{"id":54437,"date":"2011-02-24T13:01:02","date_gmt":"2011-02-24T12:01:02","guid":{"rendered":"https:\/\/laindependent.cat\/a-lateneu-de-madrid-la-identitat-femenina-continua-sent-tema-candent-de-debat\/"},"modified":"2011-02-24T13:01:02","modified_gmt":"2011-02-24T12:01:02","slug":"a-lateneu-de-madrid-la-identitat-femenina-continua-sent-tema-candent-de-debat","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/en\/a-lateneu-de-madrid-la-identitat-femenina-continua-sent-tema-candent-de-debat\/","title":{"rendered":"A L\u2019Ateneu de Madrid, la identitat femenina continua sent tema candent de debat"},"content":{"rendered":"

Agrupaci\u00f3 ateneista d’Estudis sobre la Dona Clara Campoamor<\/p>\n

<\/b><\/span><\/p>\n

“Per a Clara Campoamor l’Ateneu de Madrid va ser la seva segona llar. En quina mesura va influir l’Ateneu en \u00a0la Clara Campoamor? Probablement m\u00e9s del que es pensa, perqu\u00e8 aquest centre ha estat una pedrera per a pol\u00edtics i oradors”, escrivia Luis Espanyol<\/b> Bouch\u00e9<\/b> a la introducci\u00f3 del llibre La revoluci\u00f3 espanyola vista per una republicana.<\/span><\/p>\n


<\/span><\/p>\n

\n

\u00a0<\/p>\n

Campoamor <\/b>ha donat nom a l’Agrupaci\u00f3 ateneista d’Estudis sobre la Dona, de la qual Maria Teresa Arias<\/b> \u00e9s la seva presidenta.<\/span><\/p>\n

<\/p>\n

Reflexions sobre les m\u00e0scares i els pseud\u00f2nims<\/p>\n

<\/b><\/span><\/p>\n

\"mtarias\"Maria Teresa Arias <\/b>com a historiadora ha escrit L’aventura ultramarina de Flora Van<\/b> Meerck<\/b>, entre altres obres hist\u00f2riques. A m\u00e9s \u00e9s experta en g\u00e8nere. Va celebrar una confer\u00e8ncia el dia dos de febrer, acompanyada per Delfina Mi\u00e9ville Manni<\/b>, soci\u00f2loga i directora de Mekare<\/b>. Les dues dones van pronunciar una lectura titulada Disfresses, pseud\u00f2nims i Dones, M\u00e0scares d’aparen\u00e7a i \/ o fonts de poder? Reflexions al voltant de la q\u00fcesti\u00f3.<\/span><\/p>\n

\u00a0<\/p>\n

Per Maria Teresa<\/b> Arias<\/b> , la dona ha estat desposse\u00efda del seu geni creador. “S’ha coartat el geni creador de la dona o s’ha escamotejat, com si fos obra dels seus parents homes”, va dir. <\/span><\/p>\n

Llavors des de la nostra perspectiva, que tracta d\u2019enfocar-se a la cultura i la historia; \u00e9s important destacar a qu\u00e8 es referia Maria Teresa Arias<\/b>. En concret, ha esmentat el nom de Maria Lej\u00e1rraga<\/b>, la qual no va tenir inconvenient a aportar el seu talent a la causa del seu marit, sense emportar-se el m\u00e8rit ella mateixa. <\/span><\/p>\n

La dona i el seu arquetip <\/p>\n

<\/b><\/span><\/p>\n

La confer\u00e8ncia va continuar pel cam\u00ed que havia obert Mar\u00eda Teresa Arias<\/b>. Entre les causes, en la seva opini\u00f3, per a la passivitat de la dona, en el terreny de la creaci\u00f3 liter\u00e0ria, intel lectual en qu\u00e8 s’aventur\u00e9s i professional, va esmentar “hi ha dones conven\u00e7udes de l’arquetip, tamb\u00e9 es d\u00f3na el grup no conven\u00e7ut per\u00f2 refugiat en ell per evitar problemes, finalment hi ha les dones conven\u00e7udes de la seva maldat i finalment les que s\u00f3n lluitadores i avancen amb el seu nom “. <\/span>
La historiadora es referia aix\u00ed a la q\u00fcesti\u00f3: \u201c L’arquetip: la maldat de la dona, la seva inferioritat.\u201d <\/span><\/p>\n

En el terreny de la literatura, Delfina Mi\u00e9ville<\/b> i Mar\u00eda Teresa Arias<\/b> van trencar una llan\u00e7a per aquelles dones que van emprar un nom mascul\u00ed, per ser llegides. Si b\u00e9, Maria Teresa Arias<\/b> destacava que “urgeix verficar les motivacions que tenien en usar les m\u00e0scares”. <\/span><\/p>\n

Ens va explicar algunes vides ben conegudes. Aqu\u00ed, algunes dones que han utilitzat m\u00e0scares en la literatura:<\/span><\/p>\n

\u00a0<\/p>\n

George Sand<\/p>\n

<\/b><\/span><\/p>\n

\"adupin\"<\/span><\/p>\n

\u00a0<\/p>\n

El seu veritable nom era Aurore Dupin<\/b>. L’escriptora va comen\u00e7ar a vestir d’home, per tenir m\u00e9s llibertat de moviment, ja que per la seva condici\u00f3 femenina, no estava ben vist que freq\u00fcent\u00e9s segons quins llocs. La seva, era una moda inaudita per al segle XIX, on les classes altes es regien escrupol\u00b7losament pels codis socials.<\/span><\/p>\n

\u00a0<\/p>\n

Isaak Dinesen<\/p>\n

<\/b><\/span><\/p>\n

\"idinesen\"<\/span><\/p>\n

\u00a0<\/p>\n

De nom Karen Blixen<\/b>, el seu cas va ser una hist\u00f2ria d’amor, es va enamorar de Denys Finch Hatton<\/b>, \u00a0i amb el nom, compondria un joc de paraules que va resultar ser Isaak Dinesen<\/b>, tal com s’explica al seu museu a Rungsted, Dinamarca.<\/span><\/p>\n

\u00a0<\/b><\/span><\/p>\n

\u00a0<\/p>\n

Maria Teresa<\/b> Arias<\/b> va revelar el nom d’Enriqueta F\u00e1vez<\/b>, sortint de l’\u00e0rea de les lletres. Un altre cas curi\u00f3s.<\/span><\/p>\n

Enriqueta F\u00e1vez<\/p>\n

<\/b><\/span><\/p>\n

Enriqueta F\u00e1vez<\/b> va practicar la medicina i fins i tot va servir al’ex\u00e8rcit de Napole\u00f3 <\/b>abans que la seva veritable identitat fora descoberta. La seva extraordin\u00e0ria hist\u00f2ria va ser documentada en un nou llibre, segons va apuntar l’historiador cub\u00e0 Julio<\/b> C\u00e9sar Gonz\u00e1lez Pag\u00e9s<\/b>, amb motiu del llan\u00e7ament del seu llibre titulat ‘Per caminar vestida d’home’. “Ella no nom\u00e9s va haver de lluitar pel poble i ocultar la seva identitat, sin\u00f3 tamb\u00e9 va haver de lluitar contra ella mateixa per la seva pr\u00f2pia identitat. Aix\u00f2 va ser probablement el que la va fer tan forta”, va subratllar en aquella ocasi\u00f3 Gonz\u00e1lez Pag\u00e9s<\/b>.<\/span><\/p>\n

I m\u00e9s allunyat encara de la literatura, de la medicina, hi ha la salvatge i proscrita pirateria<\/span><\/p>\n

\u00a0<\/p>\n

Anne Bonny<\/b> i Mary Read <\/b><\/p>\n

<\/b><\/span><\/p>\n

Temibles dones pirates, vestides com a homes, que ben b\u00e9 podrien haver nascut de la imaginaci\u00f3 d’Hugo Pratt<\/b>, a les aventures de Corto Malt\u00e9s<\/b>. Es van dedicar a aquests menesters dura<\/span>nt els primers anys del segle XVIII. <\/span><\/p>\n


<\/span><\/p>\n

<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\"maryread\"<\/p>\n

\u00a0<\/p>\n

Finalment,Ma<\/b><\/span>ria Teresa Arias<\/b> i Delfina Mi\u00e9ville<\/b> van concloure la seva confer\u00e8ncia i ens van deixar amb una reflexi\u00f3 sobre la literatura. “Escriure \u00e9s evitar la discriminaci\u00f3. Trencar les barreres de l’espai interior, sortir al p\u00fablic. No ser jutjat per l’exterior. No obstant la paraula \u00e9s producte d’un bagatge cultural, pot ser arriscat expressar-se amb elles. Per\u00f2 l’escriptura es d\u00f3na quan hi ha una capacitat, una possibilitat i sobretot una necessitat “. <\/span><\/p>\n

El negoci de les lletres<\/b> <\/span><\/p>\n

Maria Teresa Arias<\/b>, en la seva condici\u00f3 de escriptora va voler comentar ja al final de la confer\u00e8ncia que sovint en l’ambient cultural actual, es mira amb certa condescend\u00e8ncia a la dona que escriu, com si fos una proesa. Setmanes despr\u00e9s hem pogut comprovar coincid\u00e8ncies en un escrit signat per Inmaculada Lafuente<\/b>, al bloc Dones, d’El Pa\u00eds, Immaculada Lafuente<\/b> escrivia “el que sembla clar \u00e9s que fins i tot en un terreny tan lliure com el de la creaci\u00f3 liter\u00e0ria, les dones llegeixen i escriuen molt, per\u00f2 aix\u00f2 no els porta a publicar al mateix temps que els homes ni a que les seves obres es ressenyen en igualtat de condicions “. I no nom\u00e9s en el fet d’escriure, sin\u00f3 tamb\u00e9 dins de la cr\u00edtica liter\u00e0ria, aqu\u00ed tamb\u00e9, la proporci\u00f3 d’homes \u00e9s infinitament superior a la de dones.\u201d<\/span><\/p>\n


<\/span><\/p>\n


\u00a0<\/span><\/p>\n

\u00a0<\/p>\n

Immaculada Lafuente<\/b> va escriure “potser no \u00e9s ali\u00e8 a aquest fet el que el Premi<\/span> Nacional de la Cr\u00edtica en narrativa castellana, creat el 1956, nom\u00e9s s’hagi concedit en cinquanta anys a dues dones, a Ana Mar\u00eda Matute<\/b> i a Elena Quiroga<\/b>“. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Agrupaci\u00f3 ateneista d’Estudis sobre la Dona Clara Campoamor “Per a Clara Campoamor l’Ateneu de Madrid va ser la seva segona llar. En quina mesura va influir l’Ateneu en \u00a0la Clara Campoamor? Probablement m\u00e9s del que es pensa, perqu\u00e8 aquest centre […]<\/p>\n","protected":false},"author":78,"featured_media":26539,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26706],"tags":[],"class_list":["post-54437","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-temes-culturals"],"yoast_head":"\nA L\u2019Ateneu de Madrid, la identitat femenina continua sent tema candent de debat | La Independent<\/title>\n<meta name=\"description\" content=\"Agrupaci\u00f3 ateneista d'Estudis sobre la Dona Clara Campoamor "Per a Clara Campoamor l'Ateneu de Madrid va ser la seva segona llar. 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