Resid\u00e8ncia d’Artistes Cal Gras<\/a>\u00a0obrien una convocat\u00f2ria per investigar sobre la transhum\u00e0ncia i li vaig proposar fer alguna cosa creativa per investigar sobre aquest tema. Ens hi vam presentar amb una proposta concreta que ha anat evolucionant fins el qu\u00e8 \u00e9s ara.<\/span><\/p>\n\u00a0<\/p>\n
I a partir de la idea d’espectacle, com vas arribar al format i forma actuals, tan especials i diferents, pensats per un espai petit i que busca la intimitat entre el p\u00fablic i artista?<\/span><\/strong><\/p>\nSempre havia admirat molt els espectacles d’objectes i jo volia fer-ne un. \u00c9s un format que m’arriba molt i amb el que em sento molt c\u00f2moda explicant coses. De tu a tu quasi, com estant al voltant d’un foc. Fa comunitat i m’agrada.<\/span><\/p>\n\u00a0<\/p>\n
Com reaccionen els teatres quan dius que l’espectacle ha de ser per a poques persones de p\u00fablic per sessi\u00f3?<\/span><\/strong><\/p>\nGeneralment em demanen de posar-hi una doble fila, per\u00f2 jo els parlo de l’experi\u00e8ncia i dic que ha de ser aix\u00ed, per a 10 persones. Aix\u00f2 tamb\u00e9 genera una atmosfera concreta. De fet, a l’inici, jo volia que fos nom\u00e9s per una o dues persones!<\/span><\/p>\n\u00a0<\/p>\n
Creus que som desconeixedores d’aquesta realitat les persones que vivim a les ciutats, tenim la vida rural idealitzada, potser?<\/span><\/strong><\/p>\nM\u00e9s que res, penso que estem oblidant certes maneres de fer i hi ha hist\u00f2ries que si ara no les preguntem a la gent gran, quedaran esborrades, perqu\u00e8 qui les sap, marxar\u00e0 amb elles…<\/span><\/p>\nA m\u00e9s tamb\u00e9 tinc la sensaci\u00f3 que mirem molt poc cap als llocs rurals de manera sincera i real. Ho romantitzem des de la ciutat, i un cop all\u00e0, no volem l’olor de fems a casa nostra. Per exemple: quan des de la ciutat, decidim fer una pizza de Casa Tarradelles no pensem qu\u00e8 s’ha hagut de fer per fer-la: s’han hagut de carregar els boscos per fer camps per tal de poder-hi tirar els fems del bestiar cosa que fa que a m\u00e9s de fer desapar\u00e8ixer el bosc, es fagi malb\u00e9 la terra i l’exc\u00e9s de fems i fa que l’aigua dels rius quedi bruta…<\/span><\/p>\n\u00a0<\/p>\n
A quins espais l’has presentat i com arribes al cicle Planeta Persona de la Sala Beckett?<\/span><\/strong><\/p>\nL’he mostrat, com a retorn de les resid\u00e8ncies que vaig fer, a Cal Gras, i a la Sala B de ‘Espai Esc\u00e8nic Iago Pericot Ca n’Humet del Masnou.<\/span><\/p>\nA la Beckett arriba perqu\u00e8 just presento la proposta en el moment que tenen pensat fer aquest cicle i els encaixa. A m\u00e9s vaig comen\u00e7ar a crear l’espectacle en un curs de l’Obrador de la Sala Beckett, del Xavier Bob\u00e9s (manipulador d’objectes).<\/span><\/p>\n\u00a0<\/p>\n
Coneixes el conjunt de propostes del cicle i ens en recomanes alguna en especial?<\/span><\/strong><\/p>\nDoncs he llegit una mica sobre totes i em crida molt l’atenci\u00f3 la proposta de l’Ada Vilar\u00f3, que es mostra nom\u00e9s un dia, i les xerrades de la UOC tamb\u00e9 em semblen super interessants.<\/span><\/p>\n\u00a0<\/p>\n
Creus que la vida rural \u00e9s especialment dura per les dones tot i que en l’imaginari col\u00b7lectiu siguin els homes qui fan la feina aparentment m\u00e9s pesada?<\/span><\/strong><\/p>\nCrec que la vida al camp \u00e9s dura, per\u00f2 clar \u00e9s el meu punt de vista. Pel que fa al tema de les dones, quan vam fer la resid\u00e8ncia a Cal Gras vam estar parlant amb dones pastores. Em va sembla que el m\u00e9s cost\u00f3s i pesat per elles \u00e9s que les menystinguin o hagin de reclamar el seu espai, quan ja ho \u00e9s des del moment en que hi treballen, potser seria interessant deixar de posar les coses en dubte quan s\u00f3n evidents. \u00c9s un tema que m’ha quedat pendent d’investigar a fons.<\/span><\/p>\n\u00a0<\/p>\n
El canvi clim\u00e0tic ens preocupa i est\u00e0 al centre del debat social. \u00bfHo vius personalment de manera angoixant i creus que \u00e9s un tema central per la teva generaci\u00f3?<\/span><\/strong><\/p>\nHo visc de manera intensa i procurant ser coherent amb les coses que faig i la manera com visc. No sempre \u00e9s possible i s\u00ed, crec que \u00e9s un “temazo” central en la nostra generaci\u00f3, que anir\u00e0 fent-se cada cop m\u00e9s present al llarg dels anys.<\/span><\/p>\n\u00a0<\/p>\n
Explica’ns els teus altres projectes art\u00edstics com a fot\u00f2grafa, com la mostra “A plor de pell” que has exposat a diversos espais, com reacciona el p\u00fablic?<\/span><\/strong><\/p>\n“A plor de pell” \u00e9s un projecte fotogr\u00e0fic, en el que recullo “selfies” de persones plorant. Amb aquestes imatges faig murals en parets, enganxant les fotografies amb cola com si fossin cartells. El que vol aquest projecte \u00e9s reivindicar els estats vulnerables com a una cosa quotidiana i natural. La veritat \u00e9s que \u00e9s bonic veure que la gent s’hi suma aportant el seu plor.<\/span><\/p>\n\u00a0<\/p>\n
Com veus l’escena catalana actual, creus que hi ha oportunitats per a innovar i obrir portes a joves talents?<\/span><\/strong><\/p>\nVull pensar que s\u00ed, crec que no dep\u00e8n dels joves, que n’hi ha molt\u00edssims amb talent i coses a dir. Crec que els teatres haurien d’arriscar m\u00e9s i programar gent no coneguda i deixar-los parlar, ho trobaria super interessant i l\u00f2gic. No escoltar sempre els mateixos punts de vista. Ah i aviam si tamb\u00e9 deixen espai a les dones creadores, que n’hi ha molt\u00edssimes!<\/span><\/p>\n\u00a0<\/p>\n
Despr\u00e9s de la teva experi\u00e8ncia amb “No sabem res del campo” t’ha sorgit algun nou interrogant per explorar tem\u00e0ticament o de format art\u00edstic?<\/span><\/strong><\/p>\nS\u00ed, de fet ja he comen\u00e7at amb una nova recerca sobre el meu besavi, que era capit\u00e0 de barco de la marina mercant. Si tot va b\u00e9, el proper octubre en far\u00e9 una mostra!<\/span><\/p>\n\u00a0<\/p>\n
\u00a0<\/p>\n
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