{"id":67199,"date":"2019-09-24T22:15:09","date_gmt":"2019-09-24T20:15:09","guid":{"rendered":"https:\/\/laindependent.cat\/africa-la-india-i-beirut-vistes-i-filmades-per-dones\/"},"modified":"2019-09-24T22:15:09","modified_gmt":"2019-09-24T20:15:09","slug":"africa-la-india-i-beirut-vistes-i-filmades-per-dones","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/en\/africa-la-india-i-beirut-vistes-i-filmades-per-dones\/","title":{"rendered":"\u00c0frica, la India i Beirut vistes i filmades per dones"},"content":{"rendered":"<\/p>\n

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Fanta R\u00e9gina Nacro<\/span><\/strong>, la primera cineasta de Burkina Faso i fundadora del Sindicat de Directors i Productors africans,<\/em> Bina Paul Venugopal<\/strong>, la programadora del Festival Internacional de Cinema de Kerala i <\/span>Jocelyn Saab,<\/span><\/strong> la <\/span>desapareguda directora libanesa, donen a con\u00e8ixer la mirada de les dones de l\u2019\u00c0frica, la India i el Proper Orient a la ciutat de Barcelona.\u00a0<\/span><\/p>\n

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El <\/span>FICAB<\/span><\/strong> (Festival Internacional de Cinemes Africans de Barcelona<\/em>) torna a portar aquesta tardor el cinema afric\u00e0 a diferents indrets de l\u2019\u00e0rea metropolitana de Barcelona i a la ciutat comptal. <\/span>El passat 20 de setembre es va engegar ja el \u201cFICAB als barris\u201d amb la projecci\u00f3 d\u2019una de la vintena de pel.licules d\u2019enguany i una de les joies del cinema afric\u00e0: la versi\u00f3 remasteritzada de \u2018Hy\u00e8nes\u2019<\/em>, (hienes) del director senegal\u00e9s <\/span><\/strong>Djibril Diop Mamb\u00e9ty. <\/span><\/strong><\/p>\n

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\u00c1frica es nom de dona a les pantalles <\/span><\/strong><\/p>\n

El Festival segueix de l\u20191 al 5 d\u2019octubre a la Filmoteca<\/a>\u00a0<\/span><\/strong>\u00a0que <\/span>acollir\u00e0 la retrospectiva:\u00a0<\/span><\/strong>\u00c0frica \u00e9s nom de dona. Mem\u00f2ria de la veu femenina al FESPACO\u00a0<\/span><\/em>(<\/span>Festival Panafric\u00e0 de Cinema i\u00a0Televisi\u00f3 de\u00a0Ou<\/span><\/strong>agadug\u00fa) <\/span><\/span>la capital de Burkina Faso. \u201cUna selecci\u00f3 cuidada que aposta per visibilitzar el paper de la dona als cinemes del continent i la seva import\u00e0ncia en el desenvolupament de l\u2019esdevenir dels pa\u00efsos africans\u201d. <\/span><\/p>\n

La sel.lecci\u00f3 consta de 8 pel\u00b7l\u00edcules realitzades o protagonitzades per dones i que reflexionen sobre l\u2019\u00fanivers femen\u00ed, durant els 50 anys d\u2019hist\u00f2ria que ha celebrat aquest any el FESPACO, el m\u00e9s important festival del continent afric\u00e0<\/span><\/span>. Es un esdeveniment bianual, que va n\u00e9ixer l\u2019any 1969 en mig dels procesos de descolonitzaci\u00f3 del continent i per l\u2019impuls de dones com la directora Sarah Maldoror<\/strong>. L\u2019any 2017 la dona va ser un dels eixos centrals en les confer\u00e8ncies que envolten a aquest singular festival afric\u00e0.<\/span><\/p>\n

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\u00a0F<\/span>oto FICAB<\/span><\/span><\/p>\n

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El primer film <\/span>Un air de kora, <\/span><\/em>(2015)<\/span> de la directora senegalesa\u00a0Ang\u00e8le\u00a0Diabang, <\/span><\/strong><\/span>el <\/span>presentar\u00e0 <\/span>Sally Fenaux Barleycorn<\/span><\/strong><\/a> <\/span>\u00a0<\/span>una professional internacional de l’audiovisual que viu a Barcelona. Seguir\u00e1 el documental <\/span>Le loup d\u2019or de bald\u00e9<\/a> (El llop d\u2019or de bald\u00e9),<\/span><\/em><\/span> <\/span>Burkina Faso 2019,<\/span> de <\/span>Chlo\u00e9 A\u00efcha Boro, <\/span><\/strong>la primera dona guanyadora del premi Etal\u00f3n d\u2019or 2019, equiparant el g\u00e8nere de documental al de ficci\u00f3.<\/span><\/strong><\/span><\/p>\n

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Sarraouina, hero\u00efna fonamental per la identitat panafricana<\/span><\/strong><\/p>\n

Tambe \u00e9s podr\u00e1n veure el l<\/span>largmetratge, Mossane<\/em>,(1996) de la directora senegalesa Safi Faye<\/strong>, seleccionada a <\/span>FESPACO 2017, la historia de la nena albina A place for myself<\/a> <\/span><\/em><\/span>,<\/span>(2017) de la ruandesa Marie-Cl\u00e9mentine\u00a0<\/strong><\/span> Dusabejambo<\/span><\/span><\/strong>, y The wedding ring<\/a>, <\/em><\/span>(l\u2019anell de casament),(2017,) <\/em>de la periodista, escritora y cineasta de N\u00edger Rahmatou Ke\u00efta<\/strong>. <\/span><\/p>\n

La FICAB ha incl\u00f3s el llargmetratge, Sarraouni<\/a>a, <\/em><\/span>de Med Hondo, <\/strong>no una dona, sino\u00a0<\/span>un home, pero un dels directors africans m\u00e9s solvents i recentment mort al mar\u00e7 de 2019 a Maurit\u00e0nia, perqu\u00e8 aconsegueix donar veu a una hero\u00efna fonamental per a la hist\u00f2ria i identitat panafricana. <\/span>Sarraounia<\/span><\/em> es un drama \u00e8pic sobre la reina dels aznes, la qual va encap\u00e7alar la resist\u00e8ncia dels pobles del N\u00edger contra la invasi\u00f3 colonial i musulmana. Est\u00e0 basada en la novel\u00b7la Sarraounia. Le drame de la reine magicienne<\/em>, d\u2019Abdou\u00b7laye Mamani <\/strong>i es considera <\/span>\u201c<\/span><\/strong>l\u2019altra cara de la hist\u00f2ria oficial apresa en els col.legis, segons la qual la colonitzaci\u00f3 va ser una missi\u00f3 civilitzadora\u201d, apunten les organizadores.<\/span><\/p>\n

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Fanta Regina Nacro_ Foto FICAB<\/span><\/p>\n

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La primera dona cineasta de Burkina Faso<\/span><\/strong><\/p>\n

La convidada d\u2019honor ser\u00e1 la directora\u00a0Fanta R\u00e9gina Nacro<\/strong>, amb \u201cm\u00e9s de 20 anys de carrera <\/span>amb pel\u00b7l\u00edcules que tracten les tradicions i malgrat les dures realitats d\u2019\u00c0frica, acaba projectant una mirada c\u00f2mica sobre la sexualitat, les relacions de g\u00e8nere o la modernitat\u201d. L\u2019any 1998 amb el <\/span>curtmetratge <\/span>Le truc\u00a0de\u00a0Konat\u00e9<\/span><\/em>, sobre la prevenci\u00f3 de la sida va collir \u00e8xits en diversos festivals internacionals.\u00a0<\/span><\/p>\n

Es reconeguda tamb\u00e9 per ser la primera dona cineasta de Burkina Faso en dirigir un llargmetratge i per haver fundat el\u00a0Sindicat de Directors i Productors africans<\/span>\u00a0(African Guild of Directors and Producers)<\/em>. De Fanta R\u00e9gina Nacro es podr\u00e1n veure dos films:\u00a0La nuit de la verit\u00e9<\/em><\/a> (2004), <\/span>millor nou gui\u00f3 al Festival de Sant Sebasti\u00e0 (2004) i Millor gui\u00f3 FESPACO (2005), i Bintou<\/span><\/em> (2001) <\/span>millor curtmetratge als premis Tom\u00e1s Sankara (2017).<\/span><\/p>\n

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Jurat afrodescendent al 1er Festival afric\u00e0 a Barcelona<\/span><\/strong><\/p>\n

L\u2019altre gran esdeveniment a la ciutat ser\u00e1 la <\/span>1\u00aa Edici\u00f3 del Festival<\/strong><\/span><\/em><\/strong> Internacional de Cinemes Africans de Barcelona<\/span><\/em><\/strong>, <\/span><\/em><\/strong>a<\/span> partir del 5 a i fins l\u201911 d\u2019octubre en el cinema Mald\u00e0<\/a>,<\/span><\/span><\/span>\u00a0<\/span>que est\u00e0 punt de cumplir el seu 70 aniversari, i on <\/span><\/span> competiran 7\u00a0llargmetratges, tant de ficci\u00f3 com documental, <\/strong>seleccionats per haver rebut premis o nominacions en festivals internacionals. <\/span><\/p>\n

Tots dos g\u00e8neres competir\u00e1n en igualtat de condicions i aniran acompanyats d\u2019altres curtmetratges que no entren a concurs. Aquesta 1a. edici\u00f3 t<\/span>indr\u00e0 un jurat 100% afrodescendent, format entre d\u2019altres per l\u2019actriu <\/span><\/strong>Vicenta Ndongo<\/span><\/strong>, la creadora i actriu <\/span><\/strong>Silvia Albert<\/span><\/strong> i l\u2019experta audiovisual <\/span><\/strong>Sally Fenaux<\/span><\/strong>, que s\u2019encarregar\u00e0 d\u2019atorgar el premi al millor llargmetratge.<\/span><\/strong><\/p>\n

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\"-A<\/span><\/em><\/strong>\u00a0<\/span>Foto promoci\u00f3 La ciutat de les dones<\/span><\/span><\/span><\/p>\n

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<\/span><\/span><\/span>La \u00cdndia en clau femenina<\/span><\/strong><\/p>\n

Comissariat per la programadora del Festival Internacional de Cinema de Kerala, Bina Paul<\/strong> Venugopal,<\/strong> la Filmoteca<\/a><\/span>\u00a0tamb\u00e9 <\/span><\/strong>presenta un cicle de 6 pel.licules anomenat, \u00cdndia: Mirades de Dones<\/em><\/strong>, que reuneix films de cineastes del subcontinent \u201cque <\/span>s\u2019han atrevit a tractar, amb una perspectiva de g\u00e8nere, temes que segueixen sent tab\u00fa a l\u2019\u00cdndia, com la sexualitat, els lligams de la tradici\u00f3, el masclisme o el sistema de castes\u201d.<\/span><\/p>\n

Les pel.licules son molt actuals i les directores que es presenten son Vaishali Sinha<\/strong>, amb Ask the Sexpert (Pregunta-li a l\u2019expert de sexe)<\/em>, (2017), Alankrita Shrivastava<\/strong> amb Lipstick Under My Burkha <\/em>(Pintallavis sota el burka), (2016), Konkona Sen Sharma<\/strong> amb A Death in the Gunj<\/em> (Mort al Gunj), (2016), Vidhu Vincent<\/strong> amb Manhole,<\/em> (2016), la coneguda i reconeguda \u2018Estaci\u00f3 de les dones\u2019 (Parched<\/a>, <\/em>2015)<\/em>,<\/span> de Leena Yadav, <\/strong>on \u2018quatre dones del Rajasthan gosen plantar cara als homes i a les tradicions ancestrals que les esclavitzen\u2019 i fugen del poble i finalment, de Rima Das<\/strong>, Village Rockstars<\/em> (Estrelles de Rock del poble), (2017).<\/span><\/p>\n

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Fotograma Hi havia una vegada Beirut<\/em> de Jocelyn Saab<\/span><\/p>\n

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La capital libanesa ha estat la ciutat convidada a les recents\u00a0Festes de la Merc\u00e8<\/em> 2019 i la Filmoteca va programar el Cicle Beirut a Barcelona<\/em> amb la col\u00b7laboraci\u00f3 de SodePau i la Mostra de Cinema \u00c0rab i Mediterrani de Catalunya, que ha portat alguns dels principals creadors d\u2019aquesta urbs mediterrania que, malgrat els conflictes que ha viscut i encara soporta, es un dels \u201cepicentres cinematogr\u00e0fics amb m\u00e9s projecci\u00f3 del m\u00f3n \u00e0rab\u201d<\/span>. <\/span><\/p>\n

De la recentment desapareguda directora Jocelyn Saab<\/strong>, encara es pot veure fins a final del mes de setembre 3 de les seves pel.licules: Beyrouth jamais plus<\/em> (1976) i Beyrouth ma ville <\/em>(1982), el dia 28, i Kanya Ya Ma Kan, Beyrouth<\/em> (1995), el dia 29, que durant la primera projecci\u00f3 van estar presentades per Alaa Mansour,<\/strong> la cineasta i alumna de la directora Saab.<\/span><\/p>\n

\u00a0<\/span><\/strong><\/p>\n

\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 Fanta R\u00e9gina Nacro, la primera cineasta de Burkina Faso i fundadora del Sindicat de Directors i Productors africans, Bina Paul Venugopal, la programadora del Festival Internacional de Cinema de Kerala i Jocelyn Saab, la desapareguda directora libanesa, donen a […]<\/p>\n","protected":false},"author":70,"featured_media":35846,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26506],"tags":[],"class_list":["post-67199","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema"],"yoast_head":"\n\u00c0frica, la India i Beirut vistes i filmades per dones | La Independent<\/title>\n<meta name=\"description\" content=\"\u00a0 Fanta R\u00e9gina Nacro, la primera cineasta de Burkina Faso i fundadora del Sindicat de Directors i Productors africans, Bina Paul Venugopal, la\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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