{"id":64941,"date":"2017-05-03T01:39:10","date_gmt":"2017-05-02T23:39:10","guid":{"rendered":"https:\/\/laindependent.cat\/dones-realitzadores-i-protagonistes-a-la-filmoteca\/"},"modified":"2017-05-03T01:39:10","modified_gmt":"2017-05-02T23:39:10","slug":"dones-realitzadores-i-protagonistes-a-la-filmoteca","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/en\/dones-realitzadores-i-protagonistes-a-la-filmoteca\/","title":{"rendered":"Dones realitzadores i protagonistes a la Filmoteca"},"content":{"rendered":"<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 8pt;\">El barri de la Concessio francesa dels 30, a Xangai. Blogger M.Teresa\u00a0<\/span><\/p>\n<p style=\"text-align: left;\">\u00a0<\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">La condici\u00f3 de la dona a la Xina dels anys 30 que \u201ccriticava les injust\u00edcies socials\u201d i que \u201cva percebre, des de un primer moment, l\u2019amena\u00e7a japonesa\u201d, va constituir \u2018la primera Edat d\u2019or del cinema xin\u00e8s\u2019. Sobretot a la cosmopolita i occidentalitzada ciutat de Xangai, que les pot\u00e8ncies europees ocupaven amb les anomenades \u2018concessions\u2019, producte d\u2019acords colonials desiguals.<\/span><\/p>\n<p><!--more--><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">D\u2019aquesta \u00e8poca, la Filmoteca de Catalunya presenta una de le seves propostes d\u2019aquest mes de maig: <em>In\u00e8dits xinesos en femen\u00ed<\/em>. Son 5 pel\u00b7l\u00edcules, algunes d\u2019elles impulsades per les productores <strong>Lianhua, Mingxing i Tianyi<\/strong>, que es comencen a emetre a partir del dia 10. A trav\u00e9s del \u201cmelodrama, un <em>star system<\/em> local potent i l\u2019\u00fas de la can\u00e7\u00f3 per popularitzar el film\u201d, <a href=\"http:\/\/www.filmoteca.cat\/web\/programacio\" target=\"_blank\" rel=\"noopener\">la Filmoteca<\/a> <\/span><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">afirma que \u201ces va generar una influ\u00e8ncia constant i una fascinaci\u00f3 m\u00fatua entre la societat de Xangai i el cinema\u201d. El <em>leitmotiv<\/em> del cicle, \u201cfarcit de t\u00edtols in\u00e8dits\u201d que arriben des de Pequ\u00edn \u00e9s dons \u201caquesta fascinaci\u00f3, la qual es concep com un aut\u00e8ntic joc de miralls que tindr\u00e0 la condici\u00f3 de la dona com a eix principal. El 90% del cinema xin\u00e8s d\u2019aquesta \u00e8poca est\u00e0 principalment protagonitzat per dones, les quals esdevenen la met\u00e0fora del patiment nacional i de la caducitat dels valors tradicionals\u201d. <\/span><\/p>\n<p style=\"text-align: left;\">\u00a0<\/p>\n<p style=\"text-align: left;\"><strong><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">Col\u00b7lapse de l\u2019autoritat patriarcal<\/span><\/strong><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">Un dels t\u00edtol es <strong><em>Tai tai wan sui<\/em> <\/strong>(Llarga vida a la senyora, de Sang Hu, 1947). Es la segona col\u00b7laboraci\u00f3 del director amb la novel\u00b7lista <strong>Eileen Chang, <\/strong>que gira entorn de la societat de Xangai, preocupada per guardar les aparences en un univers occidentalitzat. \u201cEl film mostra el col\u00b7lapse imminent de l\u2019autoritat patriarcal i l\u2019esfor\u00e7 de les dones per alliberar-se d\u2019aquest problema\u201d. El dijous 11 la presentaci\u00f3 ser\u00e0 a c\u00e0rrec de <strong>Maria Bohigas<\/strong>.<\/span><\/p>\n<p style=\"text-align: left;\">\u00a0<\/p>\n<p style=\"text-align: left;\">\u00a0<\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\"><img decoding=\"async\" class=\"size-full wp-image-33469 lazyload\" style=\"--smush-placeholder-width: 168px; --smush-placeholder-aspect-ratio: 168\/259;display: block; margin-left: auto; margin-right: auto;\" data-src=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2017\/05\/libropatasImages.jpg\" alt=\"libr\u00f3patasImages\" width=\"168\" height=\"259\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" \/><\/span><\/p>\n<p style=\"text-align: center;\">\u00a0<span style=\"font-size: 8pt;\"><span style=\"line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">Llibre de Eileen Chang; libr\u00f3patas Images<\/span><\/span><\/p>\n<p style=\"text-align: left;\">\u00a0<\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">Un altre \u00e9s <strong><em>Xin n\u00fc xing<\/em> <\/strong>(Noves dones, de Cai Chusheng<em>, 1934<\/em>. Muda, amb r\u00e8tols en catal\u00e0). Es basa en\u00a0 la vida de l\u2019actriu, realitzadora i escriptora <strong>Ai Xia<\/strong>, que es su\u00efcid\u00e0, \u201cper culpa de la premsa groga\u201d. Es tracta d\u2019un \u201cfilm sobre l\u2019emancipaci\u00f3 de la dona i la lluita contra una societat que encara mant\u00e9 uns valors tradicionals, tot i la modernitat aparent de la metr\u00f2poli de Xangai\u201d. <\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">La tercera \u00e9s <strong><em>Shi zi jie tou<\/em><\/strong> (Encreuament de camins, de Shen Xiing, de 1937); es la hist\u00f2ria de quatre estudiants que transcorre durant la Gran Depressi\u00f3 de 1930 i ja incorpora refer\u00e8ncies a la guerra amb el Jap\u00f3. Un altre \u00e9s <strong><em>Ba qian li lu yun he yue<\/em><\/strong> <em>(Eight Thousand Li of Cloud and Moon<\/em>, de\u00a0 Shi Dongshan i Wang Weiyi, 1947); ja havia esclatat la Guerra xino-japonesa i mostra la vida d\u2019una noia que s\u2019uneix a una companyia de teatre ambulant.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">La cinquena, tamb\u00e9 muda i amb r\u00e8tols en catal\u00e0, es <strong><em>Shen nu<\/em><\/strong> (La desea,de Wu Yonggang, 1934). \u00c9s la historia d\u2019una dona que per mantenir el seu fill s\u2019ha de prostituir; \u201cun retrat memorable i testimoni inestimable d\u2019una ciutat on la prostituci\u00f3 era el mitj\u00e0 de vida d\u2019una de cada tretze dones (100.000 dones l\u2019exercien segons algunes estad\u00edstiques oficials)\u201d. Joan Pineda fera l\u2019acompanyament musical.<\/span><\/p>\n<p style=\"text-align: left;\">\u00a0<\/p>\n<p style=\"text-align: left;\"><strong><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">Tamb\u00e9 pioneres del cinema espa\u00f1ol<\/span><\/strong><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">Aquest maig, i acompanyant la presentaci\u00f3 del llibre de <strong>Mar\u00eda Concepci\u00f3n Mart\u00ednez Tejedor <\/strong><em>Directoras pioneras del cine espa\u00f1ol: de los a\u00f1os veinte a los a\u00f1os sesenta<\/em>, la Filmoteca tamb\u00e9 presenta el cicle: <em>Realitzadores pioneres del cinema espanyol<\/em> amb pel\u00b7l\u00edcules de <strong>Helena Cortesina, Rosario Pi, Ana Mariscal i Margarita Alexandre,<\/strong> les primeres dones a dirigir cinema a l\u2019Estat Espanyol. \u201cEl seu car\u00e0cter emprenedor i agosarat les va impulsar a superar barreres de g\u00e8nere en unes circumst\u00e0ncies i amb un mitj\u00e0 que no els eren gens favorables. Desgraciadament la Guerra Civil i el franquisme va acabar de truncar la traject\u00f2ria com a realitzadores de <strong>Pi i Alexandre\u201d<\/strong>. Es tracta, continua la presentaci\u00f3, \u201cde dones que van comen\u00e7ar a obrir un cam\u00ed per a una societat m\u00e9s justa i amable que, encara avui, \u00e9s molt lluny de considerar-se igualit\u00e0ria\u201d.<\/span><\/p>\n<p style=\"text-align: left;\">\u00a0<\/p>\n<p style=\"text-align: left;\">\u00a0<\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\"><img fetchpriority=\"high\" decoding=\"async\" class=\" size-full wp-image-33470\" style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/laindependent.cat\/wp-content\/uploads\/2017\/05\/med_margarita_alexandre.httpwww.historiadoresdelcine.es_.jpg\" alt=\"med margarita alexandre.httpwww.historiadoresdelcine.es\" width=\"232\" height=\"223\" \/><\/span><\/p>\n<p style=\"text-align: center;\">\u00a0<span style=\"font-size: 8pt;\"><span style=\"line-height: 115%; font-family: 'Trebuchet MS',sans-serif;\">Margarita Alexandre;\u00a0www.historiadoresdelcine.es<\/span><\/span><\/p>\n<p style=\"text-align: left;\">\u00a0<\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">Les tres pel\u00b7l\u00edcules del cicle son <em>El gato mont\u00e9s<\/em> de <strong>Rosario Pi Brujas<\/strong>, 1935; <em>Segundo L\u00f3pez, aventurero urbano<\/em>, d&#8217; <strong>Ana Mariscal<\/strong>, 1952. \u201cL\u2019actriu Ana Mariscal tamb\u00e9 va ser una de les pioneres a dirigir pel\u00b7l\u00edcules al nostre pa\u00eds. El seu debut \u00e9s una cr\u00f2nica del Madrid dels cinquanta\u201d. La presentaci\u00f3 del dia 25 ser\u00e0 a c\u00e0rrec de <strong>Marta Selva. <\/strong>El darrer film del cicle \u00e9s <em>La gata <\/em>de <strong>Margarita Alexandre<\/strong> i,<strong> Rafael Mar\u00eda Torrecilla<\/strong>, 1956. \u201c\u00c9s la primera pel\u00b7l\u00edcula espanyola en color i en l\u2019aut\u00e8ntic cinemascop de la Fox\u201d i l&#8217; \u00faltima de les 3 dirigides per aquesta parella. Posteriorment \u201cMargarita Alexandre es va exiliar a la Cuba de <strong>Fidel Castro<\/strong>, on desenvoluparia tasques de producci\u00f3\u201d. <\/span><\/p>\n<p style=\"text-align: left;\">\u00a0<\/p>\n<p style=\"text-align: left;\"><strong><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">Taula rodona sobre \u2018Urbanisme i G\u00e8nere\u2019<\/span><\/strong><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">Tamb\u00e9 hi haur\u00e0 un parell de \u2018Sessions Especials\u2019: el diumenge 14 es projecta la primera pel\u00b7l\u00edcula d&#8217; <strong>Elena Mart\u00edn<\/strong>, <em>J\u00falia ist \u00a0(<\/em>2017) que presentar\u00e0 la pr\u00f2pia directora; el diumenge 21 hi haur\u00e0 una taula rodona presentada per <strong>Laia Grau<\/strong> sobre \u2018Urbanisme i G\u00e8nere\u2019, arran del documental del 2016 <em>Citizen Jane: Battle for the City<\/em> de Mattyrnauer.\u00a0 El treball relata\u00a0 \u201cla batalla, durant la d\u00e8cada dels seixanta, de l\u2019escriptora i activista urbana <strong>Jane Jacobs<\/strong> per salvar barris hist\u00f2rics de Nova York dels plans draconians de remodelaci\u00f3 de l\u2019implacable <strong>Robert Moses<\/strong>, un poder\u00f3s constructor amb una gran influ\u00e8ncia pol\u00edtica. <\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif; background-image: initial; background-position: initial; background-repeat: initial; background-attachment: initial;\">Per acabar aquesta cr\u00f2nica cultural anunciar que l\u2019escriptora i professora de Literatura Comparada<strong><span style=\"font-family: 'Trebuchet MS', sans-serif;\"> Patricia Almarcegui<\/span><\/strong> impartir\u00e0 a Casa <\/span><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">\u00c0sia d<\/span><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">el 16 al 18 de maig el <\/span><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">Curs: <a href=\"https:\/\/www.casaasia.cat\/actividad\/detalle\/218421-curs-dones-viatgeres-a-l-asia\" target=\"_blank\" rel=\"noopener\"><em>Dones viatgeres a l&#8217;\u00c0sia<\/em> <\/a><\/span><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">, que <\/span><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">pret\u00e9n aproximar les dones viatgeres europees, molt menys conegudes que els homes viatgers. Les seves mirades presenten una part de la realitat d&#8217;\u00c0sia, concretament <\/span><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">la societat i cultura de pa\u00efsos com l&#8217;Iran, l&#8217;Afganistan, Turkmenistan.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">En el curs (no gratu\u00eft) s\u2019abordaran les seg\u00fcents tem\u00e0tiques: 1. Viatjar en femen\u00ed. Viatja la dona de forma diferent a l&#8217;home? Les formes i els sentits del viatge\u00a0; 2. <strong>Lady Montagu<\/strong>. <em>Imatges d&#8217; Orient<\/em> ; 3. <strong>Annemarie Schwarzenbach<\/strong>. <em>Viatge i escriptura<\/em>; 4. <strong>Vita Sackville-West<\/strong>. <em>De qu\u00e8 parlem quan parlem d&#8217;\u00c0sia Central<\/em> i 5. <strong>Ella Maillart<\/strong>. <em>La recerca de la pau<\/em>. La <a href=\"https:\/\/www.casaasia.cat\/media\/asset_publics\/resources\/000\/051\/148\/original\/Dones_viatgeres.pdf\" target=\"_blank\" rel=\"noopener\">bibliografia<\/a> s<\/span><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif; background-image: initial; background-position: initial; background-repeat: initial; background-attachment: initial;\">obre aquesta tem\u00e0tica est\u00e0\u00a0disponible a la Mediateca de Casa Asia. \u00a0\u00a0<\/span><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\">\u00a0<\/span><span style=\"font-size: 10pt; line-height: 115%; font-family: 'Trebuchet MS', sans-serif;\"><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El barri de la Concessio francesa dels 30, a Xangai. Blogger M.Teresa\u00a0 \u00a0 La condici\u00f3 de la dona a la Xina dels anys 30 que \u201ccriticava les injust\u00edcies socials\u201d i que \u201cva percebre, des de un primer moment, l\u2019amena\u00e7a japonesa\u201d, [&hellip;]<\/p>\n","protected":false},"author":70,"featured_media":33468,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26506],"tags":[],"class_list":["post-64941","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Dones realitzadores i protagonistes a la Filmoteca | La Independent<\/title>\n<meta name=\"description\" content=\"El barri de la Concessio francesa dels 30, a Xangai. 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