{"id":68551,"date":"2021-01-13T22:04:28","date_gmt":"2021-01-13T21:04:28","guid":{"rendered":"https:\/\/laindependent.cat\/vides-paralleles-gloria-steinem-i-helen-reddy\/"},"modified":"2023-07-24T17:14:56","modified_gmt":"2023-07-24T15:14:56","slug":"vides-paralleles-gloria-steinem-i-helen-reddy","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/en\/vides-paralleles-gloria-steinem-i-helen-reddy\/","title":{"rendered":"Vides paral.leles. Gloria Steinem i Helen Reddy"},"content":{"rendered":"

\u00a0<\/p>\n<\/p>\n

\u00a0<\/p>\n

OPINI\u00d3<\/strong><\/p>\n

Dues pel.l\u00edcules que fan pensar com relatar\u00e0 el cine les desigualtats actuals.<\/span><\/strong><\/p>\n

<\/p>\n

Per una coincid\u00e8ncia ben feli\u00e7 (a m\u00e9s de l’adveniment de la vacuna), es poden veure a Barcelona I Am Woman de la directora australiana Unjoo Moon<\/strong> (Austr\u00e0lia, 2019), sobre la vida i l’obra de la cantant, actriu i compositora Helen Reddy (1941-2020) \u2014el film fa especial \u00e8mfasi en la can\u00e7\u00f3 hom\u00f2nima, escrita el 1971, que dona nom al film\u2014 i The Glorias<\/strong> de Julie Taymor<\/strong> (EUA, 2020), sobre la prominent periodista, activista i feminista Gloria Steinem<\/strong> (1934). Dues baules d’una llarga i potent cadena.<\/span><\/p>\n

Soc dona<\/span><\/strong>
La primera \u00e9s un bi\u00f2pic que salta de can\u00e7\u00f3 en can\u00e7\u00f3, d’\u00e8xit en \u00e8xit (i algunes mis\u00e8ries) de la primera australiana que va guanyar un Grammy (1973). Reddy, despr\u00e9s d’aconseguir un contracte per gravar un disc a Nova York (hi havia trampa i no es va gravar), s’hi despla\u00e7a amb una filla de tres anys, una maleta i dos-cents trenta d\u00f2lars. Malgrat tot, decideix quedar-se a la ciutat i fer carrera com a cantant. All\u00e0 coneix la llegend\u00e0ria periodista de rock Lillian Roxon<\/strong>; un altre personatge d’upa, autora, entre d’altres fites, d’una enciclop\u00e8dia del rock and roll.<\/span><\/p>\n

L’essencial amistat amb Roxon li va infondre confian\u00e7a en si mateixa i la va inspirar a escriure l’emblem\u00e0tica can\u00e7\u00f3 \u00abI Am Woman<\/a>\u00bb, que r\u00e0pidament esdev\u00e9 un himne i anima tota una generaci\u00f3 de dones a lluitar pel seus drets. No per casualitat, el 2005 va escriure un llibre titulat The woman I am.<\/span><\/p>\n

Ni \u00absenyora de\u00bb, ni senyoreta<\/span><\/strong>
The Glorias, d’expressiu t\u00edtol, at\u00e8s que tant es refereix joiosament al munt de dones que van lluitar per escapar d’un dest\u00ed llot\u00f3s presentat com a inevitable, com a les dones en qu\u00e8 es va anar transformant Gloria Steinem al llarg dels anys. Es remunta a la inf\u00e0ncia, la segueix durant l’adolesc\u00e8ncia i el fonamental viatge que va fer de ben jove a l’\u00cdndia, s’atura en la plet\u00f2rica maduresa, fins arribar a la fecunda vellesa.<\/span><\/p>\n

Mostra perqu\u00e8 esdev\u00e9 una pe\u00e7a indispensable del moviment pels drets de les dones als anys seixanta (rebel.li\u00f3 contra el jou patriarcal, lluita pel dret a l’avortament, contra la segregaci\u00f3 racial, l’explotaci\u00f3 laboral…), sempre des de la transversalitat i l’antibel.licisme. Fa \u00e8mfasi en la fundaci\u00f3 de la uteral i emblem\u00e0tica revista Ms. i en la hist\u00f2rica Confer\u00e8ncia Nacional de les Dones del 1977.<\/span><\/p>\n

Pel.l\u00edcula menys convencional que I Am Woman (sense que aix\u00f2 sigui una cr\u00edtica a cap de les dues), va endavant i enrere, i les quatre actrius que encarnen les edats de la dona comparteixen pantalla i fins i tot s’interpel.len entre si dins l’autob\u00fas que simbolitza el llarg viatge d’Steinem; no per casualitat un dels seus \u00faltims llibres es diu My Life on the Road<\/em> (2015). En alguns moments s’aparta de la realitat en fugues inspirades en d’altres films; per exemple, quan en una dura i impertinent entrevista compareix el tornado d‘El m\u00e0gic d’Oz<\/em>, o el voleteig de les sempre simp\u00e0tiques i simb\u00f2liques bruixes.<\/span><\/p>\n

De l’ahir a l’ara<\/span><\/strong>
Tot i que una part de la cr\u00edtica en q\u00fcestiona aspectes, s\u00f3n, al meu entendre, dues magn\u00edfiques pel.l\u00edcules. He de dir que la meva opini\u00f3 no pret\u00e9n tenir ni un bri d’objectivitat: em cau literalment la baba quan veig films dedicats a les gl\u00f2ries del feminisme o tan euforitzants com aquests dos.<\/span><\/p>\n

A m\u00e9s, s\u00f3n exquisidament subtils. A I Am Woman, una pinzellada, per exemple, d’una freq\u00fcent estrat\u00e8gia masculina: separar les dones de les seves amigues; sempre en la base dels maltractaments. The Glorias, tot i que sempre va al gra i a l’essencial sense desviar-se’n ni un p\u00e8l, remarca l’agermanament de les dones m\u00e9s enll\u00e0 de races i proced\u00e8ncies; o, amb una simple imatge, l’extensi\u00f3 de l’avortament.<\/span><\/p>\n

Dues pel.l\u00edcules que fan pensar com relatar\u00e0 el cine les desigualtats actuals, com mostrar\u00e0 els \u00abpetits detalls\u00bb de l’opressi\u00f3 i de la subordinaci\u00f3. Per exemple, quina equival\u00e8ncia far\u00e0 entre aquell periodista que, pel fet de ser home, demana (exigeix) a Gloria Steinem que li faci un caf\u00e8 i actituds actuals (si \u00e9s que aix\u00f2 ja no passa) semblants. Per exemple, de quina manera explicar\u00e0 la bretxa salarial actual; al film, un prepotent, intimidatori i malcarat amo d’un bar, com si fos un fet natural, etziba a Helen Redd<\/strong>y (a c\u00e0rrec d’una filla, no ho oblidem), quan ella apunta que cobra menys que els m\u00fasics que l’acompanyen, que \u00e9s aix\u00ed perqu\u00e8 ells han d’alimentar una fam\u00edlia. Per exemple, les entrevistes a les que es van haver de sotmetre totes dues i les d’ara.<\/span><\/p>\n

Temps despr\u00e9s i gr\u00e0cies a elles, les ianquis ho han tingut m\u00e9s f\u00e0cil per no perdre el cognom quan es casen; una gran part de dones poden tenir una Visa sense demanar perm\u00eds a ning\u00fa.<\/span><\/p>\n

Interseccions<\/span><\/strong>
Es pot aventurar que m\u00e9s d’un cop Helen Reddy va llegir Ms. i Gloria Steinem va taral.lejar \u00abI Am Woman\u00bb; a part d’aix\u00f2, devien coincidir en m\u00e9s d’una ocasi\u00f3. Aix\u00ed ho testimonien documents de l’\u00e8poca. Hi ha un emocionant moment que comparteixen f\u00edsicament lluny. Va ser durant la Marxa de les dones a Washington, l’endem\u00e0 de la presa de possessi\u00f3 de Donald Trump <\/strong>el gener del 2017. Al mateix moment que Steinem fa un bell parlament a Washington<\/a>, n’era una de les oradores, Reddy canta el llegendari \u00abI Am Woman\u00bb a Los Angeles, potser paga la pena tornar-lo a escoltar<\/a> i disfrutar de la tan menyspreada edat tardana i sense complexos.<\/span><\/p>\n

Ara que es pot, val la pena tornar al cine. Per acabar l’any o per comen\u00e7ar-ne un de nou. Sobretot, perqu\u00e8 els cines deixin de ser un escenari inh\u00f2spit i una mica aterridor tret d’El resplandor: aquests passadissos llargu\u00edssims, aquestes escales plenes de giragonses, especialment quan en surts, especialment si ets de les que es queden, lleials, fins que els cr\u00e8dits de les pel.l\u00edcules s’acaben.<\/span><\/p>\n

Sigui com sigui, i ja s\u00e9 que l’any passat en aquests dies d\u00e8iem el mateix, i mira tu, que l’any que ve sigui al m\u00e0xim benigne.<\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u00a0<\/p>\n

* Publicat a Huffington<\/span><\/strong><\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0 OPINI\u00d3 Dues pel.l\u00edcules que fan pensar com relatar\u00e0 el cine les desigualtats actuals.<\/p>\n","protected":false},"author":59,"featured_media":37052,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26640],"tags":[],"class_list":["post-68551","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opinio-cultura"],"yoast_head":"\nVides paral.leles. 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