{"id":58106,"date":"2013-01-17T13:07:07","date_gmt":"2013-01-17T12:07:07","guid":{"rendered":"https:\/\/laindependent.cat\/cap-a-la-igualtat-en-la-cinematografia\/"},"modified":"2013-01-17T13:07:07","modified_gmt":"2013-01-17T12:07:07","slug":"cap-a-la-igualtat-en-la-cinematografia","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/en\/cap-a-la-igualtat-en-la-cinematografia\/","title":{"rendered":"Cap a la igualtat en la cinematografia"},"content":{"rendered":"

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<\/strong><\/span><\/p>\n

( Imatge CIMA-home)<\/span><\/p>\n

\u00a0<\/p>\n

“No pots estar parlant seriosament” <\/strong><\/span><\/p>\n

Caminant cap a la igualtat en la cinematografia internacional: la uni\u00f3 d’entitats internacionals que treballen la igualtat de la dona en el cinema.<\/strong><\/span><\/p>\n

Durant el 63 Festival Internacional de Cinema de Berl\u00edn es realitzar\u00e0 una trobada que reunir\u00e0 les dones professionals de la ind\u00fastria cinematogr\u00e0fica amb la intenci\u00f3 de fixar una agenda internacional des de la qual treballar per aconseguir la igualtat en la ind\u00fastria del cinema. CIMA<\/a> participar\u00e0 activament en aquesta trobada a trav\u00e9s de les seves xarxes internacionals: MICA<\/a> (Mujeres Iberoamericanas del Cine y Medios Audiovisuales)<\/a> i Ewa<\/a> (European Women ‘s Audiovisual Network).<\/span><\/p>\n

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\"Woman-Thinking-eng\"\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>(foto Ewa)<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0<\/span>
<\/span><\/p>\n

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La trobada “You Cannot Be Serious – A Discussion on the Status of Women Directors”, una iniciativa de l’Dortmund \/ Cologne International Woman Film Festival i el Athena Film Festival de Nova York, reunir\u00e0 el 15 de febrer a Berl\u00edn a les representants de Festivals de Cinema i Xarxes Internacionals dedicades a l’ingr\u00e9s, enfortiment i distribuci\u00f3 de pel\u00b7l\u00edcules que tinguin dones en c\u00e0rrecs directius.<\/span><\/p>\n

Per primera vegada els festivals i xarxes internacionals que donen suport a la participaci\u00f3 equitativa de la dona en el cinema estan treballat juntes per al\u00e7ar la veu a l’un\u00edson i posar en evid\u00e8ncia la problem\u00e0tica que hi ha d’equitat a tot el m\u00f3n. Aquesta \u00e9s una trobada hist\u00f2rica que consolida i posa en com\u00fa el treball que es realitza en diferents latituds tant a nivell estad\u00edstic, en programes de suport, networking, debat i distribuci\u00f3.<\/span><\/p>\n


<\/span><\/p>\n

\"directora_1\"<\/span><\/p>\n

(foto Ewa)<\/span><\/p>\n

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Declaraci\u00f3 d’Ic\u00edar Bolla\u00edn<\/strong><\/span><\/p>\n

(Text de presentaci\u00f3 de la jornada per a la premsa internacional)<\/span><\/p>\n

“A Espanya nom\u00e9s el 7% dels directors de cinema s\u00f3n dones. La xifra \u00e9s una mica millor per a les guionistes. Al m\u00f3n sencer \u00e9s la mateixa la hist\u00f2ria i en molts pa\u00efsos, fins i tot pitjor. \u00c9s possible imaginar un m\u00f3n on menys del 10% de les pel \u00b7 l\u00edcules estiguessin escrites o dirigides per homes? Parlem molt de ‘diversitat cultural’, per\u00f2 a la vegada marginem l’experi\u00e8ncia vital de la meitat de la poblaci\u00f3, o accedim a aquesta experi\u00e8ncia per la interpretaci\u00f3 que fan els homes d’ella.<\/span><\/p>\n

Les pel\u00b7l\u00edcules expressen com som, com s\u00f3n els nostres sentiments m\u00e9s \u00edntims, com somiem, lluitem, estimem. Les pel\u00b7l\u00edcules creen models i retraten les nostres societats. Poden ser testimonis del nostre temps. Com podem deixar que es compti nom\u00e9s la meitat? Que mostrin la meitat de testimonis. Que es retrati nom\u00e9s la meitat. I com podem anomenara-ho diversitat o fins i tot dir que \u00e9s representatiu? Com podem perdre tanta riquesa? La gran pregunta, com subratllen les meves col\u00b7legues en aquesta reuni\u00f3, \u00e9s com canviar aix\u00f2 i enfortir aquest mitj\u00e0 meravell\u00f3s on tenim el privilegi de treballar “<\/span><\/p>\n

\u00a0<\/p>\n

Programa de la Trobada<\/strong><\/span><\/p>\n

La jornada comen\u00e7ar\u00e0 amb Britta Lengowski<\/strong>, Responsable de Distribuci\u00f3 dins del Film und Medienstifung NRW, i Silke J. R\u00e4biger<\/strong>, directora del Dormund \/ Cologne International Women Film Festival, que donaran la benvinguda a les participants i assistents.<\/span><\/p>\n

Posteriorment, hi haur\u00e0 una presentaci\u00f3 a c\u00e0rrec de Kate Kinninmont<\/strong>, representant de l’entitat Women in Film UK, despr\u00e9s de la qual Francine Hetherington Raveney<\/strong>, coordinadora de Ewa – European Women ‘s Audiovisual Network-oferir\u00e0 les noves estad\u00edstiques de taquilla i \u00e8xit nacionals de les pel\u00b7l\u00edcules dirigides per dones a Europa. Tove Torbi\u00f6rnsson<\/strong>, de l’Institut de Cinema Suec, compartir\u00e0 l’experi\u00e8ncia de la seva instituci\u00f3 amb el “Swedish Film Agreement”.<\/span><\/p>\n

Despr\u00e9s d’aquestes presentacions es realitzar\u00e0 un panell per presentar les xarxes internacionals de recent creaci\u00f3, el seu treball i els seus objectius. En aquest panell participaran Francine Hetherington Raveney <\/strong>(ewa European Women ‘s Audiovisual network), Mariel Maci\u00e1<\/strong> (MICA, Dones Iberoamericanes del Cinema i Mitjans Audiovisuals), Kim Yutani (Sundance Film Festival, Programmer, tbc), Melissa Silverstein <\/strong>(Int Women’ s Film Festival). ( Llegiu el Programa<\/a>).<\/span><\/p>\n

\u00a0<\/p>\n

\"mail.google.com\"
<\/span><\/p>\n

\u00a0<\/p>\n

La primera protesta a Cannes<\/strong> <\/span><\/p>\n

“You Cannot be Serious” va ser el crit de la primera protesta internacional, el 2010, amb la qual les professionals del cinema demanaven una representaci\u00f3 justa de les dones al Festival de Cannes. “Aixequem les nostres veus amb l’esperan\u00e7a que aix\u00f2 no passi mai m\u00e9s. Estem observant i no callarem “. I, de fet, dos anys despr\u00e9s, el 2012, les professionals van aconseguir que el m\u00f3n sencer escolt\u00e9s la seva cr\u00edtica davant el nou menyspreu sofert al certamen internacional. Un festival en qu\u00e8 en tota la seva hist\u00f2ria nom\u00e9s una dona ha conquerit la Palma d’Or, Jane Campion<\/strong> el 1993 i va compartir el premi amb Chen Kaige<\/strong>. Nom\u00e9s quatre dones han guanyat primers premis a Ven\u00e8cia i Berl\u00edn, i l’Oscar a Millor Direcci\u00f3 nom\u00e9s l’ha rebut una dona, Kathryn Bigelow<\/strong>.<\/span><\/p>\n

Malgrat aquestes estad\u00edstiques alarmants, les organitzadores d’aquestes taules rodones estan conven\u00e7udes m\u00e9s que mai que les pel\u00b7l\u00edcules fetes per dones compleixen amb els est\u00e0ndards internacionals tal i com estan definits pels festivals de renom.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 ( Imatge CIMA-home) \u00a0 “No pots estar parlant seriosament” Caminant cap a la igualtat en la cinematografia internacional: la uni\u00f3 d’entitats internacionals que treballen la igualtat de la dona en el cinema. Durant el 63 Festival Internacional de Cinema […]<\/p>\n","protected":false},"author":72,"featured_media":28247,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26506],"tags":[],"class_list":["post-58106","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema"],"yoast_head":"\nCap a la igualtat en la cinematografia | La Independent<\/title>\n<meta name=\"description\" content=\"\u00a0 ( Imatge CIMA-home) \u00a0 "No pots estar parlant seriosament" Caminant cap a la igualtat en la cinematografia internacional: la uni\u00f3 d'entitats\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/laindependent.cat\/en\/cap-a-la-igualtat-en-la-cinematografia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" 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