{"id":65698,"date":"2018-01-16T00:54:37","date_gmt":"2018-01-15T23:54:37","guid":{"rendered":"https:\/\/laindependent.cat\/sue-grafton-ha-mort-illarga-vida-a-kinsey-millhone\/"},"modified":"2025-08-10T17:54:32","modified_gmt":"2025-08-10T15:54:32","slug":"sue-grafton-ha-mort-illarga-vida-a-kinsey-millhone","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/en\/sue-grafton-ha-mort-illarga-vida-a-kinsey-millhone\/","title":{"rendered":"Sue Grafton ha mort, \u00a1 llarga vida a Kinsey Millhone!"},"content":{"rendered":"

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OPINI\u00d3<\/span><\/strong><\/p>\n

El 28 de desembre passat va morir l’escriptora nord-americana Sue Grafton i de retruc la immortal detectiva Kinsey Millhone. Mai m\u00e9s sabrem com hauria acabat una de les m\u00e9s ambicioses sagues de lladres i serenes que s’han escrit.<\/span><\/strong><\/p>\n

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Nascuda el 1940 a Louisville (Kentucky), Sue_Grafton<\/a>,<\/strong> llicenciada en llengua i literatura anglesa, abans d’emprendre l’extraordinari \u00abThe Kinsey Millhone Alphabet Series<\/em><\/a>\u00bb, va publicar dues novel.les, va treballar com a periodista, actriu i guionista i com adaptadora per al cine i la televisi\u00f3.<\/span><\/p>\n

L’Alfabet \u00e9s una col.lecci\u00f3 de llibres escrita entre 1982 (\u00abA\u00bb Is for Alibi) i 2017 (\u00abY\u00bb Is for Yesterday). Publicada a un ritme aproximat d’una novel.la per any, cada volum correspon a una de les lletres de l’abecedari. Edicions 62 n’ha tradu\u00eft unes quantes.<\/span><\/p>\n

M\u00e9s d’una i de tres han estat guardonades. El 2019 tenia previst publicar l’\u00faltima: \u00abZ\u00bb Is for Zero. Ens l’haurem de pintar a l’oli: no la llegirem mai. Potser perqu\u00e8 havia treballat a Hollywood durant quinze anys, Grafton era completament contr\u00e0ria a vendre’n els drets al cinema o a la televisi\u00f3, o que una altra escriptora o escriptor escriv\u00eds en el seu nom o s’apropi\u00e9s dels seus personatges.<\/span><\/p>\n

La s\u00e8rie va n\u00e9ixer quan una Sue Grafton<\/strong> indignad\u00edssima amb un marit de qui s’estava separant va decidir que era for\u00e7a m\u00e9s pr\u00e0ctic i molt menys perill\u00f3s matar-lo en la ficci\u00f3 que en la realitat (A d’Adulteri, tradu\u00eft el 2001).<\/span><\/p>\n

La detectiva Kinsey Millhone<\/strong>, que exerceix a Calif\u00f2rnia (en una inventada Santa Teresa<\/strong>, a uns cent cinquanta quil\u00f2metres de Los Angeles, escenari de tantes novel.les cl\u00e0ssiques del g\u00e8nere), articula l’abecedari.<\/span><\/p>\n

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Me present\u00e9 y le expliqu\u00e9 mis intenciones, que se resum\u00edan en obtener una declaraci\u00f3n jurada.<\/span><\/em><\/span><\/p>\n

\u2014De las notas del se\u00f1or Shine deduzco que conoci\u00f3 usted a David Barney en una celda la noche en que lo detuvieron.<\/span><\/em><\/span><\/p>\n

\u2014\u00bfEst\u00e1s soltera?<\/span><\/em><\/span><\/p>\n

Mir\u00e9 a mis espaldas.<\/span><\/em><\/span><\/p>\n

Esboz\u00f3 una de esas sonrisitas que hay que practicar mucho ante el espejo; y sin dejar de perforarme los ojos con la mirada.<\/span><\/em><\/span><\/p>\n

\u2014Me has o\u00eddo muy bien.<\/span><\/em><\/span><\/p>\n

\u2014\u00bfQu\u00e9 tiene que ver con todo esto?<\/span><\/em><\/span><\/p>\n

Baj\u00f3 la voz y adopt\u00f3 ese tono imperioso que se emplea con los perros extraviados y las mujeres.<\/span><\/em><\/span><\/p>\n

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Tot i que el temps de la s\u00e8rie \u00e9s m\u00e9s lent que el real, a cada novel.la la veiem evolucionar i afinar-se, veiem com acumula encant i experi\u00e8ncia, veiem com sent i pensa, com pateix i disfruta. Quan comen\u00e7a la primer novel.la t\u00e9 trenta-dos anys; sis llibres m\u00e9s tard (\u00abG\u00bb Is for Gumshoe, 1990), en fa trenta-tres.<\/span><\/p>\n

Al llarg de les novel.les coneixem la tia, que \u00e9s qui l’educa; Henry Pitts<\/strong>, l’octogenari i guap\u00edssim propietari que li lloga la casa i que, en el min\u00fascul espai d’un aparcament, n’hi fa construir una de nova quan en un dels llibres li bomben la que habitava. Tamb\u00e9 coneixem el peculiar humor de l’hongaresa Rosie<\/strong>, la propiet\u00e0ria del bar on sol anar, aix\u00ed com el personal lligat a la seva feina i vida.<\/span><\/p>\n

Seguim tamb\u00e9 les seves no sempre senzilles vicissituds laborals; les ambivalents i peculiars relacions que t\u00e9 amb el footing o la feina dom\u00e8stica.<\/span><\/p>\n

El singular punt de vista de Millhone<\/strong> sobre aquesta \u00faltima tasca es pot veure, per exemple, quan aplega tot de productes de neteja per investigar si un dels personatges s’ha su\u00efcidat.<\/span> <\/p>\n

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<\/span><\/span><\/em>Apabullaba pensar que el ama de casa corriente se pasa la vida con las piernas rodeadas de art\u00edculos mort\u00edferos.<\/span><\/span><\/em><\/span><\/p>\n

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Kinsey Millhone ja no \u00e9s una rara avis ni est\u00e0 sola, l’acompanyen un bon grapat de detectives que amb rotunditat, solv\u00e8ncia i eleg\u00e0ncia \u2014molt femeninament\u2014 resolen els casos m\u00e9s envitricollats arreu del m\u00f3n. Unes investigadores del tot contempor\u00e0nies que ja no han d’explicar per qu\u00e8 ho s\u00f3n: ser detectiva ha passat a ser un ofici perfectament apte per a dones. L’agermanarem nom\u00e9s amb una, amb l’estupenda perdiguera de la novel.lista Sara_Paretsky,<\/strong> amb Vic_Warshawski<\/strong>, que treballa a l’altra punta del pa\u00eds, a Chicago, terra de g\u00e0ngsters i m\u00e0fies. La comparaci\u00f3 \u00e9s obligada sobretot si tenim en compte que Warshawski en ocasions lamenta no ser tan ordenada com la seva col.lega Millhone.<\/span><\/p>\n

Totes dues fan esport \u2014aix\u00f2 no els impedeix beure alcohol\u2014; es cuiden m\u00e9s o menys; saben fer servir \u2014encara que no els agrada\u2014 armes de foc i s\u00f3n expertes en defensa personal. Totes dues defensen aferrissadament la seva llibertat, totes dues s\u00f3n divorciades, viuen soles i no es volen complicar la vida amb cap home i menys amb alg\u00fa relacionat amb les forces de l’ordre…<\/span><\/p>\n

Per\u00f2 tornem a Kinsey Millhone, l’hero\u00efna de Grafton. I com que una imatge val m\u00e9s que mil paraules aqu\u00ed en teniu unes quantes. Per rematar una detallada descripci\u00f3 del f\u00edsic d’un dels personatges diu:\u00a0\u00a0<\/span><\/em><\/span><\/span><\/em><\/span><\/span> <\/p>\n


<\/span><\/em><\/span><\/span><\/em><\/p>\n

Parec\u00eda el protagonista de una pel\u00edcula sobre el amor imposible entre una rica heredera y un guardabosque. Pens\u00e9 que arrojarme entre sus brazos y enterrar la nariz en su pecho habr\u00eda sido un poco improcedente.<\/span><\/em><\/span><\/p>\n

[P<\/span><\/span><\/span><\/span>er tant, molt m\u00e9s prosaicament, ratlles avall acaba]<\/span> \u2014Gracias, le acepto la cerveza \u2014dije y le segu\u00ed hacia la cocina, que pod\u00eda verse con claridad a trav\u00e9s del pl\u00e1stico. Tambi\u00e9n ten\u00eda un trasero interesante\u2014.<\/span><\/em><\/span><\/span><\/span><\/em><\/span><\/p>\n

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Hi ha fragments que no necessiten comentari i que expliquen perfectament el to i la textura de Millhone i per qu\u00e8 la novel.la negra no \u00e9s un g\u00e8nere menor.<\/span><\/p>\n

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El caj\u00f3n era un bazar de camisetas viejas y calcetines desparejados. No iba a tener m\u00e1s remedio que plant\u00e9armelo seriamente y ordenar la ropa alg\u00fan d\u00eda. Me puse el vestido multiuso, que para los entierros resulta ideal: es negro, de manga larga, y confeccionado con poli\u00e9ster mezclado con unas fibras tan milagrosas que puede permanecer un a\u00f1o enterrado sin arrugarse. Me calc\u00e9 unos zapatos bajos de color negro para poder moverme sin dar traspi\u00e9s. Tengo amigas a quienes les encanta ponerse zapatos de tac\u00f3n alto, artilugios que a m\u00ed me resultan incomprensibles. Si fueran tan fabulosos, seguro que los hombres los llevar\u00edan<\/span> tambi\u00e9n.<\/span><\/em><\/span><\/p>\n

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Torna de l’enterrament i per fi pot canviar-se i quedar-se ben descansada. Ho celebra amollant una interessant reflexi\u00f3.<\/span><\/p>\n

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Cerr\u00e9 la puerta a sus espaldas y me deshice del vestido multiuso y de las medias. Me puse los tejanos, el jersey de cuello alto, unos calcetines y las Nike. Alabado sea Dios. […] Me dirig\u00ed al sof\u00e1, me tumb\u00e9 boca arriba y me puse a mirar el techo. Pensar es costoso y dif\u00edcil, por eso casi nadie lo hace.<\/em><\/span><\/p>\n

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\u00a0 \u00a0 OPINI\u00d3 El 28 de desembre passat va morir l’escriptora nord-americana Sue Grafton i de retruc la immortal detectiva Kinsey Millhone. Mai m\u00e9s sabrem com hauria acabat una de les m\u00e9s ambicioses sagues de lladres i serenes que s’han […]<\/p>\n","protected":false},"author":59,"featured_media":64953,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26640],"tags":[],"class_list":["post-65698","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opinio-cultura"],"yoast_head":"\nSue Grafton ha mort, \u00a1 llarga vida a Kinsey Millhone! | La Independent<\/title>\n<meta name=\"description\" content=\"El 28 de desembre passat va morir l'escriptora nord-americana Sue Grafton i de retruc la immortal detectiva Kinsey Millhone. 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