{"id":65229,"date":"2017-09-14T14:35:40","date_gmt":"2017-09-14T12:35:40","guid":{"rendered":"https:\/\/laindependent.cat\/magela-baudoin-a-barcelona-qningu-es-pregunta-per-que-hi-ha-mes-escriptors-homes-que-donesq\/"},"modified":"2017-09-14T14:35:40","modified_gmt":"2017-09-14T12:35:40","slug":"magela-baudoin-a-barcelona-qningu-es-pregunta-per-que-hi-ha-mes-escriptors-homes-que-donesq","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/en\/magela-baudoin-a-barcelona-qningu-es-pregunta-per-que-hi-ha-mes-escriptors-homes-que-donesq\/","title":{"rendered":"Magela Baudoin a Barcelona: “Ning\u00fa es pregunta per qu\u00e8 hi ha m\u00e9s escriptors homes que dones”"},"content":{"rendered":"

\u00a0<\/span><\/strong><\/p>\n

Mar\u00eda de los \u00c1ngeles Baudoin, Premio Nacional de Novela Alfaguara de Bol\u00edvia 2014, va presentar a Barcelona el seu llibre “La composici\u00f3n de la sal”, amb el qual va obtenir el Premio Hispanoamericano de Cuento Gabriel Garc\u00eda M\u00e1rquez 2015.<\/span><\/strong><\/p>\n

<\/p>\n

En una entrevista amb La Independent, aquesta autora ha assegurat que la situaci\u00f3 de les dones escriptores \u00e9s desavantatjosa en un sector dominat per escriptors i editors masculins, ra\u00f3 per la qual, ha explicat, ha iniciat a Bol\u00edvia un projecte editorial destinat a promoure les obres d’autoria femenina fonamentalment llatinoamericana.<\/span>
<\/span><\/p>\n

Si b\u00e9 hi ha una important representaci\u00f3 d’escriptores i escriptors llatinoamericans, s\u00f3n poques les persones dedicades a l’art de les paraules que siguin conegudes, especialment si s\u00f3n de Bol\u00edvia, un mercat molt petit per a qualsevol producte. Els premis obtinguts per Baudoin li han obert les portes d’editorials i llibreries i l’han portat fins a Catalunya on est\u00e0 fent xerrades i entrevistes.<\/span>
<\/span><\/p>\n

Potser per la poca pres\u00e8ncia noms bolivians en la literatura global, la presentaci\u00f3 de “La composici\u00f3 de la sal”, realitzada a la llibreria Laie, \u00e9s una de les poques que s’han fet a Espanya en l’\u00faltim temps on es coneixen obres d’alguns noms masculins de aquest pa\u00efs, com el de Ricardo Paz Sold\u00e1n<\/strong> i Rodrigo Hasb\u00fan<\/strong>.<\/p>\n

L’obra de Magela Baudoin<\/strong> (1973) va ser esmicolada davant un p\u00fablic nombr\u00f3s per l’editor de Navona Editorial, Pere Sureda<\/strong>, i l’escriptor Jos\u00e9 Ovejero<\/strong> que es van centrar en la presentaci\u00f3 del llibre, ressaltant els seus valors, fent peguntas a l’autora, tamb\u00e9 periodista, que les va respondre amb total solv\u00e8ncia en un proc\u00e9s en el qual ella va acabar ocupant tot l’espai.<\/p>\n

<\/span><\/p>\n

D’aquesta obra, una selecci\u00f3 de diversos contes, Ovejero va remarcar el llenguatge polit, la seva eleg\u00e0ncia, la seva subtilesa i la capacitat d’aconseguir transmetre en poques l\u00ednies un univers complex de relacions i situacions. Sureda va fer \u00e8mfasi en la manera en qu\u00e8 els contes generen certa intriga d’una forma poc evident, aix\u00ed com la impressi\u00f3 que tots porten un fil conductor que els uneix.<\/span>
<\/span><\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\"Baudoin<\/span><\/p>\n

Jos\u00e9 Ovejero, Magela Baudoin i Pere Sureda.<\/span><\/p>\n

\u00a0<\/p>\n

Ella, en la xerrada amb els seus acompanyants, durant uns 40 minuts, va explicar les seves motivacions, les seves intencions, el seu afany en construir personatges molt s\u00f2lids i, entre d’altres, va nomenar autors del seu pa\u00eds i als que li havien mostrat el cam\u00ed. Posteriorment va respondre algunes preguntes, de les quals reprodu\u00efm les seg\u00fcents.<\/span><\/p>\n

\u00a0<\/p>\n

Quina difer\u00e8ncia hi ha entre ser escriptor o ser escriptora?<\/span><\/strong>
<\/span><\/p>\n

Si m’haguessis fet aquesta pregunta fa uns anys, hauria saltat amb un discurs purista i antis\u00e8ptic, assenyalant que la literatura nom\u00e9s ha de respondre a criteris de qualitat i defensar-se per si mateixa en el mercat. La veritat \u00e9s que un dia ser\u00e0 aix\u00ed. Avui no ho \u00e9s, aix\u00ed com no \u00e9s cert que en el capitalisme les forces dels actors econ\u00f2mics es “controlen” com hem vist en la profunda crisi financera nord-americana.<\/span>
<\/span><\/p>\n

Es publiquen molts m\u00e9s homes que dones, es ressenyen a molts m\u00e9s homes que dones, el c\u00e0non de qualsevol pa\u00eds t\u00e9 molts m\u00e9s homes que dones.<\/span><\/p>\n

\u00a0<\/p>\n

On est\u00e0 la causa?<\/span><\/strong>
<\/span><\/p>\n

El m\u00f3n acad\u00e8mic contracta a m\u00e9s homes, hi ha molts m\u00e9s nens que nenes que van a l’escola, etc. El que passa \u00e9s que ning\u00fa es q\u00fcestiona que sigui aix\u00ed, ning\u00fa es pregunta per qu\u00e8 els cat\u00e0legs dels grans conglomerats editorials i de les editorials independents s\u00f3n aclaparadorament masculins.<\/span>
<\/span><\/p>\n

No crec que la premsa i que els cr\u00edtics creguin que hi ha m\u00e9s homes amb qualitat art\u00edstica. Senzillament encara ens sembla normal la supremacia masculina en aquest capitalisme cultural que ens toca. \u00c9s normal que es publiqui a m\u00e9s homes, ells mereixen ser-hi, no necessiten defensar-se, mai han tingut la veu embargada. A ning\u00fa li incomoda. En l’\u00fanica llista en qu\u00e8 les dones vam guanyar per incontrastable majoria \u00e9s en la de feminicidis. No \u00e9s estrany?<\/span><\/p>\n

\u00a0<\/p>\n

En aquest marc, t\u00e9 una iniciativa per donar suport a les dones escriptores.<\/span><\/strong>
<\/span><\/p>\n

S\u00ed, vam decidir crear un segell editorial, dins de Plural Editors, que est\u00e0 exclusivament dedicat a difondre el treball de dones escriptores. De manera que el nostre criteri de selecci\u00f3 \u00e9s clarament pol\u00edtic: si, ens interessa publicar dones. punt; i tamb\u00e9 est\u00e8tic.<\/span><\/p>\n

\u00a0<\/p>\n

Quines caracter\u00edstiques ha de tenir aquesta literatura?<\/span><\/strong>
<\/span><\/p>\n

Hem metaforitzat en la Mantis el tipus de literatura que ens convoca, que transcendeix els criteris de qualitat obvis. Ens interessen les escriptures que provenen de la intu\u00efci\u00f3, de les entranyes, de l’afecci\u00f3 a la vida o la mort, del descobriment. Una literatura que no t\u00e9 certeses, que s’anima al tremend viatge de la recerca, perqu\u00e8 ens sembla que l’\u00fanica llei inamovible de l’art \u00e9s que all\u00e0 no hi ha les certeses.<\/span><\/p>\n

\u00a0<\/p>\n

Mantis?<\/span><\/strong>
<\/span><\/p>\n

Mantis. La Mantis s’ha tornat un s\u00edmbol que ens anima a acompanyar les escriptores en el seu vol art\u00edstic. Vam voler explicitar el seu abast en una mena de definici\u00f3 conceptual en el seg\u00fcent text:<\/span>
<\/span><\/p>\n

“La mantis \u00e9s una b\u00e8stia invertebrada, la mala i injusta fama la precedeix. I aix\u00f2 perqu\u00e8 pot, alguna vegada, devorar al mascle durant l’aparellament. La maledic\u00e8ncia oblida, per\u00f2, que aquesta criatura \u00e9s poderosa, no perqu\u00e8 mati, sin\u00f3 perqu\u00e8 porta l’o\u00efda al cor. En aquesta caverna ella metabolitza l’experi\u00e8ncia, la descomp\u00f3n, i aix\u00ed, entre di\u00e0stole i s\u00edstole, ens torna la vibraci\u00f3 sempre \u00fanica d’una veritat. Per aix\u00f2 la vam triar, perqu\u00e8 el seu po\u00e8tic cos \u00e9s alhora manifest pol\u00edtic i est\u00e8tic”.<\/span><\/p>\n

\u00a0<\/p>\n

En altres paraules …<\/span><\/strong>
<\/span><\/p>\n

S\u00ed, la nostra Mantis devora amb amor al lector i li ofereix a canvi una revelaci\u00f3. Escolta els batecs del m\u00f3n t\u00f2xic i adolorit, els modula en el seu t\u00f2rax i inventa amb ells relats que mosseguen i sagnen, que abracen i perdonen. \u00c9s fidel a la m\u00e9s noble vocaci\u00f3 de l’editor: el descobriment. I sense necessitat de fer ombra o de protegir-se en ella, sostinguda en la seva magn\u00edfica i delicada estructura, segueix amb curiositat a les seves companyes de ruta en aquest cam\u00ed escollit, el de crear.<\/span>
<\/span><\/p>\n

\u00c9s aix\u00ed que, amb aut\u00e8ntica fe en aquesta filosofia Mantis, les editores ens hem proposat intervenir, des de la publicaci\u00f3 i els compromisos que aquest pas implica, en el gran tauler del mercat, aquest joc de capitals materials i simb\u00f2lics que no sempre ofereix els daus justos per visibilitzar, llegir i valorar la producci\u00f3 liter\u00e0ria de les escriptores.<\/span><\/p>\n

\u00a0<\/p>\n

Les editores?<\/span><\/strong>
<\/span><\/p>\n

Giovanna Rivero<\/strong>, una gran escriptora boliviana, i jo.<\/span><\/p>\n

\u00a0<\/p>\n

Ja tenen publicacions realitzades?<\/span><\/strong>
<\/span><\/p>\n

Ja vam publicar a Fernanda Trias<\/strong>, uruguaiana, i a Piedad Bonnett<\/strong>, colombiana. Volem publicar a una escriptora boliviana jove i in\u00e8dita i a una argentina, ser\u00e0 l’any que ve.<\/span><\/p>\n

\u00a0<\/p>\n

Qu\u00e8 cal tenir per ser una escriptora Mantis?<\/span><\/strong>
<\/span><\/p>\n

Escriure com si es res\u00e9s a l’infinit univers. Narrar amb el cos. Mastegar el text, depredarlo, estimar-lo.<\/span><\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\"Baudoin<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 Mar\u00eda de los \u00c1ngeles Baudoin, Premio Nacional de Novela Alfaguara de Bol\u00edvia 2014, va presentar a Barcelona el seu llibre “La composici\u00f3n de la sal”, amb el qual va obtenir el Premio Hispanoamericano de Cuento Gabriel Garc\u00eda M\u00e1rquez 2015.<\/p>\n","protected":false},"author":87,"featured_media":33709,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26518],"tags":[],"class_list":["post-65229","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literatura"],"yoast_head":"\nMagela Baudoin a Barcelona: "Ning\u00fa es pregunta per qu\u00e8 hi ha m\u00e9s escriptors homes que dones" | La Independent<\/title>\n<meta name=\"description\" content=\"\u00a0 Mar\u00eda de los \u00c1ngeles Baudoin, Premio Nacional de Novela Alfaguara de Bol\u00edvia 2014, va presentar a Barcelona el seu llibre "La composici\u00f3n de la sal",\" \/>\n<meta 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