{"id":64304,"date":"2016-12-15T16:07:43","date_gmt":"2016-12-15T15:07:43","guid":{"rendered":"https:\/\/laindependent.cat\/bar-bahar-en-un-mateix-mon\/"},"modified":"2016-12-15T16:07:43","modified_gmt":"2016-12-15T15:07:43","slug":"bar-bahar-en-un-mateix-mon","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/en\/bar-bahar-en-un-mateix-mon\/","title":{"rendered":"‘Bar Bahar’. En un mateix m\u00f3n"},"content":{"rendered":"

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Foto:www.lafugitiva.es<\/span><\/p>\n

OPINI\u00d3<\/strong><\/p>\n

S’ha estrenat fa poc Bar Bahar. Entre dos mundos<\/em> (Israel, 2016), l’\u00f2pera prima de la directora palestinoisraeliana Maysaloun Hamoud, premiad\u00edssima al festivals de Toronto i de Donosti.<\/span><\/strong><\/p>\n

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Potser cinematogr\u00e0ficament no \u00e9s gran cosa, no em correspon a mi parlar-ne, no s\u00f3c cr\u00edtica de cine, per\u00f2 \u00e9s un film d’una pot\u00e8ncia inaudita, exemplar, complex.<\/span><\/p>\n

Hi veiem les vides creuades de tres palestines ben diverses i d’or\u00edgens i religions tamb\u00e9 v\u00e0ries, que conviuen en un mateix pis a Tel Aviv (tenen passaport israeli\u00e0). Tres models de dona que el cine no sol oferir quan parla de palestines o musulmanes. D’una banda, una dona aparentment submisa –vesteix hijab i est\u00e0 compromesa amb un fonamentalista isl\u00e0mic (un genu\u00ed sepulcre blanquejat)–, per\u00f2 que estudia inform\u00e0tica a la universitat i t\u00e9 previst treballar. De l’altra, una advocada (de qui no sabem gaire cosa) i una cambrera i DJ lesbiana de fam\u00edlia cat\u00f2lica; totes dues sense vel ni tel i ben lluny de la religi\u00f3. D’altra banda, es tracta d’actrius ben valentes: d’altres van renunciar despr\u00e9s de llegir el gui\u00f3. Cine i realitat entortolligant-se com sempre.<\/span><\/p>\n

Bar Bahar explica extraordin\u00e0riament b\u00e9 una s\u00e8rie de q\u00fcestions. Des d’uns ulls occidentals hi ha tend\u00e8ncia a pensar que el hijab no pot ser res m\u00e9s que una mostra d’acatament (que ho pot ser, \u00e9s clar) i mai una opci\u00f3. \u00c9s interessant veure com la que el porta s’hi sent b\u00e9, c\u00f2moda; de quina manera quan, per exig\u00e8ncies del gui\u00f3, l’advocada se l’ha de posar, la troba la mar d’afavorida i interessant. \u00c9s revelador constatar com, a pesar de portar hijab i la pretesa submissi\u00f3, rebutja el pis \u00absegur i decent\u00bb que li busca el prom\u00e8s i torna a casa de les altres dues. Temps a venir, es traur\u00e0 o no el hijab; en tot cas, mostra que \u00e9s ben capa\u00e7 d’anar prenent decisions al seu ritme i segons la seva consci\u00e8ncia.<\/span><\/p>\n

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\"eulalia<\/span><\/p>\n

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Per assenyalar el grau d’alliberament de les altres dues protagonistes –-Hamoud<\/strong> va fer la pel.l\u00edcula esperonada per les \u00e0nsies de llibertat de la primavera \u00e0rab–, potser les mostra excessivament amants d’alcohol, tabac i drogues. La veritat \u00e9s que no calia. S\u00f3n dues dones que trepitgen fort, tot i que de vegades trepitgin mines. L’una –professional competent–, busca una relaci\u00f3 heterosexual d’igual a igual perqu\u00e8 hi creu. L’altra –un xic m\u00e9s transgressora–, intenta viure lliurement la sexualitat.<\/span><\/p>\n

Que no estan soles ni s\u00f3n excepcionals ho certifiquen documentals que no arriben ni als circuits comercials m\u00e9s minoritaris. A In the Image: Palestinian Women Capture the Occupation (Judith Montell i Emmy<\/strong> Scharlatt<\/strong>, Palestina-Israel-EUA, 2014) un seguit de palestines \u00abarmades\u00bb tan sols amb c\u00e0meres de v\u00eddeo casolanes, mocador al cap, es limiten a enregistrar violacions dels drets humans comeses als territoris palestins ocupats; ciutadanes ben lliures malgrat les restriccions de les seves vides, malgrat els perills que assumeixen a favor d’un activisme no violent.<\/span><\/p>\n

Bar Bahar mostra com, ben transversalment, els homes s’aprofiten de les relacions de poder establertes, de la subordinaci\u00f3 de les dones..<\/span>
A Women in Sink (Iris Zaki<\/strong>, Israel-Gran Bretanya, 2015), la directora enregistra a la seva perruqueria de Haifa les converses que t\u00e9 amb les clientes mentre els ensabona els cabells i possibilita aix\u00ed un espai de llibertat on \u00e0rabs i jueves parlen sobre pol\u00edtica, hist\u00f2ria, sobre la vida, sobre qualsevol cosa. Per cert, a Bar Bahar hi ha una fuga\u00e7 escena en una botiga on es pot besllumar que les relacions entre palestines i israelianes s\u00f3n o poden ser dif\u00edcils.<\/span><\/p>\n

El film tamb\u00e9 mostra com, ben transversalment, els homes s’aprofiten de les relacions de poder establertes, de la subordinaci\u00f3 de les dones. Des del violent fonamentalista que pot fer el que vol perqu\u00e8, a m\u00e9s, el prestigi i la fama van a favor seu (\u00bfquants pederastes han pogut fer el que han fet perqu\u00e8 sabien que no es donaria cap cr\u00e8dit a les v\u00edctimes; quantes agressions i violacions no es perpetren amb aquest suport?), fins al n\u00f2vio de l’advocada, un occidentalitzat cineasta que troba inevitable, i sobretot c\u00f2mode, que la tradici\u00f3 s’acarnissi, m\u00e9s que s’encarni, en la manca de llibertat de les dones; a qui no agrada que la seva fam\u00edlia (per exemple, sa germana) s\u00e0piga com \u00e9s l’advocada amb qui surt o tan sols la vegi fumar, malgrat que ell hagi pogut estudiar a Nova York, fumi i begui el que vulgui o vesteixi com li doni la gana.<\/span><\/p>\n

Germans d’aquells homes que en el nostre rac\u00f3 de m\u00f3n es creuen amb el dret de fiscalitzar la vestimenta de les dones, no molt lluny dels qui ja va b\u00e9 que les feines dom\u00e8stiques recaiguin en les dones, dels que no se senten implicats a mida que la desigualtat salarial per ra\u00f3 de sexe es va eixamplant, dels que permeten que nom\u00e9s concili\u00efn elles.<\/span><\/p>\n

\u00c9s bo recordar-ho l’endem\u00e0 de les eleccions a la presid\u00e8ncia d’\u00c0ustria: sembla que s\u00f3n les dones les que han aconseguit frenar l’extrema dreta i hi han encimbellat un ecologista. A veure si estar\u00e0 a l’al\u00e7\u00e0ria.<\/span><\/p>\n

Cadascuna de les tres protagonistes de Bar Bahar malda per la llibertat com sap i com pot en un final certament poc esperan\u00e7ador. La prec\u00e0ria DJ t\u00e9 l’exili com a fita. \u00bfPotser a Berl\u00edn? Potser. Malgrat tot \u00e9s la ciutat on les dues primeres turques que van aconseguir divorciar-se regenten amb \u00e8xit sengles restaurants en ple barri de Kreutzberg, els Kn\u00f6fi; \u00e9s a dir, \u00abL’allet\u00bb. L’advocada seguir\u00e0 endavant, tot i que potser haur\u00e0 de renunciar amargament a l’amor. La futura inform\u00e0tica, de moment, ha aconseguit continuar estudiant i –tot i que a un preu alt\u00edssim– s’ha tret de sobre el fonamentalista. Totes tres en aquest \u00fanic m\u00f3n que no els arriba ni a la sola de la sabata.<\/span><\/p>\n

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