d’Or rebut a la Berlinale, ha creat moltes expectatives, o potser perqu\u00e8 era […]<\/p>\n","protected":false},"author":47,"featured_media":38430,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26506],"tags":[],"class_list":["post-69959","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema"],"yoast_head":"\nAlcarr\u00e0s, de Carla Sim\u00f3n | La Independent<\/title>\n<meta name=\"description\" content=\"OPINI\u00d3 He anat a veure Alcarr\u00e0s, de Carla Sim\u00f3n, al cine de Palafrugell (Baix Empord\u00e0). Era ple de gom a gom, potser perqu\u00e8 el premi de l'\u00d3s d'Or rebut a la Berlinale, ha creat moltes expectatives, o potser perqu\u00e8 era diumenge a la tarda.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/laindependent.cat\/en\/alcarras-de-carla-simon\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Alcarr\u00e0s, de Carla Sim\u00f3n | La Independent\" \/>\n<meta property=\"og:description\" content=\"OPINI\u00d3 He anat a veure Alcarr\u00e0s, de Carla Sim\u00f3n, al cine de Palafrugell (Baix Empord\u00e0). 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