{"id":64956,"date":"2017-05-04T14:20:40","date_gmt":"2017-05-04T12:20:40","guid":{"rendered":"https:\/\/laindependent.cat\/barcelona-ciutat-de-cine\/"},"modified":"2025-08-12T19:48:44","modified_gmt":"2025-08-12T17:48:44","slug":"barcelona-ciutat-de-cine","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/en\/barcelona-ciutat-de-cine\/","title":{"rendered":"Barcelona, ciutat de cine"},"content":{"rendered":"<p style=\"text-align: left;\"><strong><span style=\"font-size: 10pt; font-family: 'trebuchet ms', geneva;\">\u00a0<\/span><\/strong> <\/p>\n<p style=\"text-align: left;\"><strong><span style=\"font-size: 10pt; font-family: 'trebuchet ms', geneva;\"><\/span><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><span style=\"font-size: 10pt; font-family: 'trebuchet ms',geneva;\">OPINI\u00d3<\/span><\/strong><\/p>\n<p style=\"text-align: left;\"><strong style=\"font-size: 10pt;\"><span style=\"font-size: 10pt; font-family: 'trebuchet ms', geneva;\">Mentre esperem que arribin les dosis de final d&#8217;abril de <a href=\"http:\/\/www.mostrafilmsdones.cat\/\" target=\"_blank\" rel=\"noopener\">la Mostra de Films<\/a> de Dones o el Festival Internacional de Cinema d&#8217;autor(a), dos dels molts festivals que alegren la vida de Barcelona, els documentals es van encadenant.<\/span><\/strong><\/p>\n<p><!--more--><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: 'trebuchet ms', geneva;\">\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: 'trebuchet ms', geneva;\">A final de mar\u00e7-principi d&#8217;abril i en el marc del <a href=\"\/moritz.feeddog.org\/\" target=\"_blank\" rel=\"noopener\">Moritz Feed Dog<\/a> es va poder veure, fuga\u00e7 com una estrella, el documental d&#8217;Andrew Rossi <a href=\"\/www.firstmondayinmay.com\/\" target=\"_blank\" rel=\"noopener\">The First Monday<\/a> in May(EUA, 2016) sobre la gala i l&#8217;exposici\u00f3 de moda que organitza el Met de Nova York, amb quotes de recaptaci\u00f3 estratosf\u00e8riques i, de llarg, la m\u00e9s visitada. Documenta l&#8217;edici\u00f3 que el 2015 es va emmirallar en Xina, China: Through the Looking Glass; no \u00e9s estrany doncs que el director art\u00edstic de l&#8217;exposici\u00f3 fos el cineasta <strong>Wong Kar-Wai<\/strong> (hi ressona sobretot In the Mood for\u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: 'trebuchet ms', geneva;\">El documental segueix els passos del brit\u00e0nic <strong>Andrew Bolton<\/strong>, conservador de moda del Met, qui ja va trencar tots els esquemes amb <strong>Alexander McQueen<\/strong>: <strong>Savage Beauty<\/strong>, en l&#8217;edici\u00f3 del 2011, i d&#8217;<strong>Anna Wintour<\/strong>, directora del Vogue i fact\u00f2tum de les gales: les duu a bon port a base de criteri, m\u00e0 ferma i molta feina.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: 'trebuchet ms', geneva;\">Tot el que expliqui de la simbiosi d&#8217;art xin\u00e8s (el Met en va sobrat) i moda (algunes fastuoses peces s\u00f3n d&#8217;una de les dissenyadores xineses m\u00e9s consp\u00edcues,<strong> Guo Pei<\/strong>), sobre el luxe desbocat i el glamour intens que despr\u00e8n, sobre la col.lusi\u00f3 de poder i diners quedar\u00e0 curt. Potser tan sols cal deixar-se fascinar per la manera que <strong>Anna Wintour<\/strong> recrea intel.ligentment el seu personatge, cosa que inclou que miri amb diplom\u00e0tics bons ulls el film que va inspirar, El diablo se viste de Prada (EUA, 2006), ben c\u00f2moda en un paper que l&#8217;acosta a la dolenta <strong>Cruella de Vil<\/strong> dels 101 d\u00e0lmates. O potser reveure el monumental gerro blau de l&#8217;entrada decorat amb 250.000 roses blanques que, com poden comprendre, fa que les falles valencianes passin a ser de mida de Lego petit. I sobretot, sobretot, veure modistes com <strong>Karl Lagerfeld<\/strong> \u2014disfressat permanentment de <strong>Carpanta<\/strong> amb un enorme coll dur suposo que per tapar-li les pelleringues del coll\u2014 i sobretot <strong>John Galliano<\/strong> \u2014quan el veus, arrencaries a c\u00f3rrer\u2014 que s\u00f3n m\u00e9s que el revers obscur de la moda: en s\u00f3n l&#8217;aut\u00e8ntica cara i preu, la personificaci\u00f3 d&#8217;El retrat de <strong>Dorian Grey<\/strong> (1891) de l&#8217;irland\u00e8s <strong>Oscar Wilde<\/strong>.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: 'trebuchet ms', geneva;\">Tres maneres ben diferents de filmar documentals, agermanades tamb\u00e9 per les adequades i bones banda musicals que els completen.<\/span><br \/><span style=\"font-size: 10pt; font-family: 'trebuchet ms', geneva;\">En cines comercials es pot veure I am not your negro (EUA, 2016) del director haiti\u00e0<strong> Raoul Peck<\/strong>. \u00c9s un bo i parcial document d&#8217;una \u00e8poca, un collage de molt diferents materials, des d&#8217;anuncis a crus documentals, d&#8217;entrevistes a fragments de pel.l\u00edcules. El punt de partida \u00e9s l&#8217;amistat de l&#8217;escriptor James Baldwin amb tres pol\u00edtics assassinats abans de fer quaranta anys,<strong> Medgar Evers<\/strong> (1925-1963), <strong>Malcolm<\/strong> X (1925-1965) i <strong>Martin<\/strong> <strong>Luther King<\/strong> (1929-1968). El documental posa de manifest un gran ventall de q\u00fcestions pol\u00edtiques, per exemple, com han canviat les coses pel que fa al lloc que ocupen les dones al m\u00f3n i el protagonisme que hi tenen. No en parla mai, per\u00f2 durant tota la projecci\u00f3 et preguntes on s\u00f3n les dones, qu\u00e8 els passava, qu\u00e8 van fer.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: 'trebuchet ms', geneva;\">Malgrat que identifica somni americ\u00e0 amb somni dels homes americans \u2014\u00e9s a dir, la part pel tot\u2014,<strong> Baldwin<\/strong> hi desplega fines an\u00e0lisis, per\u00f2 quan convincentment diu una cosa tan assenyada com que \u00abLa hist\u00f2ria dels negres a Am\u00e8rica \u00e9s la hist\u00f2ria d&#8217;Am\u00e8rica\u00bb, penses que com \u00e9s possible que amb el seu bagatge i sensibilitat i les moltes i variades discriminacions que va patir no sigui capa\u00e7 de posar-se a la pell d&#8217;altri i adonar-se que sense la frase \u00abLa hist\u00f2ria de les negres a Am\u00e8rica \u00e9s la hist\u00f2ria d&#8217;Am\u00e8rica\u00bb o \u00abLa hist\u00f2ria de les dones a Am\u00e8rica \u00e9s la hist\u00f2ria d&#8217;Am\u00e8rica\u00bb, no hi ha hist\u00f2ria. En efecte, tot el que descriu i proposa seria aplicable a la lluita per la llibertat de les dones.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: 'trebuchet ms', geneva;\">Tamb\u00e9 en sales comercials fan<a href=\"http:\/\/www.imdb.com\/title\/tt5804038\/\" target=\"_blank\" rel=\"noopener\"> David Lynch<\/a>: The Art Life(EUA, Dinamarca, 2007), dirigida per<strong> Olivia<\/strong> <strong>Neergaard-Holm<\/strong>, que tamb\u00e9 n&#8217;\u00e9s la muntadora, conjuntament amb J<strong>on Nguyen i Rick Barnes<\/strong>. El documental acaba on d&#8217;altres comen\u00e7arien, \u00e9s a dir quan Lynch comen\u00e7a a rodar Cabeza borradora el 1977. El polifac\u00e8tic director desgrana amb veu potent la seva vida des de la inf\u00e0ncia que, per cert, no va ser gens truculenta sin\u00f3 harm\u00f2nica, feli\u00e7 i plena d&#8217;amor, cosa que encara fa m\u00e9s enigm\u00e0tica la seva producci\u00f3 tant f\u00edlmica com escult\u00f2rica i pict\u00f2rica, i duu a un carrer\u00f3 sense sortida interpretacions freudianes.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: 'trebuchet ms', geneva;\">Mentre parla va trastejant, pintant, modelant, per l&#8217;estudi i les terrasses de casa seva, sol i a estones acompanyat d&#8217;una filla petit\u00edssima; ai, si la mateixa edat que ell la tingu\u00e9s la mare de la criatura! Veiem part de la seva inquietant obra inserida en un documental que \u00e9s en si mateix una obra d&#8217;art exquisida; sofisticadament, s&#8217;hi barregen les paraules de Lynch, els records, obra, fotos i v\u00eddeos casolans. Hi veiem un Lynch que de jove tenia una sorprenent tirada a Oscar Wilde.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: 'trebuchet ms', geneva;\">Tres maneres ben diferents de filmar documentals, agermanades tamb\u00e9 per les adequades i bones banda musicals que els completen.<\/span><\/p>\n<p style=\"text-align: left;\">\u00a0<\/p>\n<p style=\"text-align: left;\">\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 OPINI\u00d3 Mentre esperem que arribin les dosis de final d&#8217;abril de la Mostra de Films de Dones o el Festival Internacional de Cinema d&#8217;autor(a), dos dels molts festivals que alegren la vida de Barcelona, els documentals es van encadenant.<\/p>\n","protected":false},"author":59,"featured_media":64953,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26640],"tags":[],"class_list":["post-64956","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opinio-cultura"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Barcelona, ciutat de cine | La Independent<\/title>\n<meta name=\"description\" content=\"Mentre esperem que arribin les dosis de final d&#039;abril de la Mostra de Films de Dones o el Festival Internacional de Cinema d&#039;autor(a), dos dels molts festivals que alegren la vida de Barcelona, els documentals es van encadenant.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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