{"id":67005,"date":"2019-04-10T16:55:21","date_gmt":"2019-04-10T14:55:21","guid":{"rendered":"https:\/\/laindependent.cat\/isabel-franc-rescata-la-inoblidable-jo\/"},"modified":"2019-04-10T16:55:21","modified_gmt":"2019-04-10T14:55:21","slug":"isabel-franc-rescata-la-inoblidable-jo","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/en\/isabel-franc-rescata-la-inoblidable-jo\/","title":{"rendered":"Isabel Franc rescata la inoblidable Jo"},"content":{"rendered":"

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La rebel\u00b7lia es pot controlar, temporalment, per\u00f2 no es perd. Isabel Franc l’exerceix i la reinstaura a Las razones de Jo<\/em>, el llibre amb qu\u00e8 rescata “qui totes vol\u00edem ser”\u00a0 de Mujercitas, la inoblidable Jo March.<\/span><\/strong><\/p>\n

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Mesos sense ploure a Barcelona i ho fa en el moment de la cita de la presentaci\u00f3 de la nova publicaci\u00f3 d’Isabel Franc<\/strong>. Ser\u00e0 un bon auguri, ja que igualment van arribar fins al Pati Llimona de Barcelona les incondicionals i algunes m\u00e9s, totes dones, seguidores d’aquesta autora que presentava aquest dimarts 9 d’abril el seu t\u00edtol, Las razones de Jo<\/em>, de la m\u00e0 de l’editorial feminista M\u00e8nades<\/a> i la llibreria LGTB C\u00f3mplices<\/a>.<\/span>
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\"I<\/span><\/p>\n

Connie Dagas presentant a Isabel Franc i Joana Gallego.<\/span><\/p>\n

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Franc s’autodefineix com “c\u00f2mica de la ploma” i el costat ir\u00f2nic dels seus escrits, com a senyal d’intel\u00b7lig\u00e8ncia, va ser remarcat per qui la va acompanyar en l’acte de presentaci\u00f3 del seu llibre, Joana Gallego<\/strong> que al seu torn es diu ser (amb tota ra\u00f3) professora de periodisme, aspirant a escriptora i especialista en g\u00e8nere i comunicaci\u00f3.<\/span>
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Totes dues van ser presentades per la representant de la llibreria C\u00f3mplices especialitzada en literatura LGTB, Connie Dagas<\/strong>, i es va produir una conversa amena entre elles, amb alguna participaci\u00f3 de l’assist\u00e8ncia, sobre l’obra i personatges potents, inoblidables i recuperats i rescatades, a m\u00e9s de la seva for\u00e7a pr\u00f2pia a l’hora de ser escrits.<\/span>
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Va ser Joana Gallego qui va portar a les assistents a la presentaci\u00f3 per un recorregut on personatges inoblidables de ficci\u00f3 tornaven als textos de la m\u00e0 de noves autories, \u00e9s el cas de la protagonista de Casa de Mu\u00f1ecas<\/em>\u00a0d’Henrik Ibsen<\/strong> que retorna a Lo que pas\u00f3 cuando Nora dej\u00f3 a su marido<\/em>, escrita per Elfriede Jelinek<\/strong> (\u00c0ustria, 1946. Guanyadora el 1998 del premi Georg B\u00fcchner -la m\u00e9s alta distinci\u00f3 de la llengua alemanya); o les versions diverses en diferents formats: novel\u00b7la, teatre, cinema … del Lazarillo de Tormes<\/em> d’autor an\u00f2nim; de la carism\u00e0tica Scarlett O’Hara de Lo que el viento se llev\u00f3<\/em> (1936), de la periodista nord-americana Margaret Mitchell<\/strong> (1900-1949); del Peter Pan, creat el 1904 per l’escriptor escoc\u00e8s James Matthew Barrie<\/em>, i que torna en incomptables oportunitats; el mateix que la Caputxeta Vermella, el personatge d’un dels contes de tradici\u00f3 oral rescatats per Charles Perrault<\/strong>; i un dels \u00faltims: Pepe Carvalho al qual Carlos Zanon<\/strong> acaba de reviure. \u00c9s per aix\u00f2 que tamb\u00e9 va recordar a N\u00faria Amat<\/strong> que a\u00a0Pan de Bodas<\/em> indaga sobre el que passa despr\u00e9s del “the end”.<\/span><\/p>\n

\u00c9s que es tracta d’una intriga que sempre queda quan els personatges atrapen a qui se’ls coneix i comparteix les seves viv\u00e8ncies, aventures i desventures. Una d’aquestes personalitats de ficci\u00f3 \u00e9s, sens dubte, Jo March de Mujercitas<\/em>, obra publicada el 1868 i al qual la seva autora Louisa May Alcott<\/strong> tamb\u00e9 li va donar una segona part, amb Aquellas Mujercitas<\/em> (1869), i amb el que Isabel Franc, definitivament no va quedar conforme.<\/span>
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“A part que ‘totes vol\u00edem ser Jo’, com sempre he sentit, perqu\u00e8 a\u00a0Mujercitas<\/em> era rebel, independenta i perqu\u00e8 a m\u00e9s escrivia… a part d’aix\u00f2, ella \u00e9s, per a mi, un dels pocs personatges referents de les nenes amb ploma (LGTB)” i en Aquellas mujercitas<\/em> l’autora \u00e9s obligada, suposa Franc, per l’editorial “a frenar l’\u00edmpetu d’aquest personatge” encaixant-la en un paper tradicional: es casada amb un home bo, tradicional, molt m\u00e9s gran que ella, com un pare, a qui li d\u00f3na dos fills homes i, el pitjor, deixa d’escriure.<\/span>
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Es tracta “d’una esp\u00e8cie de c\u00e0stig al personatge de Jo”, de manera que, 150 anys despr\u00e9s, Franc busca explicar les raons que estan darrera el que ha passat i encarrilar la situaci\u00f3 i al personatge d’una altra manera. I ho fa, segons l’editorial M\u00e8nades, “d’una manera enginyosa, tendra, a moments trista i esperan\u00e7adora en d’altres… des d’una perspectiva completament nova i diferent per\u00f2 que encaixa a la perfecci\u00f3 amb tot el que s’explica en l’obra original”.<\/span>
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Un p\u00fablic atent i participatiu.<\/span><\/p>\n

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En el moment hist\u00f2ric en qu\u00e8 Alcott va escriure el llibre i est\u00e0 ambientada l’obra original, aquest personatge rebel, aquesta Jo hauria de ser sufragista, abolicionista i feminista. Si no fos ficci\u00f3 ho seria, si fos un personatge d’avui en l’actualitat seria feminista, “una Jo que avui advocaria per la unitat del feminisme en valors universals comuns”, mantenint la diversitat de postures, “tal com ho va dir Dolors Reguant<\/strong> al seu article a La Independent<\/a>“, va afirmar Franc.<\/span>
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Per Franc, els i les personatges, en l’acte de donar-los viv\u00e8ncies, de vegades es rebelen i condueixen a l’autora cap a altres camins no previstos inicialment. En aquest punt, Joana Gallego va discrepar amb ella, ja que considera que \u00e9s la persona que escriu qui controla absolutament al personatge de ficci\u00f3. En una entretinguda justificaci\u00f3 de posicions, en qu\u00e8 tamb\u00e9 hi va participar el p\u00fablic, Franc va explicar que en No me digas cari\u00f1o<\/em> va canviar la personalitat d’un dels seus personatges perqu\u00e8 la pr\u00f2pia hist\u00f2ria, en el proc\u00e9s de ser plasmada, li va imposar.<\/span>
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“Calia rescatar Jo”, diu l’autora que \u00e9s conscient de les pressions socials i editorials a l’hora de publicar i que valora especialment a les petites editorials que donen un millor tracte a autores i autors, i que mantenen estils i temes a l’hora de decidir publicar sense estar \u00fanicament condicionades per tend\u00e8ncies del mercat editorial.<\/span><\/p>\n

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\"las<\/span><\/p>\n

Portada del llibre.<\/span><\/p>\n

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Isabel Franc<\/span><\/strong>
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La solapa del llibre Las razones de Jo<\/em> retrata molt b\u00e9 a aquesta autora:<\/span>
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Isabel Franc (Barcelona, 1955) es defineix com a narradora, articulista, “clownferencista” i professora de tallers i cursos d’escriptura humor\u00edstica. En definitiva, una ‘c\u00f2mica de la ploma’. En l’actualitat \u00e9s tamb\u00e9 col\u00b7laboradora habitual de La Independent, Ag\u00e8ncia de not\u00edcies amb visi\u00f3 de g\u00e8nere.<\/span>
<\/span><\/p>\n

Totes les seves obres es caracteritzen pel sentit de l’humor, la ironia i la par\u00f2dia en un univers on les dones s\u00f3n les protagonistes.<\/span><\/p>\n

Algunes s\u00f3n:<\/span>
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Entre todas las mujeres<\/em>, obra finalista el 1992 del premi La Sonrisa Vertical.<\/span><\/p>\n

La celebrada trilogia editada per Egales i tradu\u00efda en diversos idiomes: Con pedigree<\/em> (1997), Plumas de doble filo<\/em> (1999) i La mansi\u00f3n de las tr\u00edbades<\/em> (2002). Que va signar sota el pseud\u00f2nim de Lola Van Guardia<\/strong>.<\/span><\/p>\n

<\/span>Alicia en el mundo real<\/em>, novel\u00b7la gr\u00e0fica realitzada juntament amb la dibuixant Susanna Mart\u00edn<\/strong>, sobre el c\u00e0ncer de mama, que va rebre el premi Jennifer Quiles (2011).<\/span><\/p>\n

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Las humoristAs. Ensayo poco serio de las mujeres y humor<\/em> (2017).<\/span><\/p>\n

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\"I<\/span><\/p>\n

Algunes de les publicacions d’Isabel Franc.<\/span><\/p>\n

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L’autora Isabel Franc i Joana Gallego, una amistat de 30 anys.<\/span><\/p>\n

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La rebel\u00b7lia es pot controlar, temporalment, per\u00f2 no es perd. Isabel Franc l’exerceix i la reinstaura a Las razones de Jo, el llibre amb qu\u00e8 rescata “qui totes vol\u00edem ser”\u00a0 de Mujercitas, la inoblidable Jo March.<\/p>\n","protected":false},"author":87,"featured_media":35596,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26518],"tags":[],"class_list":["post-67005","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literatura"],"yoast_head":"\nIsabel Franc rescata la inoblidable Jo | La Independent<\/title>\n<meta name=\"description\" content=\"La rebel\u00b7lia es pot controlar, temporalment, per\u00f2 no es perd. 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