{"id":54123,"date":"2010-11-18T10:08:22","date_gmt":"2010-11-18T09:08:22","guid":{"rendered":"https:\/\/laindependent.cat\/la-prostitucio-el-cine-i-la-vida\/"},"modified":"2010-11-18T10:08:22","modified_gmt":"2010-11-18T09:08:22","slug":"la-prostitucio-el-cine-i-la-vida","status":"publish","type":"post","link":"https:\/\/laindependent.cat\/en\/la-prostitucio-el-cine-i-la-vida\/","title":{"rendered":"La prostituci\u00f3, el cine i la vida"},"content":{"rendered":"

Reflexions i conclusions d\u2019un estudi sobre 250 pel\u00b7l\u00edcules <\/b><\/span><\/p>\n

Escena 1: Tres noies de diferent proced\u00e8ncia i origen pateixen un intent de ser reclutades per a exercir la prostituci\u00f3 en un bordell.<\/span><\/p>\n

Us sona? No tindria res d\u2019estrany si no fos perqu\u00e8 l\u2019escena correspon a una pel\u00b7l\u00edcula de 1913 titulada Tr\u00e1fico de almas<\/i>.<\/span><\/p>\n

Escena 2: El parlament d\u2019un pa\u00eds discuteix una llei sobre si cal prohibir o no la prostituci\u00f3, mentre els propietaris d\u2019un prost\u00edbul es preocupen pel seu futur i, segons diuen, pel de les seves treballadores.<\/span><\/p>\n

Res de particular, si no fos perqu\u00e8 l\u2019escena correspon a una pel\u00b7l\u00edcula japonesa de 1956 de Kenji Mizoguchi<\/b> titulada La calle de la verguenza<\/i>.<\/span><\/p>\n

<\/p>\n

\u00a0<\/p>\n

S\u00ed que hem avan\u00e7at des d\u2019aleshores! Sembla incre\u00efble que la prostituci\u00f3, que ja es tractava al cinema a principis del segle XX, continu\u00ef exactament igual \u2013o pitjor- un segle m\u00e9s tard.\u00a0 <\/span><\/p>\n

\u00a0<\/p>\n

I, sobretot, \u00e9s molt m\u00e9s dif\u00edcil pronunciar-se perqu\u00e8 com que actualment a les societats democr\u00e0tiques hi domina la teoria del lliure albir i la llibertat individual, doncs \u00e9s francament complicat dir qu\u00e8 cal fer respecte de la prostituci\u00f3. Per aix\u00f2 vaig decidir analitzar la representaci\u00f3 que el cinema ha fet d\u2019aquesta q\u00fcesti\u00f3, per veure si m\u2019aclaria una mica. Ja he vist 250 pel\u00b7l\u00edcules.<\/span><\/p>\n


<\/span><\/p>\n

Si hi ha hagut un paper preponderant que la dona ha representat al cinema ha estat el de prostituta. \u201cPosi una puta a la seva pel\u00b7l\u00edcula\u201d semblava la millor manera d\u2019incorporar una protagonista femenina, fins i tot en aquells entorns on nom\u00e9s hi havia homes. Per versemblan\u00e7a narrativa, sobretot, perqu\u00e8 una prostituta podia apar\u00e8ixer a qualsevol escenari sense que en minv\u00e9s la seva \u201cvirtut\u201d. Perqu\u00e8 aquesta \u00e9s la primera i gran divisi\u00f3 de les dones que ha fet el patriarcat: les respectables i les que no ho s\u00f3n, \u201cles que han caigut\u201d, les dones deshonestes. Les bones noies i les dolentes. Les que eren per a casar-se i les que eren per a divertir-se. Les dues cares de la sexualitat masculina: la dona exclusiva i la dona compartida. Aix\u00f2 comen\u00e7a a canviar als anys 60 i, especialment, als 70, quan els moviments per a l\u2019alliberament de les dones van introduir un nou model de prostituta: la dona alliberada que ho feia com a opci\u00f3 personal: \u00a0(Nana<\/b> a Vivre sa vie <\/i>(1962), Bree Daniels<\/b> a Klute <\/i>(1970), Iris<\/b> a Taxi Driver <\/i>(1976), Eva <\/b>a La mujer flambeada <\/i>(1983), China Blue<\/b> a la pel\u00b7l\u00edcula del mateix nom (1985), Lauren Slaughter<\/b> a La calle de la media luna <\/i>(1986), Liz<\/b> a Chicas de Nueva York <\/i>(1986), i fins i tot Vivian<\/b> a Pretty Woman<\/i> (1990), entre d\u2019altres.<\/span><\/p>\n


<\/span><\/p>\n


<\/span><\/p>\n

Quan les dones van comen\u00e7ar a poder fer servir la seva llibertat sexual lliurement, sense ser condemnades moral i socialment, la coartada que els homes nom\u00e9s podien tenir sexe si freq\u00fcentaven prostitutes es va ensorrar. Ja no tenien necessitat de pagar. Les dones ja podien tenir tantes relacions com volguesin sense ser prostitutes ni considerades indecents. Per\u00f2, aleshores, oh sorpresa!, la prostituci\u00f3 va augmentar i va comen\u00e7ar a integrar-se en el discurs normalitzat que era una opci\u00f3 adoptada lliurement i, afortunadament, sense cap sanci\u00f3 moral ni \u00e8tica per a les prostitutes, que ja no eren pobres v\u00edctimes caigudes en desgr\u00e0cia, sin\u00f3 dones lliures que optaven per aquella forma de vida. I el sexe en el cinema posterior als 90 es va fer molt m\u00e9s agressiu, m\u00e9s heavy<\/i>, m\u00e9s expl\u00edcit, i anar de putes va esdevenir una opci\u00f3 m\u00e9s de la ind\u00fastria del lleure, incl\u00f2s el turisme sexual. Apareixen (o tornen) les m\u00e0fies, els traficants de persones, mesclat amb les drogues, la pobresa, la immigraci\u00f3, i tot aix\u00f2 emparat per l\u2019auge de la prostituci\u00f3 i la inanitat dels governs de tot el m\u00f3n: \u00datima salida, Brooklyn<\/i> (1989), Whore <\/i>(1991), Claire Dolan<\/i> (1998), Caos <\/i>(2001), El beso del drag\u00f3n <\/i>(2001), En la puta vida<\/i> (2001), Lilja-4Ever <\/i>(2002), La desconocida <\/i>(2006), Promesas del Este <\/i>(2007), etc. etc.<\/span><\/p>\n


<\/span><\/p>\n

Els homes hetero i homosexuals continuen comprant sexe<\/b><\/span><\/p>\n


<\/b><\/span><\/p>\n

I aix\u00ed continuem avui, en la inanitat. Mentrestant, augmenta la prostituci\u00f3 i el tr\u00e0fic de persones amb finalitats sexuals, l\u2019esclavisme sexual, el sexe amb menors, la peder\u00e0stia i totes les monstruositats que se li ocorrin al g\u00e8nere hum\u00e0 en versi\u00f3 masculina, i \u00e9s que, per moltes pel\u00b7l\u00edcules on hi apareguin dones que paguen per tenir sexe (Servicio de compa\u00f1\u00eda<\/i> (2001), Sonny<\/i> (2002), Hacia el sur <\/i>(2005), El d\u00eda de la boda <\/i>(2005), La clienta <\/i>(2009), la realitat (si alg\u00fa t\u00e9 dades i no llegendes urbanes sobre la q\u00fcesti\u00f3 que me les faci arribar, si us plau) \u00e9s que s\u00f3n els homes hetero i homosexuals qui continuen pagant per sexe, ells deuen saber per qu\u00e8.<\/span><\/p>\n


<\/span><\/p>\n

Algunes pel\u00b7l\u00edcules recents plantegen ja la prostituci\u00f3 com una activitat tan acceptable, digna i normalitzada com qualsevol altra. I molt millor remunerada. Aix\u00ed, despr\u00e9s de veure The Girlfriend Experience<\/i> (2009), en lloc de pensar qu\u00e8 els passa als homes que s\u00f3n incapa\u00e7os d\u2019establir relacions sentimentals i amoroses sense haver de pagar, podem sortir pensant que l\u2019ocupaci\u00f3 m\u00e9s lucrativa a la qual podem aspirar les dones \u00e9s el \u201ctreball sexual\u201d.<\/span><\/p>\n


<\/span><\/p>\n

<\/p>\n

\u00a0<\/p>\n

Les prostitutes acaben sortint a les pel\u00b7l\u00edcules encara que no sigui necessari per a la versemblan\u00e7a narrativa, ni tan sols sigui l\u2019\u00fanica manera en qu\u00e8 els homes poden alegrar la seva avorrida vida sexual. Les prostitutes de Conocer\u00e1s al hombre de tus sue\u00f1os<\/i> (2010) \u2013Charmaine-<\/b> o El americano <\/i>(2010) \u2013Clara<\/b>– podrien ser estudiants d\u2019idiomes, universit\u00e0ries, dependentes, advocades o astronautes. Per\u00f2, \u00e9s clar, s\u00f3n prostitutes.<\/span><\/p>\n


<\/span><\/p>\n

Per acabar, el cine continua recorrent a les prostitutes per dos motius: l\u2019un, per canalitzar la viol\u00e8ncia contra les dones, perqu\u00e8 sembla que l\u2019espectador (i ho dic b\u00e9, l\u2019espectador) justifica i accepta millor que a les putes se les bastonegi, maltracti, violi, rapti, torturi, drogui, bofetegi o humil\u00efi. L\u2019altre, legitima el discurs sobre la prostituci\u00f3 com una professi\u00f3 escollida lliurement, no problem\u00e0tica i molt, molt rendible.<\/span><\/p>\n

\u00a0<\/p>\n

Despr\u00e9s de l\u2019estudi que he realitzat, acabo les meves reflexions amb dues conclusions. Una: cal fer alguna cosa respecte de la prostituci\u00f3. Dues: no s\u00e9 si s\u2019entendr\u00e0 la meva postura, per\u00f2 estic a favor de les prostitutes i en contra de la prostituci\u00f3.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Reflexions i conclusions d\u2019un estudi sobre 250 pel\u00b7l\u00edcules Escena 1: Tres noies de diferent proced\u00e8ncia i origen pateixen un intent de ser reclutades per a exercir la prostituci\u00f3 en un bordell. Us sona? No tindria res d\u2019estrany si no fos […]<\/p>\n","protected":false},"author":75,"featured_media":26165,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26506],"tags":[],"class_list":["post-54123","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema"],"yoast_head":"\nLa prostituci\u00f3, el cine i la vida | La Independent<\/title>\n<meta name=\"description\" content=\"Reflexions i conclusions d\u2019un estudi sobre 250 pel\u00b7l\u00edcules Escena 1: Tres noies de diferent proced\u00e8ncia i origen pateixen un intent de ser reclutades per\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/laindependent.cat\/en\/la-prostitucio-el-cine-i-la-vida\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" 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