{"id":66972,"date":"2019-03-27T01:13:48","date_gmt":"2019-03-27T00:13:48","guid":{"rendered":"https:\/\/laindependent.cat\/despres-del-8-de-marc-cine-i-futbol\/"},"modified":"2024-11-16T12:36:31","modified_gmt":"2024-11-16T11:36:31","slug":"despres-del-8-de-marc-cine-i-futbol","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/en\/despres-del-8-de-marc-cine-i-futbol\/","title":{"rendered":"Despr\u00e9s del 8 de mar\u00e7. Cine i futbol"},"content":{"rendered":"

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OPINI\u00d3<\/span><\/strong><\/p>\n

Coincideixen a la cartellera tres pel.l\u00edcules que tracten de monarquies i poder. S\u00f3n, per ordre cronol\u00f2-gic, Maria Reina de Escocia<\/a>, de Josie Rourke (Regne Unit, 2018); La favorita <\/a>de Yorgos Lanthimos (Irlanda, Regne Unit, EUA, 2018) i Cambio de reinas<\/a> de Marc Dugain (Fran\u00e7a, 2017).<\/span><\/strong><\/p>\n

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La primera transcorre al segle XVI i consisteix en un relat biogr\u00e0fic m\u00e9s o menys fidedigne de l’\u00faltima etapa de la vida (i mort) de la reina Maria Estuarda d’Esc\u00f2cia<\/strong> (1542-1587) quan, despr\u00e9s d’enviudar del rei de Fran\u00e7a, retorna a Esc\u00f2cia i s’enfronta per q\u00fcestions din\u00e0stiques i de successi\u00f3 a la seva cosina Elisabet I<\/strong> d’Anglaterra (1533-1603), l’\u00faltima Tudor<\/strong>.<\/span><\/p>\n

La segona, situada a comen\u00e7ament del segle XVIII a Anglaterra, narra part del regnat d’Anna de la Gran Bretanya<\/strong> (1665-1714), \u00faltima sobirana de la Casa dels Estuard<\/strong>, aix\u00ed com les envitricollades relacions amb Lady Sarah Churchill<\/strong>.<\/span><\/p>\n

La tercera, Cambio de reinas, localitzada b\u00e0sicament a Versalles, transcorre tamb\u00e9 durant el segle XVIII per\u00f2 en anys posteriors a La favorita<\/em>. Recrea l’intercanvi de princeses entre Fran\u00e7a i Espanya amb una doble finalitat: apuntalar dos regnats empobrits i depauperats per les guerres i subministrar descend\u00e8ncia.<\/span><\/p>\n

(Una q\u00fcesti\u00f3, aquesta \u00faltima, ben viva sempre. La pol\u00edtica natalista del PP es caracteritza per voler disposar dels cossos de les dones, per arrabassar-les-hi els beb\u00e8s a les migrants, a les m\u00e9s desfavorides. Tira una l\u00ednia amb els segrestos de les filles i els fills de les roges, de les dones \u00abdolentes\u00bb durant el franquisme; o amb els perpetrats per les dictadures americanes. La pol\u00edtica del PP per al manteniment de les pensions tamb\u00e9 passa per colonitzar les dones. Unes dones vistes com a productores d’infants, com les vaques ho s\u00f3n de llet. El masclisme d’obrir en canal els ventres de les dones per aprofitar-se’n).<\/span><\/p>\n

Totes tres, cadascuna en el seu estil, s\u00f3n bones pel.l\u00edcules; totes tres protagonitzades i condu\u00efdes per sengles elencs d’actrius de bandera (espero que els serveixi, com a m\u00ednim, per cobrar igual que els actors). Totes tres mostren crues i cruels lluites pel poder; guerres; conxorxes i mis\u00e8ries. Totes tres van una mica m\u00e9s lluny que pilots de pel.l\u00edcules hist\u00f2riques protagonitzades exclusivament per reis i\/o nobles masculins acompanyats de personatges perif\u00e8rics femenins, at\u00e8s que cap de les tres escamoteja que, a sobre de totes les jerarquies, hi ha el ferotge ordre patriarcal. Homes que pel fet de ser homes es creuen amb dret de ser reis quan es casen amb una reina de ple dret.<\/span><\/p>\n

Els tres films narren una experi\u00e8ncia pr\u00f2pia de la humanitat, universal; els que mostren l’experi\u00e8ncia masculina \u2014lliure de restriccions masclistes legals\u2014 expliquen una experi\u00e8ncia tamb\u00e9 humana, tamb\u00e9 parcial.<\/span><\/p>\n

\u00c9s esperan\u00e7ador que el gest groller, abans considerat tan viril i que pretesament feia tanta gr\u00e0cia, de glorificar els genitals masculins adjudicant-los el m\u00e8rit del que fos, ara comenci a ser mal vist.<\/span><\/p>\n

Tres pel.l\u00edcules, per cert, molt ben acompanyades. Des que ha comen\u00e7at 2019, \u00e9s a dir, en menys de tres mesos, s’han pogut veure un munt de films de directores. Per exemple, Con el viento<\/em>, Viaje al cuarto de una madre<\/em>, Viaje a Nara<\/em>, La tercera esposa<\/em>, Mug,<\/em> Cafarna\u00fam<\/em>, \u00bfPodr\u00e1s perdonarme alg\u00fan d\u00eda<\/em>?, The miseducation<\/em> of Cameron Post<\/em>, Destroyer<\/em>: una mujer herida, Leave no trace<\/em>… O documentals com El silencio de otros<\/em>, Bergman<\/em>, Su gran a\u00f1o<\/em>, Las cinefilas<\/em>, Terra Sola.<\/em>.. Una bona part, tant dels uns com dels altres, amb fort protagonisme femen\u00ed i ben diversificat, per cert. Algunes hist\u00f2ries les hem disfrutat per partida doble. De l’admirable jutgessa Ruth Bader Ginsburg<\/strong>, n’hi ha documental, RBG<\/em><\/a>, i biografia, Una cuesti\u00f3n de g\u00e9nero<\/em>. S’hi afegeixen les de directors que fan films amb protagonisme femen\u00ed prou digne; per exemple, Viudas<\/em>, L<\/em>a gracia de Lucia<\/em> o La mujer de la monta\u00f1a<\/em>.<\/span><\/p>\n

Si tenen la desgr\u00e0cia d’atipar-se de cine, sempre es pot rec\u00f3rrer al futbol. Cada vegada hi ha m\u00e9s gent que ho fa. Al partit que el 17 de mar\u00e7 va enfrontar les futbolistes de l’Atl\u00e9tico de Madrid i el Bar\u00e7a al Wanda Metropolitano hi van anar 60.739 <\/a>persones. Va superar el r\u00e8cord que s’havia aconseguit feia poc: el passat 30 de gener l’assist\u00e8ncia a San Mam\u00e9s per veure el partit entre les jugadores de l’Athletic de Bilbao<\/em> i l’Atl\u00e9tico<\/em> de Madrid<\/em> va ser de 48.121 aficionades i aficionats.<\/span><\/p>\n

La realitat \u00e9s tan i tan contradict\u00f2ria que, paral.lelament i d’una banda, un entrenador, Simeone<\/strong>, i un jugador, Cristiano Ronaldo<\/strong>, atribueixen als seus respectius genitals les respectives vict\u00f2ries; de l’altra, les futbolistes jugant amb el cap i els peus fomenten afici\u00f3 i marquen gols. \u00c9s esperan\u00e7ador que el gest groller, abans considerat tan viril i que pretesament feia tanta gr\u00e0cia, de glorificar els genitals masculins adjudicant-los el m\u00e8rit del que fos, de les coses m\u00e9s peregrines, ara comenci a ser mal vist i, per tant, sancionat i a multat. O, que enlla\u00e7ant amb les pel.l\u00edcules de reines que presenten ni m\u00e9s ni menys que experi\u00e8ncies humanes sense restriccions i universals, les jugadores del Bar\u00e7a en un bell anunci (que cito de mem\u00f2ria) diuen coses com: \u00abUn driblatge d’una futbolista, \u00e9s un driblatge \/ Una assist\u00e8ncia d’una futbolista, \u00e9s una assist\u00e8ncia…\u00bb.<\/span><\/p>\n

\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0 OPINI\u00d3 Coincideixen a la cartellera tres pel.l\u00edcules que tracten de monarquies i poder. S\u00f3n, per ordre cronol\u00f2-gic, Maria Reina de Escocia, de Josie Rourke (Regne Unit, 2018); La favorita de Yorgos Lanthimos (Irlanda, Regne Unit, EUA, 2018) i […]<\/p>\n","protected":false},"author":59,"featured_media":35477,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26640],"tags":[],"class_list":["post-66972","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opinio-cultura"],"yoast_head":"\nDespr\u00e9s del 8 de mar\u00e7. Cine i futbol | La Independent<\/title>\n<meta name=\"description\" content=\"Coincideixen a la cartellera tres pel.l\u00edcules que tracten de monarquies i poder. 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