{"id":68003,"date":"2020-05-13T12:20:58","date_gmt":"2020-05-13T10:20:58","guid":{"rendered":"https:\/\/laindependent.cat\/elogi-de-la-vellesa-de-la-decrepitud-fisica-i-de-les-condicions-materials-ii\/"},"modified":"2023-11-01T19:41:25","modified_gmt":"2023-11-01T18:41:25","slug":"elogi-de-la-vellesa-de-la-decrepitud-fisica-i-de-les-condicions-materials-ii","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/en\/elogi-de-la-vellesa-de-la-decrepitud-fisica-i-de-les-condicions-materials-ii\/","title":{"rendered":"Elogi de la vellesa. De la decrepitud f\u00edsica i de les condicions materials II"},"content":{"rendered":"

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OPINI\u00d3<\/span><\/strong><\/p>\n

Amb el coronavirus s’ha posat de manifest que les resid\u00e8ncies de velles i vells eren m\u00e9s aviat moritoris o moridors.<\/span><\/strong><\/p>\n

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Pero la residencia la gestionaba una promotora que depend\u00eda casi totalmente de fondos federales, lo que significaba que las diferencias de clase, poder adquisitivo y educaci\u00f3n se hab\u00edan reducido para adoptar la cultura del m\u00ednimo com\u00fan denominador. Y ah\u00ed es donde se volv\u00eda una pesadilla.<\/span><\/em><\/p>\n

Vivian Gornick. La mujer singular y la ciudad.<\/span><\/em><\/p>\n

Trad. Raquel Vicedo. Madrid: Sexto Piso, 2018<\/span><\/em><\/p>\n

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On diu \u00abfondos federales\u00bb, hi posin \u00abprivatitzaci\u00f3\u00bb (a Catalunya sempre una mica m\u00e9s, sempre encap\u00e7alant records de privatitzaci\u00f3) i far\u00e0 el fet.<\/span><\/p>\n

La vellesa \u2014creguin-me, soc una anciana; incipient potser, per\u00f2 anciana\u2014 \u00e9s una carrera, plena de dubtoses i amargues fites, m\u00e9s o menys accelerada, cap a la incapacitat i la impot\u00e8ncia. Ho expliquen molt b\u00e9 totes les autores \u2014en s\u00f3n moltes les que en parlen\u2014. Margaret Drabble<\/strong> ho fa a trav\u00e9s de Francesca Stubbs, protagonista d’una de les seves novel.les.<\/span><\/p>\n

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La propia Fran ya es demasiado vieja para morir joven, y demasiado vieja para evitar juanetes y artritis, verrugas y ampollas, mu\u00f1ecas debilitadas, cataratas incipientes que a\u00fan no pueden operarse, y una fatiga insidiosa.<\/span><\/em><\/p>\n

Margaret Drabble. Llega la negra crecida.<\/span><\/em><\/p>\n

Trad. Regina L\u00f3pez Mu\u00f1oz. Madrid: Sexto Piso, 2018<\/span><\/em><\/p>\n

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Personalment, em tranquil.litza m\u00e9s un fragment com l’anterior que no tots aquells llibres d’autoajuda que pretenen vendre’t les xacres com a benediccions i una sort. Potser perqu\u00e8 no m’agrada gens que em prenguin per enze (aix\u00f2 no vol dir que no ho sigui); potser perqu\u00e8 em permet comprendre, que \u00e9s el primer pas per acceptar; potser perqu\u00e8 m\u00e9s m’estimo saber de quin mal he de morir. Penso que en aquest cas la t\u00e0ctica de fer de la necessitat virtut afegeix crueltat a la cosa.<\/span><\/p>\n

Margaret Drabble no \u00e9s l’\u00fanica que explica les servituds i mis\u00e8ries de l’envelliment. Per exemple, Ursula K. Le Guin<\/strong> en fa un retrat liter\u00e0riament literal.<\/span><\/p>\n

Una de las reglas del juego, en casi todos los tiempos y lugares, es que solo los j\u00f3venes son hermosos. […] Cuanto m\u00e1s vieja me hago, m\u00e1s claramente lo veo y lo disfruto.<\/span><\/em><\/p>\n

Pero afrontar el espejo resulta cada vez m\u00e1s dif\u00edcil. \u00bfQui\u00e9n es esa anciana? \u00bfD\u00f3nde tiene la cintura? Me he resignado, m\u00e1s o menos, a perder el cabello oscuro y cambiarlo por esta pelusa lacia y gris, pero \u00bfhe de perder tambi\u00e9n eso y quedarme solo con el cuero cabelludo rosado? Ya basta, caray. \u00bfEsto es un lunar nuevo o me estoy convirtiendo en un caballo pinto? \u00bfHasta d\u00f3nde puede ensancharse un nudillo sin convertirse en una rodilla? No quiero ver, no quiero saber.<\/span><\/em>\u00a0<\/p>\n

Y, sin embargo, miro a los hombres y mujeres de mi edad, o m\u00e1s viejos, y sus cr\u00e1neos y nudillos y manchas y protuberancias, aunque variados e interesantes, no inciden en lo que pienso de ellos. Algunas de estas personas me parecen muy hermosas, otras no. […] Tiene que ver con los huesos. Tiene que ver con qui\u00e9n es esa persona. Con creciente claridad, tiene que ver con aquello que las caras y los cuerpos nudosos transmiten.<\/span><\/em><\/p>\n

Ursula K. Le Guin. Contar es escuchar. Sobre la escritura, la lectura y la imaginaci\u00f3n. Trad. Mart\u00edn Schifino. Madrid: C\u00edrculo de Tiza, 2018<\/span><\/em><\/p>\n

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Ve a tomb dir que no s’ha de tenir por de paraules com \u00abvella\u00bb o \u00abanci\u00e0\u00bb. Primer es van intentar substituir-les per \u00abpersona gran\u00bb; per\u00f2 quan es va veure que la denominaci\u00f3 no podia ocultar que tenia el mateix significat que \u00abvella\u00bb o \u00abanci\u00e0, es va assajar \u00abpersona de la tercera edat\u00bb. Podem anar substituint-les que no hi res a fer. Els mots, els eufemismes que suplanten paraules que ens sonen malament tenen una vida limitada perqu\u00e8 r\u00e0pidament absorbeixen la c\u00e0rrega pejorativa del terme que substitueixen. (La paraula \u00abputa\u00bb, que volia dir \u00abnena\u00bb o \u00abnoia\u00bb, va sorgir com a eufemisme i de seguida es va contaminar.) El que molesta no \u00e9s la paraula, \u00e9s el concepte, \u00e9s la vellesa. I cap mot no la pot amagar.<\/span><\/p>\n

El coronavirus \u00e9s una radiografia, millor dit, \u00e9s una lent d’augment de les xacres de la societat, de la brutalitat i cruesa del sistema econ\u00f2mic. Sab\u00edem que les resid\u00e8ncies de velles i vells eren aparcaments (molts cops amb les places molt petites i plenes de columnes); amb el coronavirus s’ha posat de manifest que era molt pitjor, que eren m\u00e9s aviat moritoris o moridors.<\/span><\/p>\n

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\"Foto<\/span><\/p>\n

\u00a0Un fisioterapeuta trabaja con una mujer tras recuperarse esta de una infecci\u00f3n por coronavirus, en una residencia de Madrid.\u00a0<\/span><\/p>\n

<\/span>Foto<\/span>:\u00a0<\/span><\/span>Oscar del Pozo Via Getty Images<\/span><\/p>\n

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Dono per descomptat que el fet que la meitat de les morts d’aqu\u00ed hagin estat velles i vells que estaven en resid\u00e8ncies, s’apuntar\u00e0 amb lletres de foc.<\/span><\/strong>
<\/span><\/p>\n

Si almenys la pand\u00e8mia serv\u00eds \u2014at\u00e8s que contra anar envellint no s’hi pot fer gaire, nom\u00e9s es pot aspirar a fer-ho de la millor manera possible\u2014 perqu\u00e8 s’arbitressin sistemes amb vista que les resid\u00e8ncies (\u00abasils\u00bb, en d\u00e8iem abans i el canvi de nom no \u00e9s m\u00e9s que un altre intent d’eufemisme) no fossin nom\u00e9s llocs on es va a morir; se les dot\u00e9s dels fons econ\u00f2mics i d’altres ordres perqu\u00e8 no accentuessin ni agreugessin unes situacions ja de per si debilitants i debilitadores, alguna cosa n’haur\u00edem tret. Dono per descomptat que el fet que, segons l’OMS, la meitat de les morts d’aqu\u00ed hagin estat velles i vells que estaven en resid\u00e8ncies, s’apuntar\u00e0 amb lletres de foc perqu\u00e8 sigui impossible que passi mai m\u00e9s.<\/span><\/p>\n

L’objectiu seria que les paraules de l’hero\u00efna de Drabble, Francesca Stubbs, no s’haguessin de referir, a m\u00e9s de la vellesa, a l’estat i a les condicions de les resid\u00e8ncies.<\/span><\/p>\n

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No, no tienen nada de heroico ni la vivienda ni las pol\u00edticas de urbanismo, temas que actualmente ocupan su vida profesional, pero la propia vejez s\u00ed es un tema para el hero\u00edsmo. Requiere mucho valor.<\/span><\/em><\/p>\n

Margaret Drabble. Llega la negra crecida<\/span><\/em><\/p>\n

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\u00a0\u00a0 OPINI\u00d3 Amb el coronavirus s’ha posat de manifest que les resid\u00e8ncies de velles i vells eren m\u00e9s aviat moritoris o moridors.<\/p>\n","protected":false},"author":59,"featured_media":36483,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26640],"tags":[],"class_list":["post-68003","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opinio-cultura"],"yoast_head":"\nElogi de la vellesa. 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